Deep Blues Focus: Mississippi Gabe Carter, The Misery Jackals

Going in to the homestretch with a gentlemen how embraces the sound of the bluesmen from Bentonia, Mississippi, (which was the birthplace of my favorite blues musician, Skip James) and the other Ohio band on Saturday’s ticket. (And if you can listen to Pearlene without wanting to sigh or writhe around on the floor or something to that effect, then… well, you’re clearly not having as much fun as I am.)

Deep Blues Festival, Beachland Ballroom, Saturday, July 16, doors at 4 PM.

 

Name: Mississippi Gabe Carter
Homebase: Chicago, Illinois
Related artists: Duck Holmes

 


Mississippi Gabe Carter – Leavin’ – DBF09

Mississippi Gabe Carter @ MySpace

Rick Saunders’ interview with Mississippi Gabe Carter

 

Name: The Misery Jackals
Homebase: Akron, Ohio
Related artists: The Goddamn Gallows

 


The Misery Jackals – Trapper Jack

The Misery Jackals Official Website

 

DBF Alumnus
Pearlene

 


Pearlene – All Fears (Have Faces) – DBF08

Deep Blues Focus: Ten Foot Polecats, Boom Chick

Deep Blue Focus, part three, and halfway to showtime, folks. Check out Rick Saunders’ DBF11 profile for a little mo’ somethin’.

Deep Blues Festival, Beachland Ballroom, Saturday, July 16, doors at 4 PM.

 

Name: Ten Foot Polecats
Homebase: Boston, Massachusetts
Organizer

 


Ten Foot Polecats – Goin’ Crazy – DBF09

Ten Foot Polecats Official Website

 

Name: Boom Chick
Homebase: New York, New York

 


Boom Chick – The Ghost of Bo Diddley

Boom Chick Official Website

 

DBF Alumnus
Scott H. Biram

 


Scott H. Biram – Get Me Religion – DBF08

Deep Blues Focus: Scissormen, The Staving Chain, Molly Gene One Whoaman Band

The second installment of our Deep Blues Focus series includes one of two Ohio bands on the bill and a one-woman band who has me pretty jacked up.

Remember: Deep Blues Festival, Beachland Ballroom, Saturday, July 16, doors at 4 PM.

 

Name: Molly Gene One Whoaman Band
Homebase: Kansas City, Missouri
Related artists: Bob Log III, The Reverend Deadeye, The Goddamn Gallows

 


Molly Gene One Whoaman Band – Bumble Bee

Molly Gene One Whoaman Band Official Website

 

Name: Scissormen
Homebase: Nashville, Tennessee
Organizer

 


Scissormen – Do Wrong Man – DBF08

Scissormen Official Website

 

Name: The Staving Chain
Homebase: Toledo, Ohio
Related artists: Henry & June, Johnny Walker (Soledad Brothers, Cut in the Hill Gang), Black Diamond Heavies, Mark Porkchop Holder

 


The Staving Chain – various

The Staving Chain @ Danger Limited Recording Company

The Staving Chain @ Facebook

 

DBF Alumnus
Patrick Sweany

 


The Patrick Sweany Band – After Awhile – DBF08

Blacklisters

 

Those guys in the photo are called Blacklisters. I don’t know much about them other than that they’re from Leeds, England, they’re hardcore, they just signed to Brew Records and they’re new song “Swords” was a great way to start my morning.

 

 

You can download that song, and a few others, for free from their Bandcamp site.

 

Blacklisters Official Website

Brew Records Official Website

Support Your Friendly, Neighborhood Rooster

We love DIY bands to pieces here at NTSIB since we’re DIY ourselves. And like most DIY bands, we’re broke-ass broke, so we understand their plight. Our friends in the Imperial Rooster aren’t on a label, not even a little one, so while they have released their new album Decent People, it pretty much only consists of 1s and 0s at this point. So, they’ve gotten themselves up a Kickstarter campaign to help them release the new album on vinyl and CD.

And they have some exceptional prizes, from the rad Rooster T-shirt to test pressing vinyl to a show at your house to, my personal favorite, a personal music mix from drummer Dusty Vinyl (he’s got great taste in music, y’all). There are even more great incentives than I’ve listed here. And if you follow NTSIB and have seen our other posts about the Imperial Rooster, you know they’re a band worth backing. So, stop on over at the Rooster Kickstarter page and pledge what you can. Even if it’s only a dollar. They’ll love you for it, and so will we.

The Imperial Rooster @ Kickstarter

The Mad Caps: Goin’ Down

 

 

Sometimes I wish the internet had never been invented.1 If not for a certain internet search engine (and my insistence on checking it for verification), I could have been blissful in my ignorance, believing I had coined the term garage-a-billy to describe the sound of the Mad Caps. But no, the internet brought me swiftly to task for my ego folly.

But the internet also brought me the Mad Caps in the first place (thanks to a tip from a Twitter friend), so I can’t stay mad.

