Video Grab Bag: David Bowie

Several years ago, at the end of a long conversation about Elvis Presley, and specifically the world’s response to his death, a friend of mine asked me: “Who’s our Elvis? Whose death will stop the world like his?”

We mulled and debated and left the question open.

At 1:30 this morning I rolled over and checked the Internet and got the answer.

I texted the friend this afternoon, to say: This is it. Our Elvis has died.

David Bowie has left us, and I have to tell y’all, I don’t even know where to start. At the beginning, I guess, or what was the beginning for me: Dance Magic Dance from Labyrinth:

David Bowie "DANCE MAGIC" Labyrinth Music Video

I don’t remember when I first heard Let’s Dance, title track of the 1983 record, but it has always been one of my favorites. Here he is singing it, as well as one other song that comes first, with Tina Turner:

Tina Turner & David Bowie - Let's Dance [Official Music Video]

Jumping backwards a little bit, this is Beauty and the Beast, from Heroes (1977), which I stumbled over probably ten years ago, and half a story fell fully formed into my head. I still haven’t written it down, but it’s there.

David Bowie Beauty and the Beast Live Bremen 1978 HQ & Rare

Space Oddity, from David Bowie (1969) has always made me sad, and now, even more so:

David Bowie – Space Oddity (Official Video)

On a lighter note: Starman, from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), and David Bowie in full androgynous effect:

David Bowie - Starman (1972) HD 0815007

And finally, Blackstar, from the record released just days ago, because David Bowie was an uncompromising beautiful weirdo right up to the end, and we should all strive to reach his level:

David Bowie - Blackstar

Rest in peace, good sir. We shall miss you very much.

2015: A Year in Pictures

Hello, darlings. I hope you are having excellent holidays, or at least excellent days.

Normally this feature is just a year’s worth of shows – or a year and a bit – but I’m doing something a little different this time around. 2015 has been amazing, at times, and brutal, at others, and as I uploaded my images, it occurred to me that some of the silences had as much of an impact as the instances of joyful noise.

So, here it is: a year of pictures of rockstars, and some other things, too.

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Book of Love, Terminal 5, New York, NY, Dec. 31, 2014

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Andy Bell, Erasure, Terminal 5, New York, NY, Dec. 31, 2014

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Kennedy (tuxedo) and Nikita (fluffball), dozing, New York, NY, Jan. 17, 2015

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Nikita, 2001-Feb. 16, 2015

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Kennedy, Feb. 28, 2015

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Alina in the snow, March 1, 2015

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Snow, birds, intrepid traveler, Brighton Beach, March 20, 2015

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Fort Tryon Park/George Washington Bridge, Easter Sunday, April 5, 2015

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Nick Morrison, Mumblr, Emerson House, Brooklyn, NY, April 24, 2015

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Emerson House, Brooklyn, NY, April 24, 2015

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Bonfire at the Mumblr show, Emerson House, Brooklyn, NY April 24, 2015

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Flowering tree, Brooklyn, April 24, 2015

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Kennedy, 1998-May 21, 2015

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The beach at Corpus Christi, TX, June 27, 2015

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Karma Killers, Warped Tour, Jones Beach, July 11, 2015

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The Dirty Nil, Warped Tour, Jones Beach, July 11, 2015

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Metro Station, Warped Tour, Jones Beach, July 11, 2015

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Family Force 5, Warped Tour, Jones Beach, July 11, 2015

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Black Veil Brides, Warped Tour, Jones Beach, July 11, 2015

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Rivers Monroe, Warped Tour, Jones Beach, July 11, 2015

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The beach at Jones Beach, July 11, 2015

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Z Berg, the Studio at Webster Hall, New York, NY, July 21, 2015

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Alex Greenwald, PHASES, the Studio at Webster Hall, New York, NY, July 21, 2015

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Z Berg and Michael Runion, PHASES, the Studio at Webster Hall, New York, NY, July 21, 2015

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Father John Misty, Central Park, New York, NY, August 5, 2015

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Austin Plaine, Rockwood Music Hall, August 12, 2015

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Plastic Cannons, Rockwood Music Hall, August 12, 2015

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Rock and Roll Hall of Fame, Cleveland, OH, Aug. 20, 2015

