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Feel Bad for You, November 2012

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It’s that time again, kids. The Feel Bad for You mix for November is live!

“Hidely-ho neighbors! We’ve back, and feeling bad for November. Your favorite bloggers, twitters, hurricane survivors, pinko commie liberals, and conspiracy theorist wingnuts present this month’s mix. Thanks to Hoosier Buddy for the artwork – he took the photo while standing in the ocean near La Jolla, California. Feel bad for those of us standing in snow (or worse).”

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Feel Bad for You, November 2012

1. Title: Done Got Old
Artist: Heartless Bastards
Album: Stairs and Elevators (2005)
Submitted By: Rockstar Aimz
Comment: I just turned 40. This is my new theme song.

2. Title: Outrageous
Artist: Paul Simon
Album: Surprise (2006)
Submitted By: @philnorman
Comments: It’s outrageous a man like me can stand here and complain.

3. Title: Sadie
Artist: Hound Dog Taylor
Album: Natural Boogie (1974)
Submitted By: Truersound
Comments: just three guys laying the groove down, no big deal

4. Title: A Horse Called Music
Artist: Willie Nelson and Merle Haggard
Album: Heroes (2012)
Submitted By: Gorrck
Comments: The original of this song is almost too clean and pure beauty. This has some rough edges but retains the beauty of the song.

5. Title: Beat Surrender
Artist: The Jam
Album: Direction Reaction Creation (1997)
Submitted By: Simon
Comments: Thirty years ago this month the ‘best fucking band in the world’ released their final single and were on the road for their farewell Beat Surrender tour – what else could I choose this month – more on the blog later this month.

6. Title: Blackberries
Artist: Boca Chica
Album (year): Transform Into Beasts (2007)
Submitted By: BoogieStudio22
Comments: I can’t remember how I stumbled upon Boca Chica, but I’ve had them on my ‘buy’ list for a while. I finally picked up one of their earlier albums and have been enjoying it this week. I had a tough time choosing a song for this month’s FBFY, but I keep going back to this one, so here you go.

7. Title: California Dreamin’
Artist: Barry McGuire
Album: Dunhill LP 50005 (1965)
Submitted By: tincanman
Comments: Sounds like someone taking the piss (UK saying), but this is the original. The Mamas & Papas were in the studio at the same time, so supplied the backing vocals. The Cave-like harshness over the sappy sweet harmonies make it almost punky … or is it because McGuire can’t hold a tune?

8. Title: Everybody Knows
Artist: Allen Thompson Band
Album: Salvation In The Ground (2012)
Submitted By: Bryan Childs (ninebullets.net)
Comments: “Everybody Knows” isn’t a comfortable song. It doesn’t really have a groove and you’ll never dance to it, but like The Eagles “Desperado,” you might find yourself wanting to hold up a lighter while it’s playing. The track eschews “a catchy tune” and goes for the “honesty so brutal you can’t help but sit down and pay attention” lyrics…

9. Title: Separation Anxiety
Artist: Mutts
Album: Separation Anxiety (2012)
Submitted By: April @ Now This Sound Is Brave
Comments: I figured there could hardly be a more fitting contribution to a mixtape that encourages drunken commentary than this shambling, drunken, everybody-sing-now ditty from Chicago’s Mutts.

10. Title: Jamie
Artist: Weezer
Album: DGC Rarities, Volume 1 (1994)
Submitted By: Ryan (Verbow @ Altcountrytab.ca)
Comments: Been on a Weezer kick lately. This is a fine track that didn’t make the Blue Album – just a sweet slice of power poppy goodness. It also comes with a cool story – it was recorded by a friend of the band for his college final – he got a B on it. Nice. Also reminds me of a girl I knew named Suzanne – I keed I keed, a girl named Jamie. Swoon. Good times.

11. Title: Two Riders
Artist: Bohannons
Album: Unaka Rising (2012)
Submitted By: TheOtherBrit
Comments: While the bulk of Atlanta was down the street at the democrats’ bar watching the election results, the Bohannons were putting on a scalp-peeling show for less than a dozen people that rivaled the show I saw for a near sold out crowd in their home-town Chattanooga. This album doesn’t do their live show justice (which is one of the best I’ve seen in years), but for $5 from thisisamericanmusic.com it’s gonna be one of your favorite albums this year.

