Notable Shows in the Greater Cleveland Area

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Sat, Mar 12| 9 PM (8 PM door)
    The Schwartz Brothers
    $6
    Tavern | All Ages
  • Mon, Mar 14| 8 PM (7 PM door)
    Morgan O’Kane
    with Ferd “Four” Moyse
    (of Hackinsaw Boys)
    Hiram Rapids Stumblers
    $8 adv / $10 dos
    Tavern | All Ages

Grog Shop

  • Sun, Mar 13| 8 PM
    MEN
    Katastrophe
    Eternity Zone
    Fangs Out
    $10 adv / $12 dos
  • Thu, Mar 17| 8 PM
    Elephant 6 Orchestra
    $12

Now That’s Class

  • Sun, Mar 13| 11 PM (10:30 PM door)
    Sic Alps
    SIC ALPS
    Unholy Two
    Puffy Areolas
    $7

Happy Dog

  • Sat, Mar 12| 9 PM
    The Very Knees
    NIGHTS
    How to Breathe Underwater
  • Thu, Mar 17| 9 PM
    James Leg

Kent Stage

  • Fri, Mar 11| 8 PM
    Arlo Guthrie
    $50 / $80

Don’t Say I Never Gave You Anything: Ocean Carolina, De Staat, The Wilderness of Manitoba

This song, “Night and Day”, from Ocean Carolina, out of Brooklyn, NY, reminds me of Grant Lee Buffalo/Grant Lee Phillips in a wonderful way. It is a sweet, heartaching tune.

Ocean Carolina – Night and Day by Now This Sound Is Brave

Ocean Carolina Official Website

 

I was not expecting the sounds that came through my earphones when I hit play on De Staat’s “Sweatshop”. This band from Nijmegen, the Netherlands, mixes rock, dance, industrial and hip hop with ass-kicking verve. You can catch them at SXSW.

De Staat – Sweatshop by Now This Sound Is Brave

De Staat Official Site

 

The Wildernes of Manitoba is actually from Toronto, Ontario, but either way, this track is sunny enough to have come out of the Carolinas. Lovely instrumentation and lovely harmonies complement a bouncing, running-barefoot-through-a-field rhythm.

The Wilderness of Manitoba – Orono Park by Now This Sound Is Brave

The Wilderness of Manitoba @ Facebook

London Calling: Good Dangers

This band’s information floated over our transom with the following e-note appended:

We wrote these songs in our living rooms

We recorded them

We moved to north london so it was easier

We didn’t always agree

but that’s ok

We made some art to go with the music

We made videos which took longer

We have all been in other bands – this is our favourite

Good Dangers is – Maxim, Gavin, Johny, Jenny & Howard

I listened to their songs and watched their video(s), and later, upon adding Abigail to my daily playlist (listen to it streaming at bandcamp), I found myself humming along and tapping my pencil to the beat while I worked. And then I took it upon myself to do some further investigation. Lead singer Gavin (top right) expanded as follows:

Naturally the first question is going to be: Which bands were you in before?

That’s a bit of a secret, we like mystery.

Where did you move to North London from?

We all studied and lived south of the river after going to Goldsmiths College, gradually we migrated north/east so we could write and play easily. It’s good times in that part of London.

Why did you name the new band “Good Dangers”?

The music has a tension about it.  There’s a lot of risk in putting music out there and giving up a part of your life to do that. We wanted to capture that in the name. Or we just came up with cause it sounded good. Can’t remember.

The songs sound so light and airy, but your comment in your bio about disagreements makes it sound like getting there was hard. Was the songwriting difficult? How did you go about putting the pieces together?

Sometimes writing is painless, the songs write themselves. Other times we massively disagree. Great songs come out of both situations. You can never tell how it will play out. The only thing you can guarantee is that we will all have an opinion!

Are you all supposed to look dead in your press picture? If so, why?

No, although I agree we look a bit dead! There is something good about taking your clothes off and shutting your eyes, we can say that much.

I watched the video for Brasilia, and wow, there’s a lot to unpack there, visually. I saw a lot of footage I recognized as being disaster- or crisis-related, and a lot that seemed, at least in theory, to be harmless. What was all of that mixing about, and how does it related to the song? Also was it meant to evoke Brazil, the movie?

