Adam “MCA” Yauch, 8.5.64 – 5.4.12

 

I’ve been listening to the Beastie Boys since I was 13 years old. That’s a startling thought. In junior high, I was one of those kids who could, and did, recite the entirety of “Paul Revere”. I still have my vinyl of License to Ill.

They were kind of goofy and, in retrospect, kind of corny. They could have kept up that image and probably burned out as quickly as they flashed to the top. Instead, over time, they reinvented themselves. As I grew physically (and, to some extent anyway, mentally), I watched the Beastie Boys grow as artists. They went from clown princes with songs like “Brass Monkey” and “Girls” to just plain kings with songs like “Sabotage” and “Intergalactic”. Their image also evolved from that of some jerky, kind of douche-y yobbos to mature, thoughtful and creatively-driven gentlemen who were loved and respected by many.

The announcement of Adam Yauch’s cancer in 2009 (has it really been that long?) shook many. I remember reading the news and adding my own well wishes to the stream of positive thoughts coming from all over. But the outlook at the Beasties camp was positive, and we all believed he would overcome.

When I received the news of Yauch’s death today, it knocked the wind out of me. The Beastie Boys wove themselves in to the cultural fabric of my generation, with their songs, their videos, their rhymes, their activisim. As I noted to my co-blogger, the phrase “no sleep till Brooklyn” has become a part of our vernacular. And Adam Yauch was more than just some guy in a band for us. He was someone we respected and admired.

It’s hard to know what to say now that he’s gone, but I think we’re pretty lucky that Adam Yauch was here.

Also: fuck cancer.

 

 

Official Statement @ Beastie Boys Official Website

Two Man Gentlemen Band: We’re gonna get our stomachs pumped!

 

First, I’d like to offer my sincere gratitude to the Two Man Gentlemen Band for writing and recording the song “Tikka Masala”, for it is that song that finally dislodged Hall and Oates’ “Sara Smile” from my brainpan after a three-day residency. (I will admit to unironically enjoying a healthy portion of the Hall and Oates menu, but “Sara Smile” has never been a part of that portion.)

 

 

The first few notes you hear from the Two Man Gentlemen Band may have you bracing yourself for yet another “old timey” band, but just relax and listen. Be suitably impressed by the clean, skilled musicianship. Then be charmed by the cute, sly lyrical content (check out “Prescription Drugs” to hear where I pulled this post’s headline form) and the cheerful, winking personality. Finally, notice how you can’t keep your toe from tapping. You might have shimmied in your chair just a little, too. That’s the well-rounded experience of the Two Man Gentlemen Band.

 

 

The new TMGB album, Two at a Time, is a pure experience by design. Not only does the music contain references to and evolutions of pre-war pop, Les Paul-style guitar dreaminess, and swing music spirit (among other inspirations and influences), but the album was recorded on vintage equipment in glorious mono in straight-up one-shots with no overdubs or digital engineering, and the album art was created without the help of computers, as well, utilizing hand-set lettering, linotype and offset printing, and photos taken with good, ol’ film. I reiterate: this album is a well-rounded experience, polished with care and presented with love and, one assumes, more than a little bit of pride.

Two at a Time is available in LP, CD, and, if you must, digital formats at their Bandcamp site. They’re also embarking on some summer coast-to-coast touring, so check them out in your town if you can. Word on the street is that you won’t be disappointed. (Check their website for more details.)

