August Video Challenge: RT N’ the 44s, Lost My Way

If someone had played this song for me and told me it was a lost Johnny Cash track, I would totally have believed it. It’s not, though, it’s RT N’ the 44s. They’re from Los Angeles, California, and they play some sweet country blues. They have three records out, all of which you can listen to at (and more importantly, buy from) their bandcamp.

Plus they are playing a bunch of shows in Los Angeles this month. If you’re already there or passing through, check their listings and get down to see them.

And now without further chatter: Lost My Way, from March of the Fools (July 2011):

 

August Video Challenge: Wild Yaks, River May Come

The Wild Yaks are from Brooklyn, and they are awesome. The video below is for River May Come from 10 Ships (Don’t Die Yet) (2009). And there will be new music in the fall!

Reason I like this video: because I have lately made it my tradition to plunge myself into the ocean on New Years Day, and in doing so, found I never feel more alive than when I can’t quite feel my toes. I have to be more careful of the undertow than hidden rocks, but I feel like the spirit of the thing is the same.

 

 

Special Signal Boost: They are in need of a guitarist for September!

August Video Challenge: Danielle Dax, Bad Miss M

Danielle Dax was a member of Lemon Kittens from 1979 until 1982, when they went on hiatus and she started her solo career. Bad Miss M is a song about Margaret Thatcher (spoiler: Dax is not a fan) and is from her third solo record, Inky Bloaters (1987).

In addition to being a singer, Dax is also an accomplished artist, interior designer – she’s appeared on the BBC show Homefront and was named their Designer of the Year in 1997 – and garden designer.

I am particularly fond of this song because it’s the kind of thing that will get one moving on a sluggish day.

 

August Video Challenge: Witchboy, Heartbreaker

So here is what happened: I heard some mutterings in the ether about something called “witch house” which sounded intriguing, not least because I thought it might be related to what we elderly goths used to call “swirly girly gothy voice of doom.” It certainly seemed that way from the descriptions I was reading, and you have to admit “witch house” is a much more efficient genre term.

My starting point was Aural Sects‘ bandcamp page. They’re a label who have a lot of electronic artists on their roster, and if you’re into ambient noise, dark electronica, experimental noise, etc etc, get yourself over there and start clicking because you are bound to find something you like. They update frequently, so check back often.

The artists I chose to listen to I picked somewhat at random. Sometimes I liked their album art, other times I thought their name was promising and/or compelling. Witchboy was the latter. And, while I did like the songs – which incidentally sound nothing like “swirly girly gothy voice of doom” – and I find the cover art for Hollymode aesthetically pleasing, it was the first video that I watched, for a song called Heartbreaker, that really got my attention, in a what the blithering hell is going on here? kind of way.

I love that feeling, by the way. The sense of being dropped into the deep end of someone else’s deeply weird and sometimes unsettling artistic creation and having to get up to speed on the visual references on the fly. And, while I liked the tune, what I thought was really interesting was the medium. The video was made using either The Sims or animations made to look Sims-like, while also looking a Disney /Japanese horror movie mashup. And by that I mean I spotted references to both Ringu and The Little Mermaid; I’m sure there are more that have gone flying right over my head.

And then as I was getting ready to post the video, because this kind of thing HAS to be shared, I did some more clicking around and discovered that . . . Hollymode was a parody.

What I’ve found is the Spinal Tap of witch house. And like regular Spinal Tap, it’s awesome. So here, for your entertainment / amusement / possibly enlightenment, is the video in question:

 

August Video Challenge: The Wild Eyes, Vampire Radio

The Wild Eyes are: Len Cockraft, Gareth Dawson, and Nikhil Singh, and they are from Cape Town, South Africa. I found out about them when I was looking for something else, specifically, more information about Nikhil Singh’s alter ego / side project Witchboy, which I had in turn stumbled over when trying to find out what “witch house” was when it was at home.