No relation to that fantastic movie. Making that video, I used footage from growing up in Australia shot on super 8 and a bunch of archive footage that I felt summed up the themes in the song. The song is about memories and their potency.

 

 

These last ones are for everyone. What was your transformative song – the rock and roll lightning strike?

Gavin: Anything from Van Morrison – Astral Weeks; Guns N’ Roses – Use Your Illusions II; Smashing Pumpkins – Siamese Dream; Ryan Adams – Heartbreaker; Strokes – Is This It and Arcade Fire – Funeral.

Howard (bottom right / bass): Anything of ‘Nevermind’ (I love Drain You), when that was played at parties everyone used to go more nuts than anything else.

John (bottom left / drums, brother of Howard): The entire Strokes first album

Jenny (center / keys): Anything off the Jimmy Eat World self-titled album

Max (top left / guitars): Positively 4th Street – Bob Dylan. My Dad’s enthusiasm finally made sense on one long drive in Spain with the family.

 

What was your first show (that you attended, not that you played)

Gavin: First proper show, [was the] Smashing Pumpkins [in] London. I managed to grab a broken guitar string off Billy’s guitar. I was 14.

Howard: George Benson somewhere in London with my folks. I think I was 5 years old, I spent the entire gig shoving cotton wool in my ears as it was so loud and his smooth tones really hurt.

John: The Strokes, 2003, Alexandra Palace.

Jenny: Billy Joel

Max: Echo and The Bunnymen, Royal Court, Liverpool, 1996

 

Good Dangers - Beat Of Your Heart

 

What was the first record/tape/etc that you bought? What was the last one?

Gavin: First: Mc Hammer – Please Hammer Don’t Hurt ‘Em /Last: Wild Nothing – Gemini

Howard: I bought REM Automatic For the People because my cousin was really into them. I love that album. Last one I bought was the new Radiohead album.

John: Power Rangers theme song in 1994.

Jenny: Cyndi Lauper, True Colours and Arcade Fire, The Suburbs

Max: Ain’t talkin bout dub – Apollo 440; Zola Jesus – Stridulum II


And finally, will you be playing any shows any time soon?

Gavin: We are playing at:

March 17: Old Queens Head, Islington, London

March 24: Hoxton Bar&Kitchen, Hoxton, London

April 12: Catch, Shoreditch, London

Bits: Railroad Revival Tour, SXSW, Raekwon, Booker T. Jones, Shivering Timbers

  • Old Crow Medicine Show, Mumford & Sons and Edward Sharpe & the Magnetic Zeros will be kicking off the Railroad Revival Tour on April 21. The bands will travel by train across the southwestern United States and perform at outdoor venues in California, Arizona, Texas and Louisiana. Not quite as fun as the Roots on the Rails shows since the audience won’t get to travel on the train with the bands, but a unique and cool gimmick nonetheless.
  • Our friends at Ninebullets.net will be throwing a couple of fine parties at SXSW this year – on March 18 and 19 – featuring artists like Caitlin Rose, Kasey Anderson and the Honkies, Two Cow Garage, the Only Sons and more. Details here.
  • If you can stand heading over to MySpace, you can stream Raekwon’s new album Shaolin Vs. Wu-Tang.
  • Booker T. Jones will be releasing a new album, The Road from Memphis, on May 10. THe album is produced by Jones, ?uestlove and Rob Schnapf (Beck, Elliot Smith), and Jones is backed by the Roots.
  • Shivering Timbers will be in the WRUW studios on March 31 around 5 PM EST. Listen via the internet here.

Happy Mardi Gras! Laissez les bons temps rouler, y’all.

Jordan Bolton: Confidence is Just Another Word for Pretend

What were you doing when you were 18? Nearly single-handedly producing fully realized songs and then promoting your music around the world? The continued maturation of the internet as a tool is making this more possible, and Jordan Bolton of Manchester, England, is taking advantage of that. Bolton has released two EPs, Jazz Hands and Silver Age, via free download (two songs from Silver Age are available below and both EPs can be obtained through the links at the end of the post), and as you listen to these collections you get the sense of a young artist’s growth and evolution being documented as he absorbs influences and lets them flow lightly into his own unique compositions.

