Shouting Thomas Torment
Sometimes you go to a show just hoping the opening act won’t be unbearable. Then sometimes you get something like Shouting Thomas Torment.
While sometimes situated in a group, Shouting Thomas and the Torments, Shouting Thomas was doing it one-man band style at the Beachland Tavern Saturday night. He immediately lived up to his name by shouting, showman style, from the moment he stepped on stage to the moment he stepped off. In between, he thumped the bass drum, drove the hi-hat and took the guitar from fuzzed-out punk blues to rockabilly twang, shook it all together and broke it all down. The set kicked off with “Struggle (Scratch That Itch)”, hit on a number of highlights like “Slave for My Cave”, “All Grown Up Wrong”, “Trouble Doll” and “Swamp Witch”, and closed out with “Shakey Shake #1”. There was also a Bo Diddley beat and a very respectable imitation of a chicken on the guitar.
(Shouting Thomas also made sure to mention a couple of 45s he had for sale: “Slave for My Cave” on a split with Wolfboy Slim and “Black Cat Bone” b/w “Trouble Doll”.)
I went in not knowing a single thing about Shouting Thomas Torment and came out an enthusiastic fan.
T-Model Ford & GravelRoad
One of my regrets from the Great Mississippi Sojourn I took last summer with co-blogger Jennifer and our friend Cam Rogers is that I didn’t spend an evening or two in a juke joint. Well, now I feel a little better because James “T-Model” Ford brought the juke to the Beachland. Aside from being about the right size and aesthetic for a Mississippi juke, the tavern also had about the right heat and humidity Saturday night. But it took T-Model to fill it with the right vibe and sound.
GravelRoad – this night being comprised of just guitarist Stefan Zillioux and drummer Martin Reinsel as bass player Jon “Kirby” Newman was under house arrest for undisclosed reasons – took the lead, playing a couple of their own numbers, showing why they make a great complement to Ford with their low, rough, electric blues-drag sound. Then Ford, who drew a crowd that covered a wide variety of ages and classes, took the stage, strapped on Black Mattie (his trusty Peavey guitar) and got hips to rolling in short order.
Best estimates place Ford’s age at 90, he has a pacemaker and has survived a stroke in recent years, but you’d hardly think it from watching him play. While a couple of his songs this night lasted less than 3 minutes, most of them ran well beyond the usual 5-minute mark, playing on the classic blues tradition of not letting a good groove go once you’ve got a hold of it. And groove is what it’s all about. Just fast enough to get your ass to swaying, but not too fast to keep your partner from holding on tight. This is why they call him the Tail/Tale Dragger. (And this is also probably part of why he calls himself the Ladies Man, because you can bet he was taking in as much of the body-grooving females in the audience as he could.)
While Ford was undeniably the star of the show, the support of GravelRoad should not be underestimated. Zillioux stayed tight in Ford’s wake through tunes like “I Love You, Baby”, “Hip Shakin’ Woman”, “Chickenhead Man” and “Train I Ride”, while Reinsel pummeled a tide of heavy beats that were more than a little responsible for the shaking of hips through the night. Not to mention, Reinsel looked like he was having the time of his life.
Video courtesy of Chris Bishop.
Now if there had just been some fried pickles and sweet tea…
For some absolutely beautiful shots of T-Model Ford’s recent show in St. Louis, Missouri, check out our friend Nate Burrell’s Flickr set.