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House band at the Dixie Stampede, Pigeon Forge, TN, Sept. 23, 2015

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Patriotic finale, Dixie Stampede, Pigeon Forge, TN, Sept. 23, 2015

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Elvis Presley at the pancake house, Pigeon Forge, TN, Sept. 24, 2015

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Elvis Presley (impersonator) at the State Fair, Jackson, MS, Oct. 10, 2015

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The Famous Maroon Band comes marching in, Starkville, MS, Nov. 14, 2015

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Tombigbee River, Columbus, MS, Dec. 13, 2015

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Miss Gay Oklahoma 2014, Rick’s Cafe, Starkville, MS, Dec. 15, 2015

August Burns Red, Carol of the Bells / O Holy Night

August Burns Red are well known for their punishingly heavy jams. They bring a similar spirit to Sleddin’ Hill, their Christmas record, released in 2012. I probably write about it every year, because I just love it that much.

My primary favorite song from the record is their rendition of Carol of the Bells, which keeps the shape of the original intact but ramps up the intensity and pours on the drums:

August Burns Red – Carol of the Bells

And as I was poking around the video possibilities I discovered that 1) one of their labels had put the whole thing up and 2) their version of Oh Holy Night is just majestic. Oh Holy Night is the kind of thing that’s supposed to ebb and flow on its way to a massive crescendo; when the choir hits fall on your knees you should feel the voices pulling you down. There’s no singing, here, but the drums will certainly knock you over:

August Burns Red – Oh Holy Night

A Good Read A Good Listen and a Good Drink: Twilight Fauna and Jennifer Christensen

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Good morning, NTSIB. We’re doing something a little different with A Good Read today. The two people joining us today – Twilight Fauna, aka Paul Ravenswood, and Jennifer Christensen (solo, Disemballerina) – are not in the same band. Instead they are equal halves of a two-song split.

Both are established black metal artists: Twilight Fauna is a one-person atmospheric metal band from Appalachia, and Jennifer Christensen is a composer and multi-instrumentalist from the Pacific Northwest whose sound is more traditionally classical. For the purposes of this split, they decided to chuck genre limitations and match their works based on emotional content.

The result: Sickness unto Death, by Christensen, and Crossing the Threshold by Twilight Fauna.

Sickness unto Death is a spare, sweet, delicate and melancholy, but also menacing. If the Tell Tale Heart had come with a soundtrack, it would probably have sounded something like this song. Crossing the Threshold, in stark contrast, is the slow death throes of the big machine and makes ample use of grinding fuzz to set the mood.

And with that, I turn the floor over to Jennifer and Paul, who join us today to share a favorite book, record and drink:


Twilight_Fauna_Photo_1Jennifer_Christensen_photo_1

A Good Read

Paul: An Uncomfortable Life by Nicholas Trandahl. An Uncomfortable Life hits home for me on a lot of levels. The exploration of the individual within nature and with fellow humans has been a constant theme in my own life. The searching for one’s place, a sense of belonging, and the struggle to live an authentic life even when that places you in conflict with others makes this a powerful read for me. I’ve had the opportunity to speak at length with Nicholas Trandahl about this book and have found this struggle to be a common theme in both of our lives.

While I’m a fan of Nicholas’ writing in general, I identify with this book especially. You know how at times you’ll find a perfect piece of music or a book at what feels like the moment you need it most? An Uncomfortable Life came into my life shortly after I experienced some major losses. This book spoke to me not only about losing people, but of finding my own place in the world. While that is an ongoing struggle to which I still haven’t found an answer, An Uncomfortable Life helped me to start asking the right questions. For that I will be forever grateful.

Jennifer: I’m currently reading the biography of the modernist abstract artist Lee Krasner by Gail Levin (2011). I just picked this book up from the library today and I’m already engrossed. Reading about this period of time and the artists, musicians and authors that thrived during this era in our collective creative history is something I often find invigorating and significant to the writing or composing that I do. Especially when I’m stuck wondering where a composition is headed, I like to reference artists from the past I’ve found to be energizing—like Krasner!