Each song on Silver Age, his latest, has at least one sublime element in it: the pounding drums of “Lull”, the loping bassline of “Control”, the infectious chorus of “Black and Grey”. While becoming firmly rooted in your head (and later coming out as a hum as you go about your day), these songs make you excited to hear what’s next.

 

Black And Grey by Jordan Bolton


Control by Jordan Bolton


Jordan Bolton @ Soundcloud

 

Jordan Bolton @ MySpace

 

Jordan Bolton @ Last.fm

Massive Tour Alert: Casey Neill and the Norway Rats

The first time I saw Casey Neill was at the Mercury Lounge in the East Village, somewhere around 2008, when he was one of the opening acts for New Model Army. (There were three; one of the other ones was an instrumental Goth band. It was, as you might be gathering, quite an unusual evening.) In any case, he played this song . . .

Casey Neill - We Are The City

. . . and it immediately became one of my favorites, because, if you’ve ever wondered what the DNA of New York sounds like, there it is. This is the city I am homesick for when I am wandering on far distant shores.

The BIG NEWS that I have for you today, ladies and gentlemen, is that he has gathered up his band, the Norway Rats, and they are hitting the road on a scale not seen since 2007, making numerous stops in the Mountain West and also at South by Southwest. He (and they) will also be playing some Pacific NorthWest shows in April and May before swinging  East later in the spring, but in the meanwhile: Colorado, Montana, New Mexico, Utah, Arizona and Texas, get your calendars out!

CASEY NEILL AND THE NORWAY RATS – MARCH 2011 (featuring Jesse Emerson-bass, Chet Lyster-guitar, Derek Brown -drums on the way there, Ezra Holbrook-drums on the way back)

Tues March 8th – MISSOULA, MT @ Badlander
208 Ryman Street 9pm $7, 21+, opener: David Boone & The Controls
Presented by Stoneflyproductions

Thurs March 10th – DENVER, CO @ Lions Lair
2022 E. Colfax Ave. 8pm with Moe Purdue and Brian Rodgers

Fri March 11th – COLORADO SPRINGS, CO @ the Triple Nickel
9pm, 21 and over, $5 (also appearing The Broken Spoke and Gabriel Rozzell)
26 South Wahsatch Avenue

Sat March 12th- DENVER, CO @ Scruffy Murphys (during St Patricks Day Parade)
7:30pm in the tent (all day St Patricks Day throwdown) 2030 Larimer Street

Sun March 13th (EVENING)- FORT COLLINS, CO @ Avogadro’s Number
7:30pm $8 605 South Mason Street

Sun March 13th (DAYTIME)- LOVELAND, CO opening for SOLAS! @ Rialto Theater
short acoustic set opening for our pals in the Irish supergroup.
228 East Fourth Street $25 advance, $29 day of show

SXSW SHOWSALL FREE NO FESTIVAL BRACELET REQUIRED!!

Thurs March 17th- AUSTIN, TX @ THE VORTEX THEATER / BUTTERFLY BAR
7pm set, St Patricks Day Party 2307 Manor Road

Fri March 18th – AUSTIN, TX @ Threadgill’s 12:30pm set
Burnside Distribution Party, our PDX cohort Fernando will also be performing at this legendary outdoor BBQ joint and music mecca. Many more. 301 West Riverside Drive

Fri March 18th – AUSTIN, TX @ Flipnotics Cafe 3pm set
301 West Riverside Drive   The yearly Flipnotics Party hosted by Matt the Electrician

Sat March 19th- AUSTIN, TX @ Yard Dog Art Gallery Party 3:30pm set
This notorious SXSW Party features an amazing lineup starting at 11am. Wilco side project the Autumn Defence, Mark Eitzel, Steve Wynn, Jon Langford of the Mekons and Scott McCaughey & Peter Buck’s adhoc collective the Minus 5 (which Ezra will drum for and Casey will sit in)

… OUT OF TEXAS AND BACK ON THE ROAD…

Wed March 23rd – ALBUQUERQUE, NM @ Low Spirits Bar and Stage
2823 2nd Street NW 8 PM www.ampconcerts.org
www.brownpapertickets.com/event/142929 $10 advance, $15 day of show.

