Giveaway: Eddie Palmieri at Tri-C JazzFest

Tri-C Jazz Fest

If you’ve lived in the northeastern Ohio area for any appreciable amount of time in the past 30-odd years, you know that the Tri-C JazzFest is a Cleveland institution. In that time, JazzFest has hosted everyone from legends like Miles, Ella, and Dizzy to young stars like Esperanza Spalding and Trombone Shorty, and even non-jazz greats like Buddy Guy, Aaron Neville, and the Roots.

This year, in addition to the usual indoor concerts at Plahouse Square, JazzFest will be shutting down part of Euclid Avenue (between 13th and 14th streets) to host free outdoor shows, as well, including local bands like Bethesda, Broccoli Samurai, and Wesley Bright & the Hi-Lites. You can check that schedule here.

Eddie Palmieri

And, of course, there’s the usual line-up of great artists playing at the Hanna, Palace, and Ohio theatres of Playhouse Square. You can see that list below, but the one NTSIB (or, at least, the NTSIB Cleveland contingent) is most excited about is Latin jazz bandleader Eddie Palmieri. Among the awards and accolades that Palmieri continues to receive for his 50-plus-year career, Palmieri was awarded the Grammy for Best Latin Recording in 1975 for his album “The Sun of Latin Music” – this was the first time Latin music was recognized by the National Academy of Recording Arts & Sciences.

If you’d like to join NTSIB in seeing the Eddie Palmieri Salsa Orchestra play Tri-C JazzFest on June 27th, drop a comment below that includes your e-mail address. We will choose a winner at random on June 20th.

Tri-C JazzFest Official Website
Tri-C JazzFest on Twitter
Tri-C JazzFest on Facebook

Give Away: One Paramore Tote Bag

The bag is surplus to my requirements and I thought it should go and live with someone who will appreciate it. Comment here or on Facebook or tweet the link (ONCE, no points for multiple tweets!) with what you’ll be keeping in the bag if you win and I’ll pick a winner next Saturday.

nb: I don’t smoke but I do have cats, but it’s freshly washed; and I’ll ship it anywhere the US Postal service goes.

Liars: Cleveland Giveaway

photo credit: Zen Sekizawa

 

Liars’ Angus Andrew has said, “If we aren’t confusing people, it’s not us. If we aren’t confusing ourselves with what we do, then we’ve failed.” WIXIW (pronounced “wish you”), the new album from Liars, rounds off the sharper edges of their sound and throws a thick blanket of texture over it. That’s not to say they have ditched chaos and gone straight. But instead of bursts of jagged drum, guitar and screams, the chaos is created by layers of found sound (as I listen to the album now, I can hear two or three species of frog chirping and peeping along with hardwood thwacks in a digitized echo chamber and some sort of animal/human cries of panic – that’s what it sounds like to me, at least). The result is a cloud that is soothing and entrancing at times, claustrophobic at others.

 

“No. 1 Against the Rush” – Liars

 

Liars will be bringing this cloud, and more from their 12 years worth of back catalogue, to the Grog Shop in Cleveland on July 27, with Unknown Mortal Orchestra playing support. We have the pleasure of giving away two prize packs, each consisting of two free passes to the July 27 show and a signed Liars poster. To enter, just leave a comment below, with a valid e-mail address (so we can contact you for further information if you win). Two winners will be chosen at random on July 25. Good luck!

Liars
Unknown Mortal Orchestra
Friday, July 27
9 p.m. (doors 8 p.m.)
$15
Grog Shop

 

Liars Official Website

Liars @ Tumblr

Liars @ Facebook

 

Giveaway: For the Love of the Music: The Club 47 Folk Revival

 

Much is said about the ’60s folk revival in terms of New York City and San Francisco, but the Boston-area scene, centering in Cambridge, is generally passed over. Enter this documentary, For the Love of the Music: The Club 47 Folk Revival. With current interviews and archival sights and sounds, the documentary traces the life of Club 47, which later became Club Passim, beginning with the fateful day that an unknown named Joan Baez auditioned for the once-jazz club, resetting the whole direction of the venue.

The documentary, which includes not only interviews with such performers as Baez, Judy Collins, Maria Muldaur, Taj Mahal, and more, but also two previously-unreleased Bob Dylan performances at the club, will screen at the Beachland Ballroom in Cleveland on May 20 as part of the Ohio Independent Film Festival. Director Rob Stegman and executive producer/co-director Todd Kwait (who is a Cleveland-based lawyer and owner of Ezzie Films and Kingswood Records) will be on hand to introduce the film and take part in a Q & A session afterward.

Want to go? We can help you with that. We have two pairs of passes to give away to the first two people (2 passes for each person) who comment on this post. Easy as that.