The Mad Caps are a two-man outfit from Las Vegas, Nevada – Ted Rader on guitar and vocals, Jon Real on drums – who churn out some rockabilly-esque twang with volume, distortion, dirt and swagger. Check out what I mean on “Rosie and the Wolfman”.

 

 

Rader’s hiccuping delivery on “Kitty Kitty” is like the spawn of a love union between Buddy Holly and Lux Interior.

 

 

And they get into a sexy groove that ends too soon on the short instrumental “Interkitchen”.

 

 

If you like it as dirty as a pair of sorority girl’s panties drug through a back alley, get over to Bandcamp and get the Mad Caps’ self-titled release now.

 

The Mad Caps @ Bandcamp

The Mad Caps @ Facebook

 

1This is patently false; my love for the internet is deep and carnal.

The Dead Exs at the Bowery Electric, New York City, NY, 6.8.11

 

We’re very pleased to have a guest review from our good friend @Popa2unes.

 


 

The Dead Exs release their CD – Resurrection, and it’s a party!

By @Popa2unes and DJ Knucklehead

Photos courtesy Kristin Viens

 

We wandered into the Bowery Electric and walked down the steep steps to the basement with water pouring down the pealing brick walls from the torrential downpour taking place outside. Large chrome lights dangled from the high black ceilings; it was dark, dank and perfect for what was about to take place: raw, fuzzy roots rock and blues. “The Dead Exs CD release Party.” We found a seat on one of the large Group W benches that surrounded the stage, and planted ourselves. There was a nice size, enthusiastic crowd Hipnik’s, Hipsters, Rockers, Hobohemians and an abundance of beautiful women. I love NYC.

Bang Bang Boogaloo recording artists, The Dead Exs are David Pattillo (henceforth DP) on electric slide guitar and vocals with Wylie Wirth on the skins.

 

 

The Dead Exs bring a multitude of influences to their music from Albert King to ZZ Top. Every song seems to have a bluesy familiarity to it, but is original in its writing, delivery and style; it’s just good ole Rock n Blues and I love it. Their live performance is like being invited into their home for a night of hanging around with friends.

They started the show with “Whole Lot of Nothing” with DP alone on the stage with his axe, working slow and steady building up to a powerful crescendo that brought everyone to full attention and the ladies out onto the dance floor. Then BAM! Out of nowhere Wylie crept into his seat to join in with a thunderous beat.

 

 

 

They played “All Over You”, “La Grange/Come Down Easy” and “Gone” with Mark Grandfield on harp. At the end of “Come Down Easy” they released the Kracken in an electric, sonic-guitar-harp- blob of fuzzion that nearly blew the roof off the place.

 

 

 

They were joined by Shane Bozza on vocals and Jimmy Caps on bass from The Dirty Glamor for three Rock scorchers: “No Way To Go But Up”, “Shut Up and Love Me” and “Till It’s Gone” – delighting the crowd even more. When Shane sang “Shut Up and Love Me” I found myself nodding my head yes, yes, yes! …and I lost my heart for the umpteenth time that night.

 

 

 

At times DP seemed to transform into Ganesh playing four guitars at once, wrenching more from the instrument than seems humanly possible. He snarls, growls, wails, and screams his way through every song in a way that can provoke the savage soul in any human.

 

 

Like a ghost blending into the background with the kaleidoscope images projecting on his spirit, Wylie sat at his kit and was a powerhouse of drum beats. He is a solid drummer with an effortless style, laying down hypnotic drumbeats, and then suddenly he’ll crash those skins like Jacob Marley shaking his chains in the middle of the night, shooting you out of your skin.

 

 

The Dead Exs show, that yes you can still play the Blues today and still be new and exciting. There are no rules; their sound is modern yet classic, ruff and primal. They are a Rock N’ Roll band that seem to take ques from all facets of music from Blues, to Soul, to Jazz, and tie it together in a dirty, nasty, raw mass of sonic nuts and bolts meant for only one thing: to knock you off your feet.

The Dead Exs – Resurrection can be purchased from iTunes or here.

 

The Dead Exs on Reverbnation

The Dead Exs on Facebook

 

Also on the bill were Only Living Boy, The Fieros and Golden Animals from the Bang Bang Boogaloo NY Rock and Roll Compilation 1, which you can download for free here, which I highly recommend you do.

Roosters on the Porch

The Imperial Rooster returns to the porch where we first found them during Couch By Couchwest. Well, clearly, they were on the porch while the rest of us were on the collective couch. But we were all drunk, and that’s what matters.

The Imperial Rooster is going to sing you into the weekend with a selection of songs from their new album, Decent People. When you’re left wanting more, you can click that Bandcamp link at the end of the post and get you more.