12. Title: Snake Song
Artist: David Olney with Sergio Garcia
Album: Unreleased – Live at Grimey’s (2012)
Submitted By: toomuchcountry
Comments: Back in February, author Brian Atkinson made an in-store appearance at Grimey’s New and Preloved Music in Nashville to promote “I’ll Be Here In The Morning”, his book about Townes van Zandt. Grimey added to the promotion of Brian’s book by inviting incredible talents such as Will Kimbrough and the legendary Steve Young to sing covers of Townes’ songs or their songs that may have been somehow influenced by him. The striking highlight for me, however, was David Olney’s cover of Snake Song featuring jaw-dropping guitar work by Sergio Webb. My video of the performance is also on YouTube (as well as the performances by Kimbrough and Young).

13. Title: Oxblood
Artist: The Donkeys
Album: Born With Stripes (2011)
Submitted By: hoosier buddy
Comments: Like your second trip to the kissing booth, this song is as thrilling as it is comfortable. With echoes of Marc Bolan, Ray Davies, and the Commotions (minus Lloyd Cole), the alt-country psychedelia whangs and burbles along. The musical question, “could there be a relationship here?”, applies as much to the listener as it does to the girl who says she’s “got friends in from out of town.”

14. Title: Reefer
Artist: Harlan Pepper
Album: Young and Old (2012)
Submitted By: @popa2unes
Comments: I spent most of the week trying to weed out a song to submit, and then Colorado and Washington State made this old stoner a very happy hippie.

15. Title: Joe
Artist: The Pollies
Album: Where the Lies Begin (2012)
Submitted By: Trailer

16. Title: Fields of June
Artist: Emily Barker & the Red Clay Halo (featuring Frank Turner)
Album: Field of June single (2012)
Submitted By: scratchedsoul
Comments: I don’t know much about Emily Barker and the Red Clay Halo but Frank Turner tweets about them a lot. Now he’s singing with her and it’s obvious why he likes her. She was part of the Revival Tour in Europe this year.

17. Title: Calm Me Down
Artist: Port O’Brien
Album: Threadbare (2010)
Submitted By: annieTUFF
Comments: Lately this has been my “ease me into the morning while driving” song.

18. Title: Rotten Alabama
Artist: Ramsay Midwood
Album: Larry Buys A Lighter (2011)
Submitted by: Corey Flegel (This Is American Music)
Comments: Ramsay is a Texas legend in my eyes. Every record he’s put out is stellar. If you’re ever in Austin…

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A Good Read, a Good Listen, and a Good Drink: Christian D.

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Christian D. by Jon Blacker

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.

 

After a hiatus, we are happy to have Christian D bringing the read/listen/drink series back into circulation. We were introduced to Christian through his performance this year at Couch by Couchwest… when I may or may not have flung my panties at the screen.

 

 

As lead of Christian D and the Hangovers, Christian lays down dark rockabilly with smolder and swagger, and it’s hard not to get caught up in the mood.

 

 

You can download some free songs at the various Christian D and the Hangovers outposts, listed at the end of this post, and they’re having a Bandcamp sale on digital downloads from now until Christmas.

 

 

Aside from being one sexy rock ‘n’ roll motherfucker, Christian is also a nice and thoughtful man whom I’ve had the pleasure of having some good conversations with on Twitter. So now I’m happy to hand the reins over to Mr. Christian D.

 

Good Read:
It seems like I read three things mainly, science fiction, music biographies and sprawling novels with convoluted stories of shady characters. Here’s something that combines all three: Bruce Sterling’s Zeitgeist.

Sleazy pop promoter Leggy Starlitz takes a rip-off Spice Girls-style band through Moslem Cyprus in an attempt to make it rich and pass unscathed through the Y2K scare, with his strange pre-teen daughter in tow.

There’s tech geekery, music biz fuckery, pop star deaths, a Turkish warlord and tonnes of weird con jobs going on. If I described it any more, or tried to lay out the plot, I’d probably wreck it for you. So to sum it up, it’s fascinating and entertaining with weird tangential goings on.