Thurs March 24th – FLAGSTAFF, AZ @ Charly’s Bar (in the Weatherford Hotel)
8pm 23 N. Leroux Street

Fri March 25th – DOLORES, CO @ The Dolores River Brewery, 100 S. 4th St.
with special guest KATYA CHOROVER (exSeattle and now four corners area songwriter extraordinaire, Casey is co-producing her new CD and Jesse and Ezra both have played on the tracks…)

Sat March 26th – SALT LAKE CITY, UT @ Piper Down
1492 South State Street

APRIL/ MAY – West Coast band shows & East Coast solo shows
April 30 – Arcata, CA Humboldt Brews
May 6-Eugene, OR Sam Bonds Garage with Sassparillla
May 7 – Hood River, OR Double Mountain
May 13- Portland, OR Secret Society Ballroom

SOLO EAST COAST TOUR
May 25- Boston, MA Club Passim
many more TBA

FACEBOOK – http://www.facebook.com/home.php#!/pages/Casey-Neill-and-The-Norway-Rats/128221115191
YOUTUBE CHANNEL – www.youtube.com/caseyneill
TWITTER:  www.twitter.com/caseyneill

Notable Shows in the Greater Cleveland Area

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Fri, Mar 4| 8 PM (7 PM door)
    Beachland 11th Anniversary Weekend
    Wayne “The Train” Hancock
    California Speedbag
    $12
    Tavern | All Ages
  • Sat, Mar 5| 8 PM (7:30 PM door)
    Beachland 11th
    Anniversary Weekend:
    This Moment In Black History
    Wussy
    Cloud Nothings
    The Modern Electric

    Hosted by:
    Miss Firecracker
    Charles Peachock

    Special Advance 2 for $11 Admission!
    (Limited number available)

    Free Downtown Soulville After Party in the Tavern
    @ Midnight-ish!

    $8
    Ballroom | All Ages

  • Sun, Mar 6| 9 PM (8 PM door)
    Beachland 11th Anniversary Weekend
    The Parting Gifts
    The Jay Vons
    Little Bighorn (members of Coffinberry, Prisoners)
    $10
    Tavern | All Ages
  • Tue, Mar 8| 8 PM (7:30 PM door)
    Gifts From Enola
    If These Trees Could Talk
    Purse Snatcher
    $6
    Tavern | All Ages

Grog Shop

  • Thu, Mar 10| 8 PM
    Obits
    Jaill
    Wooly Bullies
    $10

Now That’s Class

  • Sat, Mar 5| 9 P< 13th Annual Queens of the Iron Mic Aaqila Indica Mz. Crazy Tee Rain the Quiet Storm Neshia-Nee Dominique Larue B. Jorda Ms. Moone Ebonie Lane Marvelous Miles Early Girl $7
  • Sun, Mar 6| 9 PM
    Koffin Kats
    Benedict Arnold
    Rockabye Ransom
    Gunfire Getdown!
    $8

Happy Dog

  • Fri, Mar 4| 9 PM
    Bird Names
    Milk & Cookies
    Beardo Bandini
    The Mummified Bat

Kent Stage

  • Fri, Mar 4| 8 PM
    Joe Diffie & NewFound Road
    $25
  • Thu, Mar 10| 8 PM
    Twista
    $18

The Tangier

  • Sat, Mar 5| 9 PM
    Big Bad Voodoo Daddy
    Laura Varcho
    $35 / $45

Rachel Brooke: I Can’t Sing Anything That Wasn’t Sung Before

It took me a while to come around to country music on the whole. Sure, I had some questionable dalliances with country artists in my youth. You would have found Oak Ridge Boys and Randy Travis tapes stacked in with my Duran Duran and Depeche Mode tapes. And my mother’s housework was often accompanied by Kenny, Dolly and Alabama when she wasn’t playing the Rolling Stones, Pat Benatar and the Pointer Sisters. But I soon became the kind of person who, when asked what kind of music she listened to, answered, “Almost everything… except country.”

Then, eventually, I was turned on to the country music of the 1940s and ’50s. Ernest Tubb, Hank Sr., Patsy Cline, Johnny Cash… you know the bunch I’m talking about.

