Pete David & the Payroll Union: Ghosts Came By and They Told Us to Go

 

Recently, while listening to a band whose genre was listed as “Americana” but who were not from any of the Americas, let alone the United States, I likened Americana music in the ’10s to Irish music in the ’90s – a genre named for a country, rapidly filling with non-native practitioners.

But that phenomenon is not necessarily a bad thing. Take Exhibit A: Pete David & the Payroll Union. Based in Sheffield, England, the group was formed by a couple of young Brits (vocalist/guitarist/harmonica player David and banjo player Joseph Field) who held an acute interest in the traditional music of the U.S. This makes a sort of sense since lines drawn from early American music (string bands, drum and fife bands) often lead back to the British Isles.

The lyrics of Pete David & the Payroll Union’s debut EP Underfed and Underpaid make this even more of a musical Möbius strip as David and company sing stories set during the French and Indian War, the Civil War, the Salem Witch Trials, etc. They even have the visage of America’s 7th president Andrew Jackson gracing their website. Not for the first time, the Brits have beat us at our own game.

Whatever, it’s probably just prolonged jealousy over that whole Revolutionary War thing. You’ll forgive them once you hear the music. The album begins with the attention-grabbing “St. Lawrence River”, in which a company of soldiers opine, in earthy harmony, that they will “die on a muddy river bed” while Field picks beautifully on his banjo and drummer Ben President urges your feet to stomp along. Later on, in “Abigail”, David croons over a slowly-strummed guitar before the song opens up with the full band into a romantic cry of longing. The album ends with “There’s a Light”, probably the most traditional-sounding song on the album with Paul Heath’s freight train bassline and Field’s banjo strumming.

Two of my favorite tracks are “The Sacrifice” with its Nick Cave-like bravado and the appropriately-haunting “Ghosts”.

 

[Tracks removed by request.]

 

Pete David & the Payroll Union have a string of gigs at home in Sheffield, later branching out to Glossop, Wales and York (check their website for details). They’re looking to work up a U.S. tour in the future, but until then, check out their lovely website and download or order Underfed and Underpaid from their Bandcamp site.

 

Pete David & the Payroll Union Official Website

Pete David & the Payroll Union @ Bandcamp

American Idiot

When it comes to Green Day, I have, over the years, been something of an inconstant lover, prone to casual liaisons (singing along to When I Come Around on the radio in 1994), impetuous tiffs (changing the station every time I heard the opening notes of Good Riddance (Time of Your Life) in 1998) and brief put passionate flings (that time in May 2001 that I made my cube-mate listen to The Grouch on endless repeat every morning until he almost literally begged for mercy) but for various reasons resistant to actually committing.

Then, in 2004, they released American Idiot.

That record was different. That record was the one that I bought out of idle and morbid curiosity (Rock opera? Seriously?), then kept in the player in my car for the better part of several months, where it served as company and comfort during the numerous solitary journeys I made up and down 287 South and I-95, trying to balance work and love and clearing twenty-six boxes of books and assorted other memories out of my parents’ house before they moved. Even now, seven years later, the memory of curve of the road unwinding in the distance and the attendant simultaneous rising and sinking of my heart are inextricably tied to the first explosive chords of the first song.

So when I heard it was going to be made into an actual musical, I was warily elated. The early reviews from the California production were promising, and then, even better, it jumped to Broadway. My Green Day girls who have been going steady with the band since the early 1990s came back from previews in raptures, and my theater people, all gimlet-eyed Broadway audience veterans, were similarly impressed. (The show has since won several awards, including both a Tony and a Grammy.)

The first time I got to see it myself was in late June 2010, when NTSIB friend Cam Rogers visited New York in advance of our larger road-trip to Mississippi. I proffered it gingerly, and he not only agreed to see it but also hauled a suit halfway across the world in his rucksack so that we could have a proper night at the theater. And thus it was that I ended up at the front of the balcony in the St. James Theater, trying not to bang my head (it’s really difficult to hold still during those opening bars) while I absorbed the action and the stagecraft, with several thoughts forming; chief among them was the sudden certainty that this was always how it was meant to sound.