 

Good Listen:
I do listen to a lot of new stuff, but return to my personal classics constantly. There’s not a week that passes where I don’t listen to some Elvis, Stooges, the Cramps and Tom Waits. Another big one for me is Nick Cave. I still remember the first time I heard him, ear pressed against the speaker of a cheap radio, lighthouse flashing on my wall, as The Birthday Party’s Release the Bats tore down my conception of rock and roll.

From the early Bad Seeds period my current favourite is Your Funeral… My Trial, which seems to sum up his career to that point, and point the way to the future. From tender love songs, to crazed lusty gothic blues, this is a record I return to time and time again. It’s a dark obsessive tour through love, sex and death.

 

 

Good Drink:
While in literature and music I appreciate a certain complexity, in drinking I usually want simplicity. Most of the time I’m a beer drinker. My current favourite is Rolling Rock. It’s cheap and tasty.

Another thing I drink often is my take on Irish coffee. No need to bother with cream, whipped or not, or sugaring the rim. Make a strong cup of coffee. Add Scotch – you now have a Scots Coffee. It’ll get you through the night.

 

Christian D and the Hangovers Official Website

Christian D and the Hangovers @ Bandcamp

Christian D and the Hangovers @ ReverbNation

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The Wind-up Birds: The Mild Awards

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The Mild Awards by the Wind-up Birds

 

Time to put my favorite discovery of 2012 on your radars again. The Wind-up Birds have a new single out (note to other bands: you see? Two songs is a single, not an EP): “The Mild Awards” b/w “Some Gimmicks for You”. The two songs together form a set piece, commenting on the carefully calculated path toward mediocrity that so many artists seem to take in pursuit of attention and validation. Oh yeah, and the songs sound great, “The Mild Awards” punctuated with grand horns while “Some Gimmicks for You” employs some new wave pop keys.

Not to mention the video put together for “The Mild Awards” which had me not just LOLing but actually laughing out loud.

 

 

Pick up the single through the Wind-up Birds’ Bandcamp site in either digital download or limited-edition 7″ vinyl (you know you want cover puppy Royston in your collection).

 

The Wind-up Birds Official Website

The Wind-up Birds @ Bandcamp

The Wind-up Birds @ Twitter

The Wind-up Birds @ Facebook

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Don’t Follow Me (I’m Lost): NYC Premiere

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Don't Follow Me (I'm Lost) Bobby Bare Jr documentary poster

 

As people continue to salvage their homes and lives, life in New York continues on. (You may slow New York down, but you will not stop it.) And this Sunday, November 11, the Bobby Bare, Jr., documentary Don’t Follow Me (I’m Lost) will be seeing its NYC premiere as a part of the DOC NYC festival.

The film will be screening at 9:30 p.m. on November 11 at the IFC Center and will include a Q & A with Bobby Bare, Jr., and director/producer/director of photography William Miller. You can purchase tickets here.

There will be an additional screening at the IFC Center on Thursday, November 15 at 9:00 p.m. Tickets are available here. Bobby Bare, Jr., will not be at this second screening, but he will be playing a show down the way at the Mercury Lounge. (Note: the show is a separate ticket.)

A portion of the proceeds for the Don’t Follow Me (I’m Lost) screening will go to Sandy disaster relief. For more details, e-mail bbjrdoc@gmail.com

 

Don’t Follow Me (I’m Lost) Official Website

Don’t Follow Me (I’m Lost) @ Twitter

Don’t Follow Me (I’m Lost) @ Facebook

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Mutts: Separation Anxiety

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Mutts, Now That's Class, Cleveland, Ohio

 

Your teeth are diamond studded
You’re always smilin’ at me
When I ain’t got any teeth

 

 

Happy Voting Day, friends! This lyric from the Mutts song “Washington (Still) Owns People”, from their album Separation Anxiety, seemed like an appropriate way to start this Election Day post.

I’ve been putting this post off for a while because I’ve had a difficult time getting a handle on exactly how to talk about their music. I was intrigued by the album from the start – it’s hard not to be when an album starts with a rhythmic, imaginative gem like “So Many, So Many” that makes you want to find a bucket and a wooden spoon so you can beat along.

