Tag: Cage the Elephant

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Fanmix: Warren Ellis, Gun Machine

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Fan mixes: collections of music created as both soundtrack and illustration for other works, usually works of fiction, intended as both appreciation of and enticement to read the work of fiction.

This one is for Gun Machine by Warren Ellis, who is author of, among other things, Transmetropolitan and Crooked Little Vein, and is NOT the dude who plays music with Nick Cave.

Gun Machine is a murder mystery set in New York. But not the New York you usually see on cop shows; the Financial District, which is older and darker. Down there you’re off the grid. The streets are narrow and twisty and reality can be very thin. Depending on how the wind is blowing off the water, it does feel like you could walk around a corner today and stumble into the 17th century, 1926 could be tomorrow and 2018 was last week.

“Off the grid” would actually sum up the book as a whole. It is also bloody, startling, deeply lonely, occasionally bitingly funny, like watching my own city from the wrong end of a telescope, a complex puzzle, and very, very good. If you pick it up, be sure to both read and listen carefully; Ellis uses music and sounds much like Nathaniel Hawthorne used light, that is, as both text and subtext.

The mix below is my attempt at capturing the spirit of the work. The songs chosen are intended to trace the outline of the narrative in broad strokes. All of them, save for two, are available for sale and/or free download from the artist.

The exceptions are Panic! at the Disco’s cover of Karma Police, which is a fan bootleg of a live performance, chosen for the quality of the static, and Kasey Anderson and the Honkies’ Abbaddon Blues, because it is from Let the Bloody Moon Rise, a record which saw only limited release before Anderson went on indefinite-but-hopefully-not-permanent hiatus and which is now (almost) out of circulation.

1.BT, Go(d)t
 


 
2. Panic! at the Disco, Karma Police (Radiohead cover)
 

 
(If you want a visual.)
 
3. Foster the People, Pumped Up Kicks
 
Foster The People - Pumped up Kicks

 
4. Breakfast in Fur, Whisper
 
Breakfast in Fur - Whisper (Official)

 
5. David C. Clements, Oh Child
 

 
6. Blondie, Heart of Glass
 
Blondie - Heart Of Glass

 
7. Jane’s Addiction, Chip Away
 
Jane's Addiction - Chip Away

 
8. Firewater, A Little Revolution
 
FIREWATER: A Little Revolution

 
9. Milan Jay, In the Shadows of Footsteps
 

 
10. BL/\CK CEILING, I’MNLUVWITCHU
 

 
11.Xiu Xiu, Hi
 
Xiu Xiu - Hi [OFFICIAL MUSIC VIDEO]

 
12. Kasey Anderson and the Honkies, Abbaddon Blues
 

 
13. Cage the Elephant, Ain’t No Rest for the Wicked
 
Cage The Elephant - Ain't No Rest For The Wicked

 
14. Blackwater Jukebox, Carousel
 

 
15. Willow Sea, Night Light
 

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Rock ‘n’ Roll Photog: Stone Temple Pilots/Cage the Elephant, Jones Beach, 9/4/2010

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Jennifer bids adieu to summer by spending some time with former Ohio boy Scott Weiland and crew.

I have some thoughts about Stone Temple Pilots, but we’ll get to them in a minute. First I would like y’all to meet Cage the Elephant:

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Matt Schultz, Jared Champion (drums) and one of their guitarists

They were the second opening band – I missed the first one, TAB the band – and the best description I can give you is: high-energy blues-punk fusion. One of my favorites from their set was Ain’t No Rest for the Wicked, which sounded like it had just rolled in from the Delta. Meanwhile the lead singer was busy shimmy-shaking himself all over the stage and into the audience (three times!) like Iggy Pop. I was worn out just watching him. I also concluded I’d like to see them at their own show with their fans in the pit because I suspect it would be the best kind of epic rock and roll madness. (Translation: Please, please come back and play at Irving so I can stand in the balcony and really feel the bass rattle my bones while the kids go berserk on the floor. :D?)

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Matt Schultz

I can also tell you that whoever decided to send them out with Stone Temple Pilots gets a gold star, because it was another moment of beautiful musical congruency between new and old(er) acts. Anyway, yes, Stone Temple Pilots, let’s talk about them!

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Stone Temple Pilots, megaphone in full effect!

This was another band I never, ever expected to be able to see live. (I think we all know why.) And while it might have been a little strange watching Scott Weiland dance around in chinos and a tie (?!), my adult self was glad to see him alive and well and in one piece and making music, and my inner 17-year-old was really happy to hear that big grunge roar come out of the speakers. It turns out I had really missed those guitars.

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When not dancing awkwardly and trying not to flail into my neighbors, I contemplated the ways in which one imprints on things like music, how the sounds I loved, age 18, are still the sounds I love now. I was also contemplating how some acts grab the gold ring of a round two with both hands, and some have to learn the hard way that it isn’t 1991 anymore. STP has had their share of difficulties, but last Saturday night they came out and rocked it, no fuss, no muss, no diva shenanigans.

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All of that aside, I am also pleased to report that Weiland’s voice is still intact, and that their new stuff sounds great. I don’t have any fancy music critic terms to describe it for you, but I can say this: there was kick in the reverb and shimmy in the bass, and it was delicious. The next time I update my music library, I’m definitely getting their new record. If you ever cranked up Plush or Sex Type Thing and sang along, you might enjoy it too.

— Jennifer