Speaking of stagecraft, let’s talk about that for a minute. The set, which was wall-papered with newspapers covered in graffiti and punctuated by video screens, still managed to look natural and lived-in. The costumes didn’t look like costumes, they looked like things that people I know would (and do) wear. Watching the actors stomp and swirl as they sang, I felt more than thought Those are my people, that is my tribe. Also notable: The soundtrack incorporates some material off of other Green Day records, and, against all odds and in defiance of almost 15 years of dedicated loathing, when Good Riddance (Time of Your Life) showed  up at the end, it struck me as the perfect grace note and I developed a sincere affection for the song. It, too, benefits from being sung with multiple voices.

I went on to see the show three more times – the most times I ever have and probably ever will see one Broadway show – once with my sister, and twice more on my own. The fourth and last time I saw it was a week and half ago, during Billie Joe Armstrong’s third turn as St. Jimmy, and one of the last performances before it closed on Easter. And, while I’m sad to see it go,  the reason it closed, and the reason I’m writing about it now, is an exciting one: it’s going out on tour. The festivities will kick off in Toronto in late December and make a slow march around the country through early 2012. I encourage all of you to check the listings and mark your calendars and go see it.

Bits: Gerard Smith, Poly Styrene, Beastie Boys, Cure for Pain, WMC Fest, No Depression Festival

  • TV on the Radio announced the passing of bass player Gerard Smith on the morning of April 20 after his fight with lung cancer.
  • Punk chanteuse Poly Styrene died of breast cancer on April 25 at the age of 53.
  • Beastie Boys are streaming their forthcoming album Hot Sauce Committee Part Two with this note: “Good people, unfortunately due to circumstances beyond our control, the “clean” version of our new album, The Hot Sauce Committee pt 2 has leaked. So as a hostile and retaliatory measure with great hubris we are making the full explicit aka filthy dirty nasty version available for streaming on our site. We hope this brings much happiness, hugs, and harmony. Enjoy Kikoos for life!”
  • Cure for Pain: The Mark Sandman Story could use your help. Gatling Pictures has launched a Kickstarter campaign to help pay for publishing and master/synch rights so the film can be commercially distributed.
  • Tickets for the Weapons of Mass Creation Fest are now available. The arts festival features 20 designers, 20 speakers and 20 bands, including our friends Shivering Timbers.
  • Our friends at No Depression have announced that they won’t be presenting the No Depression Festival this year, but they will be working with KEXP to present a free show at the Seattle Center Mural Amphitheater on August 26. More information at No Depression.

James Leg at the Northside Tavern, Cincinnati, OH, 4.23.11

Trucked on down to Cincinnati Saturday to see James Leg and drummer Andrew Jody put on a rattle-the-rafters show for the Solitary Pleasure record release show. After a European tour and a rough week of re-entry back to the States, Leg and Jody were ready to have a good time back at home with friends.

 

 

The show served triple duty as a birthday party for a number of locals and a memorial show for local musician David “Bones” Hebert who was killed April 18 under questionable circumstances. Despite what could have been an angry or somber occasion, spirits were high, and the crowd was encouraged to shake their asses, which they did. And Leg did, too, at one point getting up to dance around his stool.

Leg is currently shoring up some U.S. tour dates, and, if you hadn’t guessed, I highly recommend you catch him if you can.

4/30: Chattanooga, TN @ JJ’s w/ Bohannons (record release)
5/20: Rock Island, IL @ RIBCO
5/21: Dubuque, IA (dubuquefest.org)
5/22 and 23: Bayport, WI @Bayport BBQ
5/24: St. Cloud, MN (To Be Confirmed)
5/25: Appleton, WI (TBC)
5/26: Minneapolis, MN (TBC)
5/27: Ft Wayne, IN @ Brass Rail
5/29: Chicago @ Morseland

(Word is they may be coming back through the Cleveland area in late May/early June.)