 

 

But then they bring in the amped instruments, and things get complicated. Elements of rock, hardcore, progressive, thrash, funk, blues all throw in together for a meaty stew in songs that lyrically explore subjects from politics to religion to maintaining a romantic relationship as a touring musician.

 

 

It’s a compelling mess (and I mean that in the best way) Mutts are making here, never falling into cookie cutter parameters or imitation. Many of the elements used are familiar, but the direction these elements are taken is not, and that keeps your attention, wondering where Mutts will go next.

My favorite song on the album is the title/closing track that leads in like a raise-the-rafters gospel stomper, but then devolves into a drunken, shambling barroom sing-a-long.

 

 

The digital version of Separation Anxiety is available on a name-your-price basis, and CD and vinyl version are available for just a little scratch, including the beautiful “Mending Wall” LP.

Now here’s the part that really excites me: Separation Anxiety was funded in a Kickstarter campaign as part of a double-album deal. The second album, Object Permanence, will be an acoustic album and a sampler listen shows the album running in a vein similar to “So Many, So Many” and “Separation Anxiety”, so keep your ear to the ground for that one.

 

Mutts Official Website

Mutts @ Twitter

Mutts @ Facebook

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Fistful of Beard: Until We Know Better

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Fistful of Beard

 

Often when you hear a band who sits at the, some would say unlikely, crossroads of country and punk, it seems the punk tag is only given a passing nod, more evident in band members’ tattoos than in the music. Fistful of Beard, who hail from the northern Alabama town of Decatur, attack it from the opposite direction. On FoB’s new album, Until We Know Better, the guitars crash more than they jangle – though the music always speaks with an Alabaman accent, an accent of good ol’ boys who are actually good, of people just trying to do the best they can.

 

 

And for those who like a tender moment, songs like “The Rain” offer real poignancy.

 

 

You can get Until We Know Better on Bandcamp, either digitally or in a limited-run CD with a hand-screened cover of that wonderful sleeve art.

 

Fistful of Beard @ Bandcamp

Fistful of Beard @ Twitter

Fistful of Beard @ Facebook

 

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Feel Bad For You, October 2012

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It’s Fifty Shades of Come Make Fun of Us for What We Listen to When No One Is Looking for FBFY this month. I tried to save a little face with my entry.

“Embarrassed by some of the music that you love? October is for you! Honestly, I was expecting more bad country music submissions for this month, but we got a nice variety. And by nice I mean embarrassing. Your favorite bloggers, twitters, self-important a-holes on the internet, and other jokesters present 50 Shades of Feel Bad for You: Guilty Pleasures Edition. Thanks to @philnorman for the killer cover art.”

 

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1. Title: Killer Whale
Artist: Underground Resistance
Album (year): 1992
Submitted By: Slowcoustic
Comments: I don’t want to say this is a “guilty pleasure” as much as it is a genre that most folks are surprised that I really really love (once and awhile). Early Detroit Techno. The “techno” today tends to be a bit too shiny for me and I am just too far removed from any sort of scene now to get the good stuff I guess. So, like every other aging dude who used to like metal or techno while growing up – I will always enjoy the classics as a guilty pleasure. I am pretty sure I owned the white label vinyl for this track back in the day – sold from a DJ from the trunk of his car…obviously…

2. Title: Planet Earth
Artist: Duran Duran
Album: Greatest Hits (1998)
Submitted by: Simon
Comments: Time to confess I guess, I’m a bit of music snob, sometimes I may voice an opinion on my good ladies choice of music, most times my comments are frowned upon or brushed off with more than a little disdain, in truth I’m lucky I don’t get a punch in the nose for my generally scurrilous commentary, in my defense I am often tortured by Absolute 80′s on the radio and Now That’s What I Call Music Volumes 1 to 6 on the stereo, so my choice is a real guilty pleasure – hopefully I’ll get away with it….

3. Title: Here For The Party
Artist: Gretchen Wilson
Album (year): Here For The Party (2004)
Submitted By: BoogieStudio22
Comments: Shut up! I told you it was a guilty pleasure.

4. Title: I’m Raving
Artist: Scooter
Album (year): Wicked! (1996)
Submitted By: tincanman
Comments: I know this is a sacrilege, so no need to rub my nose in it :) . Scooter’s fast tempos and happy melodies are infectious and this is one of their signature covers. You just gotta get over being a big ole stick in the mud to enjoy it.