On her second solo album, Down in the Barnyard, Rachel Brooke’s music hearkens back to this time in country music when the keys to success were a steady rhythm, a clear and honest voice and a good story. But, like myself – and like many of you reading this, Brooke has probably spent a little more time in her life cozied up to Joy Division than kicking back with Merle Haggard, and this adds a quirky edge to her songs. With her eyeliner, black bob haircut and murder ballads, she appeals just as well to goths as to lonesome cowboys. Had she been recording when I was discovering classic country, younger me would have wanted to be her. Hell, current me kind of wants to be her.

Check out a couple of her songs below, then check her out live.

Rachel Brooke – The Barnyard

Rachel Brooke – City of Shame

 

Rachel Brooke Official Website

Rock and Roll Dreams Come True: Meat Loaf at Irving Plaza, 2/23/11

IMG_7678

This is Evan Watson , of Evan Watson & The Headless Horsemen . He’s a bluesman from Indiana, though right now his home base is in Tarrytown, NY. I saw him last week when he opened for Meat Loaf at Irving Plaza (!) by himself, minus his Horsemen, and, while I’m not much for the blues, I could tell he would be delicious for people who like fancy picking over a steady slow roll. He’s also got a fantastic rumble-growl voice to go along with all of that, so, blues enthusiasts: you should check him out.

IMG_7711

And here is where I have to back up and explain that, for all I was on “spring break” last week, by Wednesday I was inexplicably thin-skinned and heartsore, and in dire need of some cheering up. Meat Loaf at Irving Plaza turned out to be exactly what I needed. I have to explain also that Irving Plaza is tiny, or at least, it is significantly smaller than the places Meat Loaf normally plays, in the sense that it only fits 1,200 people. (I normally see punk bands there; this show was one of the few times I wasn’t the oldest person waiting in line.) The last time he was in town he was at the United Palace Theater, which is somewhere around 3,000 people.

IMG_7733

Anyway, not only was it an amazingly intimate show, he also played my favorite song, which is You Took The Words Right Out of My Mouth. Though I suppose if I’m being honest they’re kind of all my favorites. He also did a rousing Bat Out of Hell as the third song of the evening, and I tell you what, there is nothing that makes my black little heart expand three sizes like 1200 people singing along at the top of their lungs. It makes Meat Loaf happy, too:

IMG_7735

At one point during You Took The Words Right Out of My Mouth he gave up on singing and started conducting the crowd:

IMG_7736

In addition to the old stuff, he also did three songs from his new record, Hang Cool Teddy Bear, including Los Angeloser. The riffs were big and the melodies as catchy as ever; I was surprised when he said the record hadn’t done well. Then again, I was also surprised to find out there was a new record, which, uh, maybe part of the overall problem there.

The other highlight of the evening was Paradise By The Dashboard Light, which is really a piece of theater disguised as a song. Patti Russo, his long-time duet partner, displayed her usual excellent comic timing throughout the piece.

IMG_7759

Here’s a better picture of her, from earlier in the show:

IMG_7729

In summary: it was a fantastic evening, and I walked out into the freezing night with sore knees and warmed heart, refreshed and ready to deal with the rest of my week.

Bits: Eddie Kirkland, TV on the Radio, Conrad Plymouth, Chip Tha Ripper, Jessica Lea Mayfield

  • Bluesman Eddie Kirkland was killed in a road accident this passed Sunday. Our hearts go out to his family, friends and fans. I’m glad I had the pleasure to see him live this past autumn when he opened for the Gories.
  • The first track to be revealed off of TV on the Radio’s forthcoming album, Nine Types of Light, can be heard on the 107.7 blog.
  • Our friends Conrad Plymouth, accompanied by Strand of Oaks, did a set for Folkadelphia. It will air tonight between 6 and 8 PM ET.
  • Cleveland’s Chip Tha Ripper has a new mixtape, Gift Raps, at Rap Radar. Digging it as I type…
  • Kent, Ohio’s Jessica Lea Mayfield made her Letterman debut (with brother David Mayfield, formerly of Cadillac Sky, currently of the David Mayfield Parade, accompanying her) last Friday. Check it out below.