Notable Shows in the Greater Cleveland Area

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Fri, Apr 22| 8 PM (7 PM door)
    Joe Pug
    Strand of Oaks
    Dolfish
    $10
    Tavern | All Ages
  • Sat, Apr 23| 8:30 PM (7:30 PM door)
    Freedy Johnston
    Joey Beltram
    Beachland Presents at the Cafe at Arts Collinwood
    15601 Waterloo Rd.
    $12 adv / $15 dos
    Arts Collinwood | All Ages
  • Wed, Apr 27| 8:30 PM (8 PM door)
    Martin Bisi
    Herzog
    Mr. California
    DJ 9-Volt Haunted House
    $5 adv / $7 dos
    Tavern | All Ages
  • Thu, Apr 28| 8:30 PM (7:30 PM door)
    Femi Kuti
    & The Positive Force
    DJs Jake Fader & Charleston Okafor
    $20 adv / $22 dos
    Ballroom | All Ages
  • Thu, Apr 28| 8 PM (7 PM door)
    The Schwartz Brothers
    $6
    Tavern | All Ages

Grog Shop

  • Fri, Apr 22| 8 PM
    Neutral Uke Hotel
    Shivering Timbers
    Golden Bloom
    Michael J Epsein Memorial
    $8
  • Sun, Apr 24| 8 PM
    Stalley
    ESQ
    LB
    Taj Torrence
    Rashad
    $12 adv / $15 dos
  • Wed, Apr 27| 8 PM
    Pinback
    Judgement Day
    $15
  • Thu, Apr 28| 8 PM
    Shilpa Ray & Her Happy Hookers
    Madame & The Moist Towelettes
    Corissa Bragg
    $8 adv / $10 dos

Happy Dog

  • Wed, Apr 27| 9 PM
    The Modern Electric
    Pale Hollow
    Alan Madej
  • Fri, Apr 29| 9 PM
    New Lou Reeds
    Tadpoles
    The Very Knees

Peabody’s

  • Thu, Apr 28| 7 PM
    My Life with the Thrill Kill Kult
    16 Volt
    Twitch the Ripper
    $14 adv / $17 dos

House of Blues

  • Sat, Apr 23| 9 PM (8 PM doors)
    The New Pornographers
    The Walkmen
    $22.50 adv / $25 dos

Musica

  • Tue, Apr 26| 7 PM
    Cameron McGill & What Army
    Humble Home
    Adam Arcuragi
    Luke Zvada
    Aiden Bailey Williams Band
    $8
  • Wed, Apr 27| 7:30 PM
    Mucca Pazza
    The Hobs
    Kristoffer Carter
    $10

The Tangier

  • Fri, Apr 29| 8:30 PM
    The Smithereens
    The Big Sweet
    $35, $40

    CANCELLED

*
The Tri-C JazzFest begins Wednesday, April 27, with a free preview at Karamu House. See the JazzFest website for details and the entire schedule of events.

Daniel Knox: I Make Enemies Everywhere I Go

You climb the metal fire escape on this frigid, Chicago night, a little uneasy. The steps sway and clang under your feet while layers of paint and rusted metal disintegrate under your hand. You are halfway up when you make the mistake of looking down to check your progress. A pause as you close your eyes, grip the railing with both hands and whisper, “Oh please oh please oh please…” A deep breath, and you continue on.

You reach the door and sniff back some rogue snot before turning the handle. You step in to find the inside just as dark and cold as the outside. Darker. Except for a soft spotlight trained on a man and a baby grand piano. The bear of a man is dressed all in black, and his hands play across the ivories more delicately than you’d have expected. He watches you, grinning. His face is pleasant enough, but something about the grin is slightly unsettling, as if it will spread into a giant Mr. Sardonicus rictus at any moment.

“Watch your step,” the man warns casually, just before you feel age-old wooden slats begin to give way under your foot.