5. Title: Que Veux-Tu
Artist: Yelle
Album (year): 2011
Submitted By: @scratchedsoul
Comments: I have no idea what this song is about as my French isn’t that strong. I just hope they’re not singing about fascist topics. Listening to dance/pop songs in a foreign language is much easier because you don’t have the insipidness of the lyrics distracting you from the catchiness of the song.

6. Title: The Background
Artist: Third Eye Blind
Album (year): Third Eye Blind (1997)
Submitted By: Trailer
Comments: This whole album is a guilty pleasure for me, full of ridiculously catchy pop-alt-rock, but it’s this tearjerker about a hospital-bound ex-lover that always gets me.

7. Title: Greatest Night
Artist: Vulture Whale
Album (year): Bamboo You (2010)
Submitted By: TheOtherBrit
Comments: I don’t usually condone singing with a fake British accent, but this Vulture Whale album is awesome.

8. Title: Extraordinary
Artist: Liz Phair
Album (year): Liz Phair (2003)
Submitted By: hoosier buddy
Comments: I’m a process guy, so I started with a list of about twenty “possible” artists, then chose three representative songs from each artist to review. I rejected Lily Allen (too obvious), Delerium (pointless), and ¡Bowling for Soup! before landing on this rough gem from Liz Phair. I am a Phair fan, and I respect her songwriting abilities. She’s made some important contributions to pop music, including Exile in Guyville. But I digress…

“Extraordinary” was manufactured to be like the girl all the bad guys want. But even made up like a teen beauty pageant contestant by über-pop producers The Matrix, this pop-rocket failed in its mission to penetrate the chart stratosphere. It landed with a critical thud. But, as a guilty pleasure, it delivers in spades on both counts. Listen to that industrial-strength garbage can guitar tone, the Johnny-Barbata-drum-school dropout drumming, the Nutrasweet-cum-Chipmunks backing vocals, and you know this is the one you want to take home from the dance. Phair sings these cringe-worthy lyrics lustily, and you can hear the self-image crisis (average every day sane psycho supergoddess) within the this-is-almost-a-relationship crisis within the what-are-the-chances-of-getting-radio-airplay crisis – the Russian dolls of pop angst! This is what a plaisir coupable should be: more pleasure than guilt.

9. Title: Joyride
Artist: Roxette
Album (year): Joyride (1991)
Submitted By: Ryan (Verbow @ altcountrytab.ca)
Comments: When I think guilty pleasures, I think of bands/songs that you would be completely horrified to have your friends find out about. What better guilty pleasure, then, than an early 90′s crap pop song from a Swedish crap pop powerhouse? Ladies and gentleman – “Joyride” by Roxette. I want to hate myself for liking this song, but I can’t. I will sing it at the top of my lungs any time I hear it, unless I happen to be within 100 feet of another actual human being who may hear me and judge me for my forbidden love. I’m so sorry for this.

10. Title: Toxic
Artist: Nickel Creek (covering Britney Spears)
Album (year): live (2005?)
Submitted By: April @ Now This Sound Is Brave
Comments: This tune is such a guilty pleasure for me that I can’t even bring myself to submit the original, so I’m hoping to preserve a modicum of respect with this Nickel Creek cover, serendipitously recorded at the House of Blues (blech) in Cleveland (yay). I’ve never been fond of Spears’ work, but the unique instrumentation and the abjectly sexual vibe of this song hit me in an irresistible spot.

11. Title: I Believe In a Thing Called Love
Artist: The Darkness
Album (year): Permission to Land (2003)
Submitted By: @philnorman
Comments: I love the complete campy perfection of this song, from the falsetto hook to the hair band homage video complete with Ghostbusters photon streams shooting from the guitars. My life as the singer in a party cover band will be complete when we do this song.

