Postcards from the Pit: Frank Turner and the Sleeping Souls / Larry and his Flask / Jenny Owen Youngs, Webster Hall, 9/29/12

Once again I went to a show having not heard a note of anyone’s music beforehand. What can I say, sometimes I like to live dangerously. Plus the show was part of my friend’s birthday party, and since she has generally excellent taste in music I was willing to bet it would be a good night. Spoiler alert: I was right!

Jenny Owen Youngs was up first, by herself with her guitar. She was at the opposite end of the stage from me, so the pictures are kind of awkward. But here’s one anyway:
 

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Larry and his Flask were up next. When they came out with a banjo, electric mandolin and an upright bass, but yet also a drum set, I expected they’d continue the mellow tone of the evening and play up-tempo but still sedate bluegrass-inflected folk-rock.

Instead they unleashed a whirlwind of bluegrass-inflected punk rock that was one of the finest musical experiences I’ve ever had. Here they are in action:
 

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And then the gentlemen we had all been waiting for, Frank Turner and the Sleeping Souls. Mr. Turner and his merry crew are not quite as frenetic as Larry and his Flask; more folk rock than folk punk, though Turner’s hardcore roots are definitely tangible in their sound.

The crowd started jumping and singing with him as soon as he started to play, and while I did enjoy the music, it was also a pleasure to be around people that were that happy.

Other highlights:

1) The moment in the middle of the set the room went silent, or as silent as Webster Hall can be when it is full to bursting, while he sang Tell Tale Signs.

It’s new(ish), the third song in a trilogy, and its about love, and also about scars. It is raw and beautiful and left me a little bit breathless and almost kind of alarmed, like I had read something intensely personal that had accidentally been made public.

2) The end, when he closed down the main set with Photosynthesis. That one is a song about getting old and tired and the ways in which the world can pull you down, but also about resisting that drag.

The chorus is I will not sit down and I will not shut up / and most of all I will not grow up, and hearing a packed house sing those words at the top of their lungs was a kick in the pants that I very much needed.

And now, some pictures from the set:
 

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Video: World’s End, Army Navy

Today in the category of Songs I Have Been Listening To Somewhat Obsessively, I present World’s End, by Army Navy.

It is the first single from their third record, which is scheduled to released into the wild early next year. I am hoping that by “early next year” they mean “January 1” (it is a Tuesday!) because I am pants-afire to hear the rest of the songs.

The video below is directed by Mark Schoenecker, and stars Martin Starr (Freaks and Geeks, Party Down) as the creeptastic Chester Felt and Camille Cregan (The Trivial Pursuits of Arthur Banks) as the object of his affections:
 


 

And for the b-side, they did a cover of Yaz’s Only You, which is pretty great too:
 
Only You (Yaz Cover) by Army Navy
 

Finally, their fall tour starts tonight (9/26) in Los Angeles, at the Troubador. Check their listings and get out to see them if you can!

Emma: Perfect Blue

I’ve been kind of hibernating this month – getting used to the idea of having free time in the evenings is apparently a bit of a challenge for me – so my musical choices have been mellow.

Today I’d like to share Perfect Blue by Emma, which is the aural equivalent of a hot bubblebath and a big glass of wine:
 
Perfect Blue by Emma music
 
Emma is: Neil E Curtis, Luke Gregory, Will Moseley and Charlie Rusbridger; they are from North London; and you can listen to more of their tunes at their Soundcloud page.

Video: Silicon Ballet, Sunglasses

Silicon Ballet, I thought. Hmm. Perhaps there will be dancing robots! In tutus!

So I clicked on the link.

There were no dancing robots or tutus on the other end. Instead I was rewarded with some charming dreamy pop, plus adorable children in sunglasses and multiple varieties of super-hero costumes. Check it:

 

 

Silicon Ballet is Anne-Claude Dejasse (Violin), Aurélie Potty (Cello), Katia Raffay (Violin), Didier Soufnenguel (Electronics), Christophe Danthinne (Lead vocals), Antoni Severino (Bass guitar, vocals), David Diederen (Guitars, vocals) and Didier Dauvrin (Drums), they are from Belgium, and Sunglasses is from their debut EP Utopia, released in February 2012.

There is new music on the way; their second EP, to be called Slowly Slowly, is expected in early November.

August Video Challenge: Oh Ginger, And So It Goes

Oh Ginger is Lindsay Holler (Charleston SC) and Michael Hanf (New York NY), and together they sing sweet delicate beautiful songs. They have two EPs out so far, Oh! Ginger and [oh ginger] and a third one coming soon.

Here they are with And So It Goes, from Oh! Ginger:

 

Icon of Coil: PerfectSex

Hey y’all, guess who’s back?

ICON OF COIL.

They’ve come out of a nine-year hibernation with new music and a tour. There’s a sample track on bandcamp called PerfectSex. Check it:
 

 

Tour starts Washington, DC in early September! Be sure to check their listings and get out and see them if you can. It will definitely be a good show.

August Video Challenge: Mark Chesnutt, Bubba Shot the Jukebox

From Mark Chesnutt‘s second record, Longnecks & Short Stories (1992); I think my favorite line is Bubba hollered and raised hell / “I knew just where I was aimin’!

This is an acoustic version, so it’s a little bit slower than usual, but you can get the spirit of the song.
 

August Video Challenge, Tanya Tucker, Delta Dawn

Speaking of me and country radio, I can remember exactly where I was when I heard Delta Dawn the first time: just past the lake and headed down the narrow road through the trees that would eventually take me up to the main road and the 7-11. It was a journey I took frequently, so I was practically on auto-pilot.

And then Tanya Tucker‘s voice and the eerie slow drone under it hit me like a cold bucket of water to the face. I think I turned it up mainly to make sure I was hearing correctly, because it didn’t sound like anything I had ever heard before. I don’t remember when this happened, but I’m guessing it was somewhere around 1992, when Two Sparrows in a Hurricane came out. The DJ probably even played them back to back.

I’m not sure I ever heard Delta Dawn on the radio again after that, or at least not for a while, but it stuck with me just the same.

Here she is singing it on Hee-Haw; she was 14 when this performance was recorded.