Stone Jack Jones, Ancestor

WV109.1500

Ancestor is one of the most extraordinary and unusual records I have listened to so far this year.

It’s mountain music, but it’s modern mountain music. The songs are still about love and loss, but the sound evokes a dreamy opiate-induced haze rather than a whiskey-fueled blues bender.

The man behind it is by Stone Jack Jones, originally from Buffalo Creek, WV. He comes from four generations of coal miners, but he’s a wanderer. Now based in Nashville, he’s – to quote his bio – “been a carny, an escape artist, a ballet dancer, a professional lute player, and even owned a late night performance art club in Atlanta.”

And he’s taken all of those experiences and channeled them into songs like O Child:
 

 
And State I’m In, which sounds like the end of a long night:
 

 
But there are bursts of sweetness too, such as this tune, aptly named Joy:
 

Daily Video: The Franklys, My Love

This video for My Love by The Franklys contains: a broad variety of horror movie set-ups; a mysterious and alarmingly life-like white ferret-shaped cake; a singing fish mounted on a door (you can’t hear it but I recognize it, trust me, it sings); and a great song.

The overall effect is if someone had mashed American Horror Story: Coven and Downton Abbey together and given the result a bluesy psychedelic soundtrack.

Video: AJ Suede feat. Teck and Joey Shinobi, After Earth

Some years ago I lived in rural north-western Pennsylvania, and spent a lot of time driving back and forth between there and Central Jersey. Which meant a lot of time in I-80. If you’ve never ridden through that stretch of countryside, know this: it can be beautiful, especially when the leaves start to turn in the fall; but it can also be the desolate and post-apocalyptic monument to dead industries and rural isolation shown in this video for After Earth by AJ Suede (FREEMINDS COLLECTIVE) feat. Teck and Joey Shinobi and directed by Omar Jones.

AJ Suede - "After Earth" ft. Teck & Joey Shinobi (Official Video)

AJ Suede bandcamp

Jesus Sons, Jesus Sons

Jesus Sons

Jesus Sons began life in a motorcyle garage in San Francisco in 2011; the initial line-up was Brandon Wurtz and Shannon Dean with Rob Good and Ian McBrayer of Warm Soda. In 2013, Wurtz and Dean decamped for Los Angeles, and Chance Welton, Bert Hoover, and Erik Lake joined the band.

Jesus Sons, their first, self-titled record starts with a burst of bluesy harmonica that expands into a supple country-blues guitar riff, all of which caused me to sit back in my chair and smile in hopeful anticipation.

Ladies and gentlemen, I was not disappointed. If you like country-blues with ragged garage rock edges (all of them, but especially Ain’t Talkin’ Homesick) and the occasional burst of surfy shimmy (Out of Time) and/or suggestion someone may be conducting a punk rock exorcism (Melt/Going Down), you need this record in your life. Also, amid all the swagger, there’s a six minute instrumental – You Put a Spell on Me – which is, dare I say it, kind of sweet.

Here, as an enticement, is the video for All These Furs, in which they play a show at Salvation Mountain. It passes my “could I watch this with the sound off and still enjoy it/follow what was going on” test and also makes me want to be at the show, because those people look like they’re having fun.

Jesus Sons “All These Furs” A Carey Quinton Haider Film from carey haider on Vimeo.

Video: Hair, Tom Oakz

tomohair
Tom Oakz (Tom Oakes; More Amor, The Higher) has recently struck out on his own, and released a two-song EP entitled Hair. This is the video for the title track, which is an adorable stop-motion masterpiece. And I really enjoy the song, too. Team Long Hair Don’t Care forever!

To hear the other song / to buy both of them: stop on over to his bandcamp page!

Songs That Stick To Your Ribs: Vol. 1

Some songs come and go – sweet pleasures, but fleeting ones.

Others, they linger, wearing a groove in heart and brain that runs down the intersection of comforting and challenging.

These are some of those songs.

Off My Mind, Ryan Ross: It’s the plucked string at the beginning, I think. The insistent whang whang whang that reaches out to hook your attention just before the other guitars muscle in, rumbling and grumbling and trying to start a fight. And then about half-way through they settle down and start hammering out a quasi-hypnotic rhythm. I both do and do not want to know what the words are supposed to be; I’m curious, but also suspect context might ruin it.
 

 
If You’re in New York, The Grahams: I have more to say about Riverman’s Daughter, their most recent (and most amazing) record, but this is one of the songs I have been listening to obsessively. I have danced to this on subway platforms from Harlem to Brooklyn, and hummed along everywhere from the center of a swirl of autumn leaves on Central Park West to a rapidly thickening blanket of snow on 1st Avenue. It’s a country song, but it’s a got a city heart, and the city heart is full of joy.
 

 
Have a Cuppa Tea, The Kinks: From Muswell Hillbillies, but driven by the spirit of Village Green Preservation Society this is indeed an entire song about the role of tea in British society. I like to listen to it on my way to work while, yes, drinking a cup of tea.
 

The Kinks - Have a Cuppa Tea, 1972

 
Boys on The Radio, Hole: When Courtney Love is down, she’s down; but when she’s up, she’s radiant and ascendent and nothing can stop her. I am not going to lie, I wasn’t really a Hole fan back in the ’90s. But I’ve come to have an abiding love for Courtney Love in general, and this song in particular, and how it encapsulates how