05/03/12 Davis, CA Sophia’s Thai Kitchen US
05/04/12 Ukiah, CA Ukiah Brewing Company & Restaurant
05/05/12 Weaverville, CA Mamma Llama US
05/06/12 San Francisco, CA Amnesia US
05/16/12 Knoxville, TN Jig and Reel US
05/17/12 Bristol, TN 620 State US
05/18/12 Asheville, NC Altamont Brewing US
05/24/12 Portland, OR Duff’s Garage US
05/25/12 – 05/26/12 Port Angeles, WA Juan De Fuca Festival of the Arts US
05/26/12 Seattle, WA Conor Byrne Pub US
05/28/12 Burbank, CA Joe’s Great American Bar & Grill US
05/31/12 Casper, WY The Attic US
06/01/12 Fort Collins, CO Road 34 US
06/02/12 Casper, WY Private Event US
06/03/12 Denver, CO Hi Dive US
06/08/12 Lexington, KY Cosmic Charlies US
06/09/12 Chattanooga, TN Riverbend Festival US
06/10/12 Chattanooga, TN The Honest Pint US
06/12/12 Frederick, MD Cafe NOLA US
06/13/12 New York, NY Joe’s Pub US
06/14/12 Cambridge, MA Regatta Bar US
06/15/12 Northampton, MA Iron Horse Music Hall US
06/17/12 New York, NY Private Event US
06/21/12 Hampton, VA The Tap House US
06/22/12 Kill Devil Hills, NC Outer Banks Brewing Station US
07/12/12 Grand Rapids, MI Founder’s Brewing Co. US
07/14/12 – 07/15/12 Harbor Springs, MI Blissfest US
08/03/12 – 08/05/12 Happy Valley, OR Pickathon US
08/09/12 Cambridge, MA Club Passim US
08/10/12 Barnard, VT Private Event US
08/17/12 Annandale-on-Hudson, NY Spiegeltent at Bard College US
09/22/12 Berryville, VA Watermelon Park Festival US

 

Two Man Gentlemen Band Official Website

Two Man Gentlemen Band @ Bandcamp

Two Man Gentlemen Band @ Facebook

Y’all Need to Listen To This: Father John Misty, Fear Fun

Fear Fun, by Father John Misty (aka J. Tillman) is: the soundtrack for an adventure. Not the twee hipster kind either; to paraphrase NTSIB-friend Cam Rogers, this is music for the bad ideas that will end in bruises.

Or possibly with In-and-Out fries, consumed slowly while perched on the hood of a van, watching the sun rise at Venice Beach.

Or maybe with bruises and fries.

 
I’m Writing A Novel by subpop
 

Fear Fun is also: a record I want to share with everyone, because, seriously, y’all need to listen to this, and a novel that I find myself circling back to, just to see how the characters are doing.

If it actually was a book, it would be one that I would I know if I lent it out I’d never get it back. It would also be one that I would deliberately lend to people who needed it. And then once they had finished it we could go down to the beach and eat our fries, drink fizzy drinks, wash our cuts and scrapes out in the sea, and watch the skateboarders zoom around the skate-park together.

 
Now I’m Learning to Love the War by subpop

 

It’s possible to get lost in this song – to get distracted by the interaction between his voice and the beat and come up for air halfway through a verse thinking Rome is burning, you go on and keep fiddling, I’m going to dance – and then also realize you are Alice standing athwart the Ironic Looking-glass and he probably means every word sincerely.

This happens every time I listen to this song.

 
Only Son of the Ladiesman by subpop
 

For good or for ill this one is my favorite.

 
Tee Pees 1-12 by subpop
 

This is the one I have listened to the most often, because it came out first. Also because it has steady thump-sway beat which I particularly enjoy.

 
Everyman Needs a Companion by subpop
 

Joseph Campbell and the Rolling Stones / couldn’t give me a myth / so I had to write my own: I don’t think I want to tattoo this lyric on myself.

I think I’d rather write it on the back of a postcard and mail it off, and hope whomever I was mailing it to would read it and know it meant come meet me where-ever I am, I want to mis-spend an afternoon (or a lifetime) with you.

 
Tee Pees 1-12 by subpop
 

J. Tillman will be taking his show on the road (scroll down for dates) this spring/summer. I won’t be able to see him when he stops through New York, so I’m hoping he’ll be back again in the fall. But the rest of you, if he’s visiting your town: go and see him.

