Tag: The Dead Boys

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Bits: Cleveland Confidential, Robert Pollard, Beastie Boys, Jay Reatard, The Dirtbombs, The Due Diligence, Grandfather, Record Store Day

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  • While I was too late to alert you to the Cleveland Confidential Book Tour‘s stop at the Rockhall and its attendant webcast (which was great), the tour – which features Cheetah Chrome (Rocket from the Tombs, the Dead Boys), Mike Hudson (The Pagans) and Bob Pfeifer (Human Switchboard) reading from their respective books – stops at the Ann Arbor District Library in Ann Arbor, Michigan, tonight (April 12) at 7 PM. And if you’re in Los Angeles, California, on Thursday (April 14), you can catch the tour with featured guest Dave Thomas (Rocket from the Tombs, Pere Ubu) at the Grammy Museum at L.A. Live at 7:30 PM.
  • Speaking of Ohio, you can download a few mp3s from various projects of human music machine Robert Pollard.
  • If you somehow haven’t heard it yet, you can check out a leaked track, “Make Some Noise”, from the forthcoming Beastie Boys’ album Hotsauce Committee Part Two on their Tumblr.
  • Jay Reatard documentary Better Than Something will debut at the Nashville Film Festival this Friday, April 15 at 7 PM. (You can check out Waiting for Something a short documentary from the same filmmakers here.)
  • The Dirtbombs have announced a handful of tour dates, kicking off in Detroit, Michigan, at the end of May.
  • The Due Diligence will be playing a double record release show with the Shivers on May 29 at the Mercury Lounge in New York.
  • Grandfather will be playing a free show at The Shop in Brooklyn, New York, on April 23. This will be their first show with their rejuvenated lineup of Joshua Hoffman (vocals), Michael Kirsch (guitar), Phil Sangiacomo (drums) and Justin Mantooth (bass).
  • Record Store Day is this Saturday, April 16, and The Numero Group pop up store in Chicago, Illinois, has a unique offer available.
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Die, Sloopy, Die: Rocket from the Tombs

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Die, Sloopy, Die is a tribute to great Ohio bands of the past and present. The name is an anti-tribute to our official state rock song “Hang On, Sloopy” by the McCoys because, while it is awesome that we were the first state to declare an official state rock song (and, so far, we are one of only two states to do so, Oklahoma having declared the Flaming Lips’ “Do You Realize??” their official state song), we chose one of the lamest songs it was possible for us to choose.

Rocket from the Tombs

Music lineage can be a tangle, especially when it comes to punk. (The family tree of British punk band London SS would take an entire gymnasium wall to itself.) Most music lovers probably know that if you follow the trail backward from the 2006 team-up of Nine Inch Nails and Peter Murphy for “Final Solution”, you’ll light on Murphy’s 1986 version of the song for his album Should the World Fail to Fall Apart before ending up on Pere Ubu’s 1976 release. But there’s another step back, to a Cleveland band who existed for a year. If you trace back from the Dead Boys’ “Sonic Reducer”, you’ll stop on that same Cleveland band.

Having been only a year old at the time of their existence and having parents who continue to be a prime target for mainstream pop, I was unlikely to ever hear Rocket from the Tombs. In their short lifetime, beginning in 1974 and ending in 1975, RFTT never released an album, and they played only a handful of shows. Yet they ended up leaving an important mark on music.

Ain’t It Fun

The core line-up of Rocket from the Tombs included Dave Thomas, Peter Laughner, Craig Bell, Gene O’Connor and Johnny Madansky (with a “guest” appearance by a guy named Steve Bators at their last show). A powder keg with a short fuse, when RTFF imploded, Thomas and Laughner formed Pere Ubu, while O’Connor became Cheetah Chrome, Madansky became Johnny Blitz, and they joined Steve (now Stiv) Bators to become Frankenstein, which later became the Dead Boys.

Rocket From The Tombs 30 Seconds Over Tokyo

Rocket from the Tombs might have only existed as a name in a footnote… but then came the internet, and the knowledge of a continued and widespread interest in this proto-band propelled the release of The Day the Earth Met the… Rocket from the Tombs, 19 tracks comprised from radio and concert recordings from the band’s short life. And what an amazing racket it is. My view is skewed and insular, but it’s difficult to believe this sort of music existed in Cleveland in the early ’70s. The jagged urgency of these songs is still stunning and compelling. In fact, listened to back-to-back, the original “Sonic Reducer” makes the Dead Boys’ version sound polished and mundane in comparison.

Sonic Reducer

Rocket from the Tombs reformed in 2003, bringing Television’s Richard Lloyd along, to play the Disastodrome festival, which they followed up with their own tour and the band’s first recorded album, Rocket Redux. Since then, the band has been ebbing and flowing through each other’s orbits, writing new material, then straggling off again, but they did manage to release a single, “I Sell Soul/Romeo & Juliet”, this past spring (which was, according to Ubu Projex, recorded at the Red Roof Inn in Mentor, Room 146 – so, now you know where to stay if you find yourself in Mentor for some ungodly reason).

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“I love deadlines. I like the whooshing sound they make as they fly by.” -Douglas Adams

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I goofed.

I am in the midst of writing a feature post that I’ve been planning since I started this blog. It’s, uh, taking a little longer than I thought it would, so I am left content-less today.

In lieu of a post, I encourage everyone to watch It’s Everything, and Then It’s Gone (link to the video at the bottom of the page), a documentary on the almost-the-next-big-thing music scene in Akron, Ohio, in the 1970s – a scene which spawned Tin Huey, the Rubber City Rebels and, of course, Devo, among others.