A Good Listen

Paul: Earthborn by Evergreen Refuge. Earthborn consists of a single 45 minute, all acoustic track. It’s basically the soundtrack to a journey through the forest. Every time I listen it transports me to somewhere else. As you listen, even in the most congested city, you’ll find your mind wandering to wild places. Your eyes will naturally begin to search out the greens of nature or the blue of open skies. In my own life I am drawn to wild places, I spend a lot of time hiking in the isolation of the mountains. On this release, Evergreen Refuge manages to capture the spirit of those places and transforms it into 45 minutes of beautiful sound. Each listen takes me back to places I’ve been or places I’ve yet to travel.

Something else that strikes me about this album is that it’s entirely instrumental. There is great beauty is being able to carve out an experience, to say so much, without needing words. Evergreen Refuge is able to paint pictures, entire forestscapes without bringing vocals into the mix. The only words you’ll find in Earthborn are your own. Those of your own experiences, your own hopes, dreams, and the journeys you’ve yet to take. Digital download/CD here. Highly recommend getting the cassette here.

Jennifer: Them Are Us Too – Remain (2015). While on tour with Disemballerina, I recently stumbled upon this album in California and I have been obsessed with it ever since. The dreamy tracks on Remain are perfect for basically any situation I can imagine; driving, bathing or walking anywhere. I find their creativity, innovation and the sheer beauty of this work to be highly inspiring and influential, as does everyone I’ve recommended this album to ever since.

Them Are Us Too - Eudaemonia (Official Video)

A Good Drink

Paul: I’m a big craft beer guy. When I travel I’m always on the look out for small microbreweries. Especially in the last 10 years or so, it seems every small town has a least one locally owned small brewery usually where you’ll find local people having a good time. So in general, as far as a good drink I would consider that anywhere that you can share a good beer with friends and soak up the local culture. Where I live, that place is Johnson City Brewing Company. I’m a dark beer drinker, my favorite is their Raspberry Mocha Stout which is a rich, slightly sweet beer that is perfect for cold winter days.

Jennifer: Fresh pressed apple cider. I grew up in Red Bank, New Jersey and fresh pressed fresh apple cider is both a local treasure (at nearby Delicious Orchards) but also my favorite thing in the world to drink. This is especially true in the fall but really all the time. I have wonderful memories of pressing the apples myself and tasting the juice with my mother and the taste (along with often the accompanying apple cider cinnamon donut!) brings me back to a very happy and innocent time in my life which remains intact inside it’s crisp flavor. Definitely a somewhat unacceptable substitute but I even brought dehydrated apple cider with me this summer on the month long stretch of the Pacific Crest Trail I did through the Sierra.

Video: Bob Dylan, Adeste Fidelis and Little Drummer Boy

Bob Dylan released Christmas in the Heart in 2009, and the world’s reaction was somewhere between ” . . .” and “WHAT?”

I have a confession, y’all: I usually can take or leave Bob Dylan, but I unironically love this record. There really is nothing more subtly glorious than him and his froggy croak of a voice powering through Adeste Fidelis:

O' Come All Ye Faithful (Adeste Fideles)

Though his rendition of Little Drummer Boy is also pretty great:

Bob Dylan - Little Drummer Boy (Video)

Video: Felice Brothers, Country Ham / Carriage

And now, on a more serious note, our old favorites the Felice Brothers have put out a Christmas album called Felice Navidad, the proceeds from which will go to the Food Bank of the Hudson Valley (NY). Below are videos for two of the songs, Country Ham and Carriage.

Country Ham is the whole band having some fun in a supermarket on their way to dropping off some holiday cheer; Carriage is Ian Felice by himself, delivering some sobering home truths with his guitar.

Felice Brothers "Country Ham"

The Felice Brothers "Carriage" Felice Navidad

The rest of the record is available at their website.

Video: Grandma Got Runover by a Reindeer, Justin Kennedy

Everyone has their Christmas traditions. Some people can’t get in the spirit without hot cider and gingerbread. Others genuinely enjoy ugly Christmas sweater season. As for me, well, it isn’t really Christmas until someone starts singing Grandma Got Runover by a Reindeer.

(Admittedly this year that would mean Advent started in August on Fire Island, when someone in a hen party next to launched into the tune, but – DETAILS, people, DETAILS.)

This version of the Elmo and Patsy classic is by Justin Kennedy of Army Navy. It’s at about 3/4 speed and therefore feels like experiencing the holiday in a haze of . . . whatever makes you feel hazy. Really brings the pathos out, too, actually. Never occurred to me before how much of the childish glee of this song depends on being able to slalom through it.