Boom Chick: Shake Can Well

I’m late in posting about this, but you should know that Boom Chick have a limited edition 7″ vinyl and download available, comprising their songs “Shake Can Well” and “Sweaty Dress” with bonus track “Sharkbite”. I caught these kids at Deep Blues Fest last year, and they were a wonderful surprise. Engaging and hard-rocking, the two-piece draws influence from the blues, obviously, but they also display a big love for early r&b and rock ‘n’ roll, even writing songs about Bo Diddley.

Check out the session they did with Alive & Breathing late last year.

 

“Shake Can Well”

 

“Cryin’ Rooster”

 

The 7″ is available from their Bandcamp site. Check out tour dates, photos, and more at the official Boom Chick website.

More from Cold Specks

 

We had a very positive response when we posted Cold Specks’ “Holland” back in February. Here’s a new one with that same beautiful voice, called “Blank Maps”.

 

 

And if you follow this link, you can hear Cold Specks covering Swans’ “Reeling the Liars In”. A sophisticated, intriguing, and wonderfully-executed choice.

Cold Specks’ album, I Predict a Graceful Expulsion, will be out May 22nd. She hits the road next week, dates below.

May 1st – Lincoln Hall – Chicago, IL
May 2nd – High Noon Saloon – Madison, WI
May 3rd – Cedar Cultural Centre – Minneapolis, MN
May 4th – West End Cultural Centre – Winnipeg, MB
May 6th – McDougall United Church – Edmonton, AB
May 7th – Central United Church – Calgary, AB
May 8th – Southminster United Church – Lethbridge, AB
May 9th – The Royal – Nelson, BC
May 11th – The Commodore Ballroom – Vancouver, BC
May 12th – Alix Goolden Hall – Victoria, BC
May 13th – Tractor Tavern – Seattle, WA
May 14th – Doug Fir Lounge – Portland, OR
May 16th – The Independent – San Francisco, CA
May 18th – Troubadour – Los Angeles, CA
May 19th – The Compound Grilll – Phoenix, AZ
May 20th – Club Congress – Tucson, AZ
May 22nd – The Prophet Bar – Dallas, TX
May 23rd – Stubb’s BBQ (Indoor) – Austin, TX
May 24th – One Eyed Jacks – New Orleans, LA
May 25th – Variety Playhouse – Atlanta, GA
May 26th – Grey Eagle – Asheville, NC
May 27th – Rock and Roll Hotel – Washington, DC
May 28th – Johnny Brenda’s – Philadelphia, PA
May 30th – Bowery Ballroom – New York, NY
May 31st – Middle East Downstairs – Cambridge, MA
June 2nd – The Music Hall, Toronto, ON

 

Cold Specks Official Website

Cold Specks @ Facebook

A Good Read, a Good Listen, and a Good Drink: Rubber City Review


Tim Quine blowin' harp with Bo Diddley

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


 

Though he’s been vilified in the press (see “blues-snob uncle” in Rolling Stone‘s profile of the Black Keys, January 19, 2012), Tim Quine, the head honcho at the Rubber City Review, has been nothing but kind and supportive to us up here by the lake. I learned of RCR when a link to the Akron-based music blog was posted to the Black Keys’ Myspace page (shush), and I was immediately taken not only with Tim’s deep and wide knowledge of music ranging everywhere from blues to western swing to jazz, but also with what a good read it was. No dry scholar Mr. Quine, his prose is generous with engaging information and abundant humor.

I’m very happy to have him here, sharing some wonderful recommendations with us.