You cautiously navigate your way across the room to the piano, thinking, however illogically, that if you can just grip this huge, heavy piece of furniture in the middle of the rotting floor, you’ll be safe. The man continues to grin as you listen to him play. He begins to sing. A full, sonorous voice that seems to come up from another time. It makes you think of thin, foreign men with severely pomaded hair and angular women with Louise Brooks haircuts. The man plays a beautiful song, and you begin to relax under the lilting melody. Until your mind begins to process the words…

When I come back to life, I’ll find you,
Push my thumbs into your eyes and blind you.
When you hear your name called out across a crowded street,
you’ll think of me and swear the ground was stolen from your feet.

He punctuates the verse with a high, ghostly, wordless howl-hum.

Your shoulders freeze. You glance back across the room and wonder how quickly you could make it back out the door and down the fire escape. You turn back as the man stands, still grinning, and motions you to follow him. You don’t know why you follow, but you go. Out a window you climb, onto a snowy stone balcony overlooking the city. Chicago is laid out for you in a jeweled grid, the snow making everything pristine. Clean. Wonderful. You try to remain on your guard, but the site dazzles you and your eyes widen and sweep the landscape like an excited child’s.

Beside you, the man begins to chuckle. Maybe he’s not so bad, you think. He’s shown you something beautiful you might never have seen had you let fear turn you back down that fire escape.

Then you feel a strong tug on the back of your jacket. As the snow-laden streets fly up to meet you, the man’s booming laughter echoing behind you, you realize he really was as bad as you thought.

Ghostsong by Daniel Knox

Daniel Knox’s album Evryman For Himself, the second in a trilogy, releases May 10, 2011. The first album of the trilogy, Disaster, is available to stream, download and order on CD on Bandcamp. And, if you’re brave enough, he’s on tour.

Daniel Knox Official Website

photos: John Atwood

Strangers: Dark Pop and Twisty Soundscapes

Raife Hacking (drums; left), David Jones (vocals, keyboards; right);

not pictured: Glen Nicholls (producer, programmer, keyboardist, crafter of twisty soundscapes,  and international man of mystery).

 

I’m intrigued by your sound. So, tell me more about the band. Who are you, collectively, and what’s your story?

David: Well the band is a trio, myself and Raife Hacking started working with Glen Nicholls, the producer and also third band member in October last year. We are from the Midlands in the UK originally, but now work from Glen’s studio in North London.

We came together through a love of dark pop music, stuff like Depeche Mode, some Bowie stuff, The Cure, Nine Inch Nails (you’ll hear that coming out more in our new stuff). Glen is a producer/remixer and has worked with bands such as White Lies, Prodigy and Unkle amongst others, and I have been songwriting for a few years, inspired by my love of dark uplifting pop songs. I use the word pop loosely, I guess.

We’re aiming for a big powerful live show which we are debuting in May/June in London UK, and are releasing another couple of EPs over the course of the next few months followed by our debut album later this year.

 

I have a rough idea of where the West Midlands are but, to be honest, almost everything I know about the bits of England that aren’t London I learned from books like Pies and Prejudice and Cider with Roadies by Stuart Maconie, movies like Brassed Off and Billy Elliot and the week I spent in the Lake District before I went up to Glasgow for my junior year abroad. I can look at a map and see you aren’t from those part(s) of England, but: what is your England like? What propelled you down to London?

David: Well, my England was centred around Northampton when I was growing up, which is a large town in the middle of England. I was brought up in a Christian community where everyone shared all of their possessions and lived simply without a television or radio. It meant that I was encouraged to be creative from a very early age. So I’ve been writing songs and playing instruments from about the age of 7.

What brought me down to London was music. I always knew I wanted to pursue a musical career, and London seemed a good place to meet people and go to gigs etc. I also like buzzing places and being part of a city that’s always moving and always vibrant is a great place to be for inspiration.

 

Was your community akin to the Amish? Was London a whole lot of culture shock, or was the separation between the two types of worlds not as stark as the Amish/”English” division tends to be? (The old order Amish here generally refer to the non-Amish as “English.”)

David: The community I was brought up in has similarities, I guess, to the Amish, but only in the way everyone lives together. We all went to normal schools and interact with ‘normal’ society. They just choose to live a simple and humble life as they believe it is how God would want them to live. They call themselves Charismatic Christians. I think my upbringing has influenced me in a very positive way.