12. Title: Shakin’
Artist: Eddie Money
Album (Year): the 80′s
Submitted By: Truersound
Comments: I really struggled with this submission, normally my go to for “guilty pleasure” is Alabama, but those guys are like classic country now I suppose. There were others I considered but did not really feel guilty about enjoying (such as The Eagles), many nostalgia and irony laced acts and then there were many that I enjoy when I hear them on the radio or in a store (such as I Saw The Sign or You Belong To Me) but I don’t actively seek out to listen to. That led me to this, of which I have an Eddie Money greatest hits tape in the car and I genuinely dig. I only feel partially guilty though, and that’s only because I also once enjoyed a scene on King Of Queens featuring this song. For the record Eddie Money’s best song is “Gimme Some Water,” but I have zero guilt about that one.

13. Title: Hit the Switch
Artist: Bright Eyes
Album (Year): Digital Ash in a Digital Urn
Submitted By: Rockstar Aimz
Comments: I am completely embarrassed to admit that I like Bright Eyes. Go ahead. Judge. I can take it.

14. Title: Dirty Song
Artist: Cars Can Be Blue
Album (year): All The Stuff We Do (2005)
Submitted By: annieTUFF
Comments: This was a hard decision for me! Uh, don’t listen to this song with any kids around.

15. Title: Hand Me The Crown
Artist: The Dirty Urchins
Album (2011): Just In Time
Submitted By: @popa2unes

16. Title: Second Chance
Artist: .38 Special
Album (1988): Rock & Roll Strategy
Submitted by: TheSecondSingle/Beldo
Comments: This was tough for me. There were a lot of songs I considered: “Love In The First Degree” by Alabama, “No One Is To Blame” by Howard Jones, “Live To Tell” by Madonna. Anyone who knows me even a little bit knows I have a soft spot for guilty pleasures. Sometimes the guilty pleasures override the respectable pleasures, but I digress….38 Special released what is easily one of the wussiest monster ballads of the ’80s and definitely the wussiest song by a band named after a gun, but you know what? I don’t care. Cause this song rules. It has kick ass harmonies and a killer chorus. It also sounds nothing like the shit kickers who recorded “Caught Up In You.” It sounds like Richard Marx. I also recommend checking out the video for the director’s hilarious attempt to try and make a bunch of mulletted Florida rednecks look sensitive by filming their mullets in black & white: http://www.youtube.com/watch?v=cRkaPdfjzEk

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Friday Link Session

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  • Brendan Toller, who brought us I Need That Record!, has a new documentary in the works about musical jack-of-all-trades Danny Fields (it’s difficult to encapsulate Fields’ career because he’s done so much, but he had a hand in the careers of the Doors, Iggy Pop, the Ramones, the MC5, Lou Reed, etc.). Read about the film here and follow the production progress on Facebook.
  • In 1977, Marc Bolan (T. Rex) had a short-lived music variety show on British television. Marc ran for six episodes, kicked off with a performance from the Jam, included awkwardly-choreographed dance routines, and was overflowing with glitter and lip-syncing. Stuepfaction has gathered all six episodes for you to watch.
  • File under: Really? Here’s footage of a collaboration between Liam Ó Maonlaí of Hothouse Flowers and Joe Elliott of Def Leppard, circa the early 1990s.
  • As to collaborations that have been proven good, RZA and the Black Keys have come together again to produce a track for RZA’s upcoming directorial debut The Man with the Iron Fists. You can listen to “The Baddest Man Alive” at Fuse.
  • If you’re into toys, Mike Watt has been added to the Aggronautix “throbblehead” line, which also includes the likes of Roky Erickson, J Mascis, GG Allin, Keith Morris, Handsome Dick Manitoba, Jello Biafra and more.
  • The Savage Heart, the new album from the Jim Jones Revue, is streaming at Q.
  • There’s an hour of recorded-for-television concert footage of Thelonious Monk on YouTube. This past Wednesday, October 10, would have been Monk’s 95th birthday.
  • Learn about Cleveland-born, world-famous Screamin’ Jay Hawkins in the documentary I Put a Spell on Me.
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A Two Man Gentlemen Band Break

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It’s been a short work week in much of the U.S. and Canada this week, which means it actually feels like a longer week. You could use a break. Why don’t you, circumstances permitting, pour a little cocktail and enjoy some songs and some chat as the charming Two Man Gentlemen Band sit down with Serious Business on BTR.

