Jeff Buckley: Everybody Here Wants You

 

I was a massive fan of Jeff Buckley when his album Grace came out. Obssesive. I remember much about the day I bought the album, which is unusual for me. I had picked it up mostly on a feeling, based on just one song I had heard, the title track, on a Rock Video Monthly tape (who remembers those?). I was hooked immediately and listened to the album repeatedly (“Lilac Wine” via headphones, do it). I was able to see Jeff play live once, at the Agora in Cleveland, and met him briefly after his set. My lingering impression was that he was small, quiet, and had a heavy sadness about him. I remember when the news first came across that he had gone missing in the Mississippi River, and how I was glued to the computer for days, waiting for him to be found.

I learned of this BBC documentary today via Open Culture (if you haven’t heard of the site before, you’ll want to bookmark it now – they share tons of fantastic free content from around the internet), and wanted to share it here.

 

 

Like any portrait of Jeff, the documentary leaves out a lot. Here, Glen Hansard shares his own experience with Jeff.

 

 

Here’s a a little live Jeff to play you out.

“So Real” – Jeff Buckley

Late Night Listening: Glen Hansard, The Parting Glass

 

A wonderful lullaby, here’s Glen Hansard singing the traditional Irish song “The Parting Glass”. Hansard has said he might like to record an album of traditional songs someday, and I hope he does. His strong, pure delivery makes me want to dig out my Dubliners album.

 

The Parting Glass (trad) performed by Glen Hansard from Conor Masterson on Vimeo.

Rock ‘n’ Roll Photog: The Frames 20th Anniversary Tour

Today, Jennifer shows us how far Glen Hansard has come from And And Fucking And. (I don’t have a long memory, I just happen to have re-watched The Commitments recently.)


You may be most familiar with Glen Hansard’s voice from his being half of The Swell Season, or perhaps from his appearing in and writing all the music for the movie Once, or, if you have a very long memory, from his smaller role in The Commitments. The Frames is his regular band, and this past Saturday night they made a stop at Terminal 5 as part of their 20th Anniversary Tour.

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Glen Hansard, singing Disappointed

The Frames, if you don’t know them, are from Dublin, but unlike other Irish bands such as the Saw Doctors or the Pogues, they mostly don’t have a “traditional” sound. I say “mostly” because they do have Colm Mac Con Iomaire and his magnificent mournful violin winding through their big fuzzy guitars like a dark, shimmering ribbon.

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Colm Mac Con Iomaire and Glen Hansard

I’ve actually been puzzling over how to describe them since the show, and “loud-soft-loud-hyperarticulate-howl-of-rage” would be accurate, but so would “spare, sharp, bittersweet and delicate romantic melodies.” For examples of these variations, see “Fake,” off of Burn the Maps and also “New Partner,” from The Roads Outgrown, respectively.

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Joe Doyle

And, some news for established Frames fans: during one of their many encores (there were at least three!), Joe Doyle sang a song they had composed that day, which if the lyrics are anything to go by will probably be called “You Can’t Hide Your Love”. Or maybe “You Can’t Hide Your Love (For Someone Else)” since it was something of an elegy for the end of a love affair. In any case I hope they record it soon because I would like to listen to it about a million more times.

— Jennifer