 

Are Raife and Glen from Northampton too? Did you call decamp to London together, or meet there? What is their England like?

Glen: I’m originally from Leicestershire, not too far from Northampton but moved to London in 1997.

David: Raife is from Northampton, and still lives there. He comes to stay with me in London every week so we can work on the band, though. Raife is the youngster of the band and we love him for his energy and enthusiasm, and also his crafty beats. I guess our collective ‘England’ is quite similar, we are all from relatively small places and have a desire to do something bigger than the confines of where we are from. That isn’t to say that we’re not proud of where we’re from, and I still really enjoy being in Northampton, it’s a great place with lots of creative people around.

 

Why did you name the band Strangers?

We came up with the name Strangers because firstly we thought it fitted perfectly with our sound and secondly everyone is born a stranger into this world and we really find the concept behind that idea. Also we all interact with Strangers everyday, more so than we ever have, and its a really interesting idea and can be used in loads of different ways.

 

You mentioned NIN as an influence; is that early NIN or later? Also, is that a violin I hear, on one of the tracks?

Yes, that is a violin in one of the tracks. Our producer is very much into ‘filmic’ sounds, by that I mean epic, huge soundscapes, and so he will often spend days coming up with a string part for one of our songs. I think it really works well for our sound. To be honest I’ve only recently got into Nine Inch Nails. I love ‘Hurt’, Closer, tracks like that. Glen is more of a hardcore fan, and he has turned me onto them.

 

Oh, okay, Closer and so on, that’s early NIN. Those are some of my favorites, too! Would it be appropriate to read “dark pop” as a synonym for “gothic”? Or at least as being related to certain strains of gothic music?

I guess there are gothic elements to our sound, but Dark Pop sits better with us as a way to describe our sound at the moment. Some of influences definitely have gothic roots; The Cure, Depeche Mode.

 

[ Strangers ] - In Chaos

 

Where was the video filmed? It looks very dark and pleasantly creepy, wherever it is. Also, how long did take to do it, using just the iPhones as recording devices?

We filmed the video in Holland Park, which is a national park in West London. They are very strict about what is filmed there, so we had to stealth it a bit, and stay ‘under the radar’. It was raining for most of the filming so we were all standing there drenched, trying to get the right shots, it was an interesting day to say the least! We were there for about 3 hours the first time, and then went back for an hour or so a week later to get a few of the shots we missed. It was all shot using two iPhones, yes, and I think we were pleasantly surprised at the quality of the footage.

 

What was your transformative song – the rock and roll lightning strike?

David: A guy who I was in a band with a few years ago played me Depeche Mode Enjoy the Silence and it was literally love at first listen. From there I got really into The Cure and bands like that, as well as purchasing the entire Depeche Mode back catalogue.

Glen: Mine would have to be Head Like a Hole, by Nine Inch Nails, literally blew my socks off!! haha!

Raife: Everlong – Foo Fighters. The first time I heard it I wanted to be Taylor Hawkins, just such an entertaining drummer to listen to, and watch, he’s so animated. Also, it’s just a great track, I’ll never grow tired of it.

 

What was your first show (that you attended, not that you played)?

David: My first show i went to was a local band called Glendon. The guitarist used a food mixer on the fretboard to make some cool sounds, back then that was enough to impress me haha.

Glen: Depeche mode’s ‘Devotion Tour’ in ’93 was the first big concert I went to in London!

Raife: The very first show I went to was to see a Scottish metal band called Mendeed, I was 13 at the time. It was at the forum in Kentish Town, proper battle metal type stuff, there was mohawks and dreadlocks all over the place. Loved it. I really clearly remember just how loud it was, I couldn’t believe PA’s went that loud, pretty sure the ringing in my ears right now is because of that first show I went to.

 

What was the first record/tape/etc that you bought? What was the last one?

David: I wasn’t allowed to buy tapes when I was a kid, as all other music other than Christian music was considered ‘worldly’ and wrong. I used to go round to my mates house and he would copy me stuff that was in the charts at the time.