 

Good Read:
Straight Life: The Story of Art Pepper
I’ve always had this weakness for West Coast jazz: guys like Chet Baker, Gerry Mulligan, Stan Getz and Paul Desmond. But my favorite is Art Pepper… The cool, seductive sound of his horn always knocks me sideways. So of course I had to dive right into “Straight Life,” the riveting autobiography that he co-wrote with his wife Laurie. Most of it is a harrowing account of his life as a heroin addict, including brutally honest stories of various acts of crime, his time in prison and his eventual recovery. Much like Miles Davis, it’s hard to reconcile the man with his music. And I found Pepper’s account of his legendary session with Miles’ rhythm section especially mind-blowing. He’d been strung out for some time and hadn’t even played in six months. In fact, the mouthpiece of his sax practically fell apart in his hands when he tried to clean it only hours before the gig (he ended up taping it together before heading out the door). But he somehow pulled himself together to record a jazz classic, “Art Pepper Meets the Rhythm Section.” I’d owned the album for years before reading the book… It still shocks me that he could play so flawlessly (with three guys he’d never met before, by the way) while struggling with so many demons.

 

Here’s the first song recorded at the session. The jazz standard was suggested by Miles’ pianist, Red Garland. Pepper was familiar with the song but had never played it, so he sort of made up the melody. One reviewer credited him with making it sound better than the actual tune, implying that Pepper was intentionally toying with the melody. In reality, he was doing his best to recreate it from a dim memory!

 

Good Listen:
The Complete Stax-Volt Singles: 1959-1968
I normally have my iPod to keep me sane during long drives, but it somehow dumped all of my music right before a trip to Lexington. So I quickly grabbed four discs from “The Complete Stax-Volt Singles,” and it dawned on me somewhere just south of Mansfield that I should have someone hardwire my stereo so the entire set plays on a permanent loop. Jelly Bread by Booker T, Able Mable by Mable John, Memphis Train by Rufus Thomas, A Place Nobody Can Find by Sam & Dave, I’ve Got No Time to Lose by Carla Thomas, Come to Me by Otis Redding… You simply can’t improve on any of this stuff. Since I’m such a guitar hound, I always find myself honing right in on Steve Cropper, who seemed to have an otherworldly sense of what to add and, maybe more important, what to leave out.

 

 

Good Drink:
Old Fashioned
Fine Kentucky bourbon (not the cheap shit), Angostura bitters, maraschino cherry, orange, a little sugar and a splash of water or club soda. My dad used to make one or two of these every night when he came home from work. Today it’s considered bad form to drink in front of small children. Back then, most of the kids in my Catholic grade school could make drinks like these for their dads. RIP Pops.

 

Shana Falana: In the Light

I have a mix I call “Chill Out Drown Out” for when I need to, well, chill out, and also drown out extraneous noise around me. Its music that enables me to calm down and concentrate on important tasks like memorizing the finer points of real property law, or, you know, just provides a chunk of peaceful time in a hurricane of a day.

One of the artists in the mix is Shana Falana, formerly of San Francisco but now living in upstate New York, who, with drummer Michael Amari makes heavy, sweet, dreamy tunes that I find particularly soothing.

Here are four from In the Light, which she released in January:

http://youtu.be/_M7oGHXpY3g
 

Light The Fire - Shana Falana (In the Light EP)

 
DIZZY CHANT VIDEO by Shana Falana "In the Light" EP out now

 
TRAGIC by Shana Falana "In The Light" EP out now

Liars: No. 1 Against the Rush

 

I was introduced to Liars via 2010’s Sisterworld album, and it was one of those experiences that made me ask, “Damn, how am I just hearing about this band now?” Their sound, ranging from moody, off-kilter grooves to straight-up screaming punk blasts, littered liberally with striking and jagged imagery, really caught me. (Even my son, who normally doesn’t listen to anything not connected to video games, would make me play “Scissor” repeatedly on the morning drive to school – hell of a way to start a day of education.)

Liars are preparing to release their next album WIXIW (wish you) on June 5th. Check out the disturbing video for lead single “No. 1 Against the Rush”.

 

 

WIXIW Pre-Order

Liars Official Website

Liars @ Tumblr

Liars @ Facebook