 

Anything Goes At A Rooster Show (Rooster Anthem)

 

Korhn Sirup Sundae

 

McGinty’s

 

The Imperial Rooster @ Bandcamp

The Imperial Rooster @ Facebook

Shouting Thomas Torment/T-Model Ford & GravelRoad at the Beachland Tavern, Cleveland, OH, 6.4.11

 

Shouting Thomas Torment

 

 

Sometimes you go to a show just hoping the opening act won’t be unbearable. Then sometimes you get something like Shouting Thomas Torment.

While sometimes situated in a group, Shouting Thomas and the Torments, Shouting Thomas was doing it one-man band style at the Beachland Tavern Saturday night. He immediately lived up to his name by shouting, showman style, from the moment he stepped on stage to the moment he stepped off. In between, he thumped the bass drum, drove the hi-hat and took the guitar from fuzzed-out punk blues to rockabilly twang, shook it all together and broke it all down. The set kicked off with “Struggle (Scratch That Itch)”, hit on a number of highlights like “Slave for My Cave”, “All Grown Up Wrong”, “Trouble Doll” and “Swamp Witch”, and closed out with “Shakey Shake #1”. There was also a Bo Diddley beat and a very respectable imitation of a chicken on the guitar.

(Shouting Thomas also made sure to mention a couple of 45s he had for sale: “Slave for My Cave” on a split with Wolfboy Slim and “Black Cat Bone” b/w “Trouble Doll”.)

I went in not knowing a single thing about Shouting Thomas Torment and came out an enthusiastic fan.

 

T-Model Ford & GravelRoad

 

 

One of my regrets from the Great Mississippi Sojourn I took last summer with co-blogger Jennifer and our friend Cam Rogers is that I didn’t spend an evening or two in a juke joint. Well, now I feel a little better because James “T-Model” Ford brought the juke to the Beachland. Aside from being about the right size and aesthetic for a Mississippi juke, the tavern also had about the right heat and humidity Saturday night. But it took T-Model to fill it with the right vibe and sound.

GravelRoad – this night being comprised of just guitarist Stefan Zillioux and drummer Martin Reinsel as bass player Jon “Kirby” Newman was under house arrest for undisclosed reasons – took the lead, playing a couple of their own numbers, showing why they make a great complement to Ford with their low, rough, electric blues-drag sound. Then Ford, who drew a crowd that covered a wide variety of ages and classes, took the stage, strapped on Black Mattie (his trusty Peavey guitar) and got hips to rolling in short order.

Best estimates place Ford’s age at 90, he has a pacemaker and has survived a stroke in recent years, but you’d hardly think it from watching him play. While a couple of his songs this night lasted less than 3 minutes, most of them ran well beyond the usual 5-minute mark, playing on the classic blues tradition of not letting a good groove go once you’ve got a hold of it. And groove is what it’s all about. Just fast enough to get your ass to swaying, but not too fast to keep your partner from holding on tight. This is why they call him the Tail/Tale Dragger. (And this is also probably part of why he calls himself the Ladies Man, because you can bet he was taking in as much of the body-grooving females in the audience as he could.)

While Ford was undeniably the star of the show, the support of GravelRoad should not be underestimated. Zillioux stayed tight in Ford’s wake through tunes like “I Love You, Baby”, “Hip Shakin’ Woman”, “Chickenhead Man” and “Train I Ride”, while Reinsel pummeled a tide of heavy beats that were more than a little responsible for the shaking of hips through the night. Not to mention, Reinsel looked like he was having the time of his life.

 


Video courtesy of Chris Bishop.

 

Now if there had just been some fried pickles and sweet tea…

 

 

For some absolutely beautiful shots of T-Model Ford’s recent show in St. Louis, Missouri, check out our friend Nate Burrell’s Flickr set.

The Ridges: This Word is Worth a Thousand Pictures

 

As I was listening to the Ridges’ EP last night, a storm kicked up that colored the sky charcoal grey and blew leaves horizontally through the air. It seemed appropriate to the roll and swell of moody strings and beautiful but fraught vocals of the album.

Formed in Athens, Ohio, and consisting of core musicians Victor Rasgaitis (guitar), Talor Smith (cello) and Johnny Barton (percussion, glockenspiel) – with a rotating line-up of additional musicians contributing violin, viola, upright bass, trumpet, percussion, mandolin, cello and accordion – the Ridges took their name from the institution that was formerly the Athens Lunatic Asylum. And the band continues to draw inspiration from the old asylum. Not only was their album recorded in the ornate Victorian building, but the songs are imbued with an aching hauntedness that seems to reflect the ghost stories that surround any once-abandoned institution worth its salt.

That’s not to say that the self-titled EP is a non-stop dirge full of melodramatically gothic declarations of emotion. While none of the lyrical matter could be accused of being upbeat, many of the songs invite foot-stomping and sing-alongs. Listen to and download an example of what I mean with stand-out track “Not a Ghost”.

 

Not a Ghost by The Ridges

 

Now download the full EP at their Bandcamp site and get haunted.

The Ridges @ Bandcamp

The Ridges @ Facebook