Glen: Damn! probably Michael Jackson’s Thriller on vinyl and the last was the Inception movie score by Hans Zimmer.

Raife: Nirvana, Nevermind, the most stereotypical album to be a bought by a teenager. I listened to it over and over, really opened up my musical ears. The last one I bought was  Kanye West, My Beautiful Dark Twisted Fantasy, full of great hip-hop grooves, some really interesting instrumentation on some tracks, and a cameo perfomance from Chris      Rock at the end of the last track, couldn’t ask for more.

 

And finally, where will you be playing the live shows?

David: Our first show is May 20th at a new venue called Victory. We are playing this show for Club. The. Mammoth and will be the main support for FOE. Also we are playing at Bull and Gate in Kentish Town, North London for Mybandsbetterthanyours Presents on June 7th.

 

To hear more from the Strangers, visit them at their Website or on Soundcloud!

Bits: Strand of Oaks, Murder by Death/The Builders and the Butchers, Rome, The Due Diligence, Hell and Half of Georgia

  • Strand of Oaks has made the demos to Pope Killdragon available as a free download on Bandcamp.
  • Murder by Death and the Builders and the Butchers are releasing a split 7″ on which MBD will cover TBATB and vice versa (and Ray Rude will cover both with his Mission Operation project). Murder by Death is having a contest wherein two artists can win all 5 MBD albums on vinyl, all 3 TBATB albums on vinyl, and 5 copies of the split 7″ for producing cover art for the split 7″. Details at Murder by Death’s website.
  • Tracks from Rome, the project by Danger Mouse and Daniele Luppi – which also features Jack White and Norah Jones – have been made available. You can hear “Two Against One” at Pitchfork, and “The Rose with the Broken Neck” is streaming at NPR.
  • The Due Diligence have made the mp3 version of their album I Will Wreck Your Life available if you just can’t wait for the record release on May 29.
  • If you’re in Long Beach, California, this Thursday, April 21, check out NTSIB friends Hell and Half of Georgia at Alex’s Bar.

Record Store Day 2011: Ashley Brooke Toussant and Shivering Timbers

Record Store Day was not the buy-a-palooza for me this year that it was last year. The one album I was really interested in this year – the reissue of Vanguard’s Skip James Today! – was unlikely to be available at any of my record stores, and having just lost my day job Friday, spending money on a piece of vinyl I can’t play right now anyway (I have four turntables, and none of them are working properly) didn’t feel like a priority.

What was a priority was getting down to Square Records in Akron to catch in-store performances from Ashley Brooke Toussant and Shivering Timbers.

(Don’t feel bad for me. While I didn’t get the Skip James vinyl, I did pick up the Godfathers’ Birth, School, Work, Death on vinyl for a song. And I met Square Records’ resident cat, Kali. Record store cats are aces. So much less haughty than book store cats.)

Ashley Brooke Toussant

It’s difficult to think of a description of Toussant that does not include the word “adorable”. But while she is a wee thing with a cherubic face and big, blue peepers (two people remarked that she looks like she’s 12 years old – she’s actually in her mid-20s), her sweet voice is strong and her songwriting is beautifully sophisticated.

Accompanied by Chris Wise on electric bass and Joe Linstrum on acoustic guitar, Toussant played a set that mixed songs from her EP All Songs in English with songs from her upcoming full-length album Sweetheart. While she appeared quiet and shy between songs, Toussant was perfectly at ease within her music, singing out loud and clear. Much of her repertoire is of the ethereally folky variety, recalling the mason-jars-and-sepia-toned-photographs sound of some of Over the Rhine’s early catalogue, but Toussant’s sound is touched with influences from around the world and throughout time. Linstrum’s accompaniment often added a Spanish flavor with Wise’s bass providing modern-day weight.

Toussant’s talent is instantly winning, and she was encouraged by enthusiastic listeners to play just one more song at the end of her set, which she did with a characteristically charming smile.

There are five days left in the IndieGoGo fundraising campaign for Sweetheart where you can contribute and help the album release be a great one. Toussant’s whimsical official website is also a recommended visit.