 

 

Two Man Gentlemen Band Official Website

Two Man Gentlemen Band @ Bandcamp

Two Man Gentlemen Band @ Facebook

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Mudlow: Sawyer’s Hope

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photo credit: Nhung Dang

 

This past spring, I was honored to be asked to edit the liner notes Rick Saunders was writing for the new Mudlow album, Sawyer’s Hope, and there couldn’t be a more evocative description of not only the music, but also the feel of the album than Rick’s words.

 

 

The music of Mudlow has been referred to as “noir blues”, and like any good noir story, their songs are packed with colorful characters. And like any good blues, their songs are packed with emotions that can scrape out the bottom of your soul, an effect achieved sometimes with the most simple but telling phrase and sometimes with the sound that spreads between the moment the blade pierces your heart and the moment you begin to feel the sting.

 

 

This album is one of the most gorgeous I’ve heard in a long while, and I was pleased to get a few words with band members, and damn fine people, Matt (drums) and Tobias (vocals, guitar) about the band and their new album.

 

 

Let’s give the readers some background: where are you all from and how did you get together?

(Matt) Me and Tobias have known each other for years and have played in bands together for most of that time, when our previous band ‘Crawl Limbo’ folded Tobias moved to Brighton and decided to start a new band. We had always played on the gig circuit in Brighton so knew most of the other local band members and had become friends with quite a few of them so finding a new line-up actually wasn’t too difficult, Trimble was there from the start with another Sax player Jules, our first bassist could only play ska because of his unusually fat fingers so we had to let him go. We asked Paul to join and Mudlow was born. We’re definitely a ‘Brighton‘ band and we all live in the city or surrounding area.

 

Based on the 8-year span between full-length albums, I’d guess the band isn’t what keeps food on the table. What are your daytime alter egos (day jobs)?

(M) Me and Tobias work for a friend in the heating trade. Paul works as a sound recording engineer/producer at Church Road Studios in Brighton (which is where the Mudlow magic happens!). Not sure what Trimble does, I think he’s either a pirate or a spy, depending on what he’s wearing.

 

Where does the title Sawyer’s Hope come from?

(Tobias) It’s a partly-imagined place that crops up as a lyric in a couple of our songs. I use maps and place names for inspiration and this came from combining the name of a farm and a wood. To me ‘Sawyer’s Hope’ sounds like an old man’s lifelong aspirations, did he achieve or fail? or is it just a name on a map?

 

 

I know you were shopping around for a label to release this album for a while. What was that process like? How did the deal come together with Motor Sounds Records?

(M) It wasn’t really a ‘process’ as such. We had in mind quite a few labels that we liked so we sent them copies/press etc but didn’t hear much back. We’d pretty successfully self-released our first record but we really wanted to work with someone else on this one and kinda have a labels name on which to hang our hat. We know the guys at Motor Sounds so we approached them to see if they would assist with putting this one out. Thankfully they were really keen to be involved so that was that. I guess you could say it’s a self-release but via an independent label.

 

Your songs are so cinematic and contain so many interesting stories. How do you approach songwriting? Any thoughts about writing a novel?

(T) The songs approach me. You can’t write anything until it’s ready to be written. Sitting and trying to force ideas doesn’t work. A train of thought might be triggered by one line that pops in to your head and then once it gets going let it flow and write down everything, then scrub out the crap and join the dots. The lyrics are mine but we work on the music as a band, we don’t have a formula for creating the songs and we approach each song differently so each has it’s own individuality.

I think about writing a book a lot but who has the time to do that?!

 

What’s next for the band? Any chance of an American tour in the foreseeable future?

(M) We will be playing some shows in support of the new record and will most likely tour here and in Europe. We have already ear-marked band funds for a return trip to the States so we’ll have to see how well Sawyer’s Hope sells. We definitely want to come back.

 

And because I get some of my best music recommendations from musicians, what have you been listening to lately?

(T) I like that Bruce Peninsula band, they’re like a choir trying to upset God.
(M) I vote for The Bonnevilles.
(T) Wait… I want to choose the Bonnevilles
(M) Well, you can’t. I did.
(T) Right! I’m leaving the band. [stomps out]

 

 

In addition to Sawyer’s Hope, Mudlow is generously offering an EP of bits and bobs called The Last Rung Down to Hell, which you can listen to and download right here.

 

Mudlow Official Website

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