Grandma Got Run Over By A Reindeer – Justin Kennedy from Justin Kennedy on Vimeo.

A Good Read A Good Listen and a Good Drink: David Majury, Slomatics

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


The Slomatics first formed in Belfast in late 2004, and since then have released several records. Recently they re-issued their first two albums, Kalceanna (2007) and Flooding the Weir (2005).

I’ve listened to both of them; my reaction was this is like being run over by a cement mixer and I mean that in the best possible way.

Here is my advice: lie down somewhere comfortable, rest your listening device on your stomach, put your headphones on, and turn it up. It might feel like meditating with a jackhammer, but it’s good for what ails you, I promise.

This is Viking Sea, from Kalceanna:

And, so y’all can see how they’ve grown over the years, here’s The Carpenter, from Estron (2014):

And with that, I turn the floor over to Slomatics guitarist David Majury, who joins us today to talk about a favorite book, record and drink.


Slomatics, live.

Slomatics, live.

A GOOD READ:

Krautrocksampler by Julian Cope.

I’m not a particular fan of Julian Cope’s music, nor was I a fan of Krautrock when I first read this book. I do enjoy music biographies though and will read pretty much anything related, and this book was recommended to me in the mid nineties by a friend. I’ve chosen this book as its one I frequently re-read, often picking it up to read just a chapter, and I cant think of many other books where that’s the case.

I love this book because of how it’s written – Cope doesn’t go for the stuffy, over-earnest approach that makes so many biographies seem like dull lists of facts/events; instead he writes like its a wild ride full of excitement and amazement at this weird music. He makes words up (Ur-punk??), uses grammar as he sees fit and occasionally loses it completely, all with his innate sense of what he deems cool underpinning every opinion. His stories of the formative years of such obscure heroes as Ash Ra Tempel are written as if he were there and it’s impossible not to be transported to early 70s Germany when reading this.

The book also gives me a sense of nostalgia, as I read it pre Internet, when it was nearly impossible to actually hear any of the bands involved. At the time I was permanently skint, and £20 for an import of an album I’d never actually heard was big money in the mid 90s. It reminds me of a time when music wasn’t all immediate, when bands could still hold an air of mystery.

As much as I like the immediacy of YouTube, I remember how it felt like a real quest to hear obscure music, how it took months of searching in ’89 to finally get a badly recorded tape of the Misfits ‘Legacy of Brutality’ and how important that made it feel. I’d agonise over whether of not to mail order Yeti by Amon Duul II, half fascinated by the description of its eastern-sabbath riffs, half panicked by the words ‘folk rock’. That the music described in the book has never disappointed me, and pretty much all of it is now there in my collection, listened too all the time, is testament to this book.

A GOOD LISTEN:

Part Chimp, Thriller.

When people find out I play in a band they always ask what sort of music it is, which is a natural enough question. The difficulty is describing the band without sounding like an arsehole. I’m not claiming that we’re some genre defying band, but to go on about being a fuzz-doom sci fi metal band with a sniff of shoe gaze and Hawkwind thrown in is just too much, so I stick with ‘heavy rock’.

This is usually followed by ‘You mean like Bon Jovi/Iron Maiden’ etc. It makes me realise that although very little of what I listen to is metal, a lot of it is heavy.

This album fits the bill perfectly, it’s unbelievably heavy in a way that no metal band could come close to, but it has absolutely nothing to do with that scene. The guitar tones are just massive, insanely fuzzy and bordering on being totally out of control. The songs are rammed with hooks and melody, yet avoid any conventional structure. Part Chimp are still the loudest band I’ve ever seen live and somehow they’ve managed to make records that sound every bit as loud, which is quite an achievement. It’s completely beyond me why this record wasn’t huge. An absolute classic.

Part Chimp - Dirty Sun

A GOOD DRINK:

Pint of Smithwicks Ale

In the Hipster Age of corksniffing craft beer freaks, this is probably a very uncool beer to drink. I don’t know if you can get it outside of Ireland. It’s kind of seen as an auld lads pint, and for people who can’t handle Guinness. I’m both of those things now, so I’m very comfortable with that.