I’m going to write about that whole strange journey tomorrow. Meanwhile, this tune is pretty catchy and I’m enjoying the visual effects here. Check it:

 

 
Directed by Jenna Bass
Shot by Caleb Heymann
Edited by Jacques de Villiers
Timelapse Footage by www.openfootage.net

August Video Challenge: A Winged Victory for the Sullen, Steep Hills of Vicodin Tears

Another artist from my Chill Out Drown Out mix, A Winged Victory for the Sullen is Stars Of The Lid founder Adam Wiltzie and classical composer Dustin O’Halloran. Their partnership is the result of a chance meeting backstage at a Sparklehorse concert in Italy in 2007.

The music they have produced together is a fusion of their genres, with traditional orchestral forms wrapped delicately around cores of ambient tones, and it is lovely.

The first video I’ve picked for today is lovely too, but, well, it is very unusual and possibly not safe for work. Note: do not adjust your screens, the first minute or so is blurry on purpose.
 

 
Featuring Ruby Pester, Jekaterina Petrova and Antje Taiga Jandrig.
Camera and Edit: robinthomson.tv
 
And if it’s too early in the morning for you to take a trip to bizarro land, here is an alternate version: A Winged Victory for the Sullen performing the song with Kraków’s royal orchestra Sinfonietta Cracovia at Tempel Synagogue in Kraków on October 16, 2011 as part of Unsound Festival 2011:
 

 
Directed by ZFCL.

August Video Challenge: The Honorable South, Beast

And now for something COMPLETELY different: The Honorable South, out of New Orleans, with Beast, from their debut record I Love My Tribe.

After my first listen to I Love My Tribe, I thought to myself They’ve found a way to bottle the spirit of New Orleans, which I know is not a musical metaphor, but is nonetheless the best description I can give you.

But to expand on that thought just a little bit: their tunes are the bone-rattling booty-shaking electric funk cure for what ails you. Click play and prepare to shake your tail feathers.

 

 

August Video Challenge: Tom Petty and the Heartbreakers, Insider

Another year, another challenge, or: I am once again setting myself the task of posting a video a day, every day, for an entire month.

I am starting today with the video for Insider by Tom Petty and the Heartbreakers featuring Stevie Nicks, from Hard Promises (1981).

It was recorded at around the same time as its much more famous cousin, Stop Draggin’ My Heart Around, which was written by Tom Petty and Mike Campbell for Tom Petty and the Heartbreakers but ended up as the single for Bella Donna, Steve Nicks’ first solo record.

I picked it – and it was a very difficult choice, given both the volume and quality of both Petty’s musical and video catalogs – because it is one of my favorite songs, and I didn’t know he had made a video for it until, er, just now, when I went to his VEVO channel to see what was in the “official” video library.

I like it for many reasons; it’s one of his slower, quieter songs – reflective, even – a little bitter, and a little bit sad. With books, some you read, and some read you; I’ve found, over time, that with songs, some you listen to, and some listen to you. This is one that I listened to when I was 15, and later, when I was older, it listened to me very carefully, at times when I’ve had to live / with some hard promises had very immediate and specific meaning.

 

JC Brooks and the Uptown Sound Return to Cleveland + mp3

In the time since we lost wrote about JC Brooks and the Uptown Sound, you may have seen their name thrown around some more, garnering more fans with their incredible live shows, and being added to this year’s Lollapalooza lineup. And maybe you’ve become curious enough to want to experience the ass-moving power for yourself. Or, at least, you damn well should have.

But do you want more (eh? See what I did there?) to entice you? Check out the video for “Sister Ray Charles” (eh? See what they did there?) below and download the mp3.

 

 

Download: “Sister Ray Charles” – JC Brooks and the Uptown Sound

 

Now that you realize the regret that would dog you all the days of your life if you didn’t experience this fantastic band of entertainers live, mark your calendar for August 19, when JCBUS will return to the Beachland Tavern. R.A. Washington and the Family Dollar will play support (Washington was named among the most interesting people of 2012 by Cleveland Magazine) and DJ Charles McGaw will keep the sounds rolling between sets. I cannot properly express here how worth your time this show is, so go see and hear for yourself.

Sun, Aug 19 | 8:30 PM (7:30 PM door)
JC Brooks & The Uptown Sound

R.A. Washington & The Family Dollar
DJ Charles McGaw spins before & between sets

$10.00 adv / $12.00 dos
Tavern | All Ages

 

JC Brooks and the Uptown Sound

The Beachland Ballroom & Tavern