The 19th annual Ohio Independent Film Festival runs May 17 through May 20 and will be presented at the Arts Collinwood galleries, with the headlining film “For the Love of the Music: The Club 47 Folk Revival” presented at the Beachland Ballroom (15711 Waterloo Road) on Sunday May 20 @ 7:30 PM.

Program Admission is $10. Tickets are available for pre-sale here

Someone’s wall is about to get much more badass…

 

Two years? Fucking two years? How did that happen?

Now This Sound Is Brave is two years old today. And year two was even more exhilirating, life-affecting and life-affirming than the first year. We have heard so much great music, seen so many righteous shows, talked to so many cool people and made some amazing friends. I could be here all day listing people who deserve our thanks, like the bands who share their work and sometimes their friendship with us, the good people who run and staff the venues where we see shows, the other blogs who have given us encouragement, the CXCW crew… There’s a whole damn lot of people, is what I’m saying.

But I do want to give individual thanks to four special individuals. First, to NTSIB’s beneficiary, the person who provided the idea in the first place, provides the access and provides the equipment that helps me keep this thing going, Duane. Next, to my intrepid co-blogger who gets giddy with me, makes me laugh and has more than pulled her weight lately, Jennifer. Then, to my wonderful friend, confidante, mentor and so many other things besides, Rick, whose encouragement, belief and helping hand have changed the whole game for me. And most of all, to YOU. You beautiful fucking people who come and read and check out the music and support the bands and support us. I fucking love you. Thank you for being here.

Okay, enough sentimental bullshit! I know there are five of you who are very eager to learn who won that droolacious Black Keys concert poster. That winner is: Jessica H! Jessica’s entry typifies the passion for music, and the passion for helping connect others with music (as a Black Keys fan whose co-blogger is a Panic! diehard, I could relate), that I hope we show here on the blog. Jessica, I’ll be in touch soon to find out where to send your prize (and, yes, I do want to see pictures of dog Dan Auerbach… oh, I do…).

For your enjoyment, the winning entry:

I remember my first not-Raffi concert vividly: my dad took me to see Ozzfest in Las Vegas. It was the first time I was cognizant of marijuana (“What are they rolling on their programs, dad?” “Oh, um, I don’t know, Jess.”) and it was the first time I felt the center of my chest vibrate, just as the concrete of Thomas & Mack was vibrating, from the incredibly loud music. Pantera played an extra long set (I didn’t know what a treat that was at the time) and I heard Black Sabbath play all the songs I’d listened to as a little kid with my dad. He shared a fond story of seeing Black Sabbath and Blue Oyster Cult with my mom at the Ventura Fairgrounds in 1980 — it was so loud that they got noise complaints from miles behind the stage, so he said. And I saw Marilyn Manson who was my latest curiosity. The flesh-colored boobsuit? The Hilteresque podium and grandstanding? What did it mean? Why did he do it? It was so fascinating. But that’s not my favorite musical moment.

My favorite musical moment is probably my least favorite concert ever. I took my baby sister to her first concert: Panic at the Disco at a venue in San Diego. She’d been obsessing over them — my whole family knew all the lyrics to all of their songs because we heard Panic so much — and she was ECSTATIC to finally see them live. The venue was overcrowded — dangerously so — and it was hot. So fucking hot. The place was crawling with screaming adolescents. My sister kept wanting to get closer, closer to the stage and even though I saw security pulling crushed and crying little girls from against the railing by the stage, I acquiesced. My less-adventurous middle sister went to hang in the back so that left me, as chaperone, next to my baby sister who kept pushing forward. The crowd surged and swirled and I kept a firm grasp on my sister who was rocking a permanent grin. Since my adolescent Ozzfest, I’ve traveled the country to see amazing concerts, but I’ve never been so packed like a sardine at a concert ever. As the crowd swayed en masse, my sister and I commiserated about how soaking wet we and our clothes were. We realized that it wasn’t our own sweat — it was the sweat of the strangers pressed up against us. Yuck. Big smile. I saw fights and fists as people bumped into people. Feeling maternal (and unsafe) I asked my sister to go to the back with me but she pleaded no, please, Jessica, please, I want to be closer. Okay, okay. At one point she looked at me, I thought she was going to cry, I hope she was going to ask to move to the back, but instead she said, out breath, “Jessica? I forgot to wear a belt today and my pants are falling down and I can’t move my arms to reach down to pull them up. Will you pull up my pants?” So I elbowed my way down to pull up my sister’s jeans because the crowd was so tight that she literally couldn’t move her arms. That’s my favorite music memory: sharing my sister’s first concert with her because the mix of emotions that music elicits is to be shared. It might be a better memory than losing my virginity. Certainly more sweaty. Let me think about that.