Shivering Timbers

After a taking a break for a snack and a drink and doing some record browsing, I found myself too far removed by Shivering Timbers’ supporters to take any good photos, but I can assure you that they are still just as attractive as they were in January.

Having seen Shivering Timbers just twice now, I feel confident in saying that every show of theirs feels like a celebration with friends. Though the post-song applause started out light as the band warmed us up slowly, favorites like “Noble Duke of York” and “Crooked Old Man” quickly brought out the clapping and whooping from the crowd packed into the now-steamy record store. The biggest reaction came in appreciation of the band’s usual show closer, the bring-the-house-down “Evening Prayer”. But they had a surprise left for us with a new closing song, a calming lullaby to see us out.

Shivering Timbers are adding more and more shows to their schedule all the time, including a gig with Neutral Uke Hotel at the Grog Shop in Cleveland this Friday. This is definitely a band to catch live.

Notable Shows in the Greater Cleveland Area

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Sat, Apr 16| 9 PM (8 PM door)
    The Budos Band
    Charles Bradley
    $15.00
    Ballroom | All Ages
  • Sat, Apr 16| 4:30 PM (4:30 PM door)
    Music Saves Presents
    In The Beachland Parking Lot
    Shoreway – 6:30 PM
    Herzog – 5:30 PM
    Swindella – 4:30 PM
    FREE SHOW!!!
    Beachland Parking Lot | All Ages
  • Sat, Apr 16| 9 PM (8 PM door)
    Cloud Nothings
    Parts & Labor
    Child Bite
    $10.00
    Tavern | All Ages
  • Fri, Apr 22| 8 PM (7 PM door)
    Joe Pug
    Strand of Oaks
    Dolfish
    $10.00
    Tavern | All Ages

Blue Arrow Records

  • Record Store Day show
    3pm-5pm: DJs Jason P. and Jeff J.
    6pm-8pm: Katherine K. (Maximum Consumption on WRUW)
    5pm: Library Time
    6pm: Terminal Lovers
    7pm: Tinko

Grog Shop

  • Fri, Apr 15| 8 PM
    The Black Angels
    Suuns
    Terminal Lovers
    $13 adv / $15 dos

    SOLD OUT
  • Thu, Apr 21| 8 PM
    Junip
    The Acrylics
    Brian Straw
    $15
  • Fri, Apr 22| 8 PM
    Neutral Uke Hotel
    Shivering Timbers
    Golden Bloom
    Michael J Epsein Memorial
    $8

Now That’s Class

  • Sat, Apr 16| 9 PM
    Daikaju
    Dockers
    Lords of the Highway
    Wolf Boy Slim
    $5
  • Mon, Apr 18| 9 PM
    Eula
    Barren Thieves
    FREE
  • Thu Apr 21| 9 PM
    Joyce Manor
    Crappy Dracula
    Trusty Knife
    $5

Happy Dog

  • Fri, Apr 15| 9 PM
    Bridge Avenue School Write-Off Benefit featuring:
    Volcano Fortress
    Lowly, The Tree Ghost
    Village Bicycle
    Carjack
    Ben Gmetro
    Black Puddle Noise
  • Sat, Apr 16| 9 PM
    Buffalo Killers
    Relaxer
    The Exploding Lies

The Agora

  • Sun, Apr 17| 8 PM
    Illogic
    J.Rawls
    Ill Poetic
    Muamin Collective
    L.E. for the Uncool
    SoulKlap
    $10

Wonder Bar

  • Fri, Apr 15| 9 PM
    The Hounds

Nighttown

  • Wed, Apr 20| 7 PM
    Hey Mavis
    Don Dixon
    $10

Quicken Arena

  • Fri, Apr 15| 7:30 PM
    Rush
    $46.50, $69.00, $93.50

Square Records

  • Record Store Day show
    5PM: Ashley Brooke Toussant
    6PM: The May Company
    7PM: Shivering Timbers
    8PM: Duunes

Musica

  • Fri, Apr 15| 8 PM
    Local H
    The Dig
    User Sets Mode
    $12