As an aside, I’ve never really had a favorite band. Even when I was in elementary school and my friends screamed over New Kids on the Block, I was too cool for that. Those girls were stupid. I never had my own Panic at the Disco. I’ve loved Led Zeppelin, like everyone else (thanks, dad); I love Neil Young and Radiohead; and I had a pretty serious Talking Heads phase… But I don’t know if any of those are favorite musicians . . . Till the Black Keys. I’m an adult woman and the Black Keys are my favorite band. Like those girls in elementary school, I have a band I listen to pretty much every day; I have their full discography on vinyl that I’ve culled from various record label stores and music shops, despite my poverty; and I have a dog named Dan because he looks exactly like Dan Auerbach. The Black Keys introduced me to dirty, Fat Possum blues and I love them for that, too.

I can send you a picture of Dan Auerbach if you’d like but he’s wearing a cone of shame right because he just got castrated and he won’t stop licking his scrotum.

Love and thanks to the other entrants – Sam G, Ashleigh Jordan, Yoin Segundo and the esteemable Mr. Dave Polak. You rock hardcore.

 

Anniversary Giveaway: The Black Keys

 

How badass is that poster? So badass that, in my excitement to obtain it, I managed to acquire two of them.

So, here’s the deal: Now This Sound Is Brave will celebrate two years of existence a week from today. To celebrate this thing we do with the music and the writing and the writing about music (and writing about writing about music), we’re going to give a gift to you. Well, to one of you. But you have to earn it.

In order to own your own beautiful, 3-color, 18″x24″ lithograph poster (and it is even more striking in person) created by Jeff Proctor for the Black Keys’ December 11, 2010, show at the Rimac Arena in San Diego, California, you’ll have to tell us about an important music moment in your life. Be it funny or touching or something that will make us all want to slash our wrists, whether it involves playing music, listening to music or meeting a music hero, as long as it was important, influential and memorable to you, we want to read about it.

The sharer of the best music moment, judged by my own indefinable I’ll-know-it-when-I-see-it standards, will win my extra Black Keys zombie poster to have, to hold and to scare young children with. The deadline for entry will be 5 PM EST on January 26, and I will announce the winner on the NTSIB anniversary, January 27, giving you about a week to compose your entry. And that’s one (1) entry per person, please. Submit your entry as a comment to this post, and please remember to include a reliable e-mail address. (We reserve the right to share your story in a future post to the blog, though, of course, with full credit to you and retaining no copyright for ourselves.)

Good luck, kids. Thanks for being here.

 

Giveaway: The Dead Exs

 

Regular readers of our blog will recognize the Dead Exs from previous posts by my co-blogger Jennifer and our friend @Popa2unes. Jennifer has described their sound as “a delicious blues-funk stew lightly seasoned with garage-rock flair”, and their dirty, fuzzed-up grooves fit in well here.

Now Popa has generously donated a signed copy of the Dead Exs’ CD Resurrection for one of you lucky people to own. All you need to do is drop a comment below that includes your name or preferred internet handle and a reliable e-mail address and then wait patiently. The giveaway will close on October 24 at 5 PM EST, and the winner will be chosen at random and announced on October 25.

And while you’re here, you can download the song “More Stuff” by right-clicking on the link below. Enjoy!

The Dead Exs – More Stuff

 

 

 

The Dead Exs Official Website

V-Roys Giveaway: Winner!

First off, I swear on all my grandparents’ graves, plus the graves of Joe Strummer and Mark Sandman, that this wasn’t fixed. I put the names in a jar, and the NTSIB intern/helper monkey/my son picked a name at random. I repeat, at random.

So, as you’ve likely already figured out if you looked at the comments on the original giveaway post, the winner of the signed copy of the V-Roys lovely compilation album Sooner or Later is popa2unes. Congratulations, popa, and thanks to Jason and Ben for participating.

Giveaway: The V-Roys

The V-Roys – Scott Miller, Mic Harrison, Paxton Sellers and Jeff Bills – only released two studio albums (and one live album), but they garnered much acclaim and some very enthusiastic fans in their short lifespan. On September 27, Sooner or Later, an 18-track V-Roys compilation, drops. It’s a nice primer for new listeners and includes 5 previously-unreleased tracks to please old fans (my favorites are the V-Roys’ take on Lieber and Stoller’s “Smokey Joe’s Cafe” and an original called “Someone to Push Around”).

Like the sounds of that? How do you like the sound of winning a sexy signed copy of the CD? Just drop your name (and don’t forget an e-mail address where you can be reached) in the virtual bucket (i.e., the comments section of this post) by September 26 at 5 PM EST for your chance to get you some. A winner will be chosen at random and announced on September 27.

(Note: Despite what’s going on between popa2unes and “HAL” in comments, ballot-box stuffing and flirting with the blog owner will not increase your chances of winning.)

 

 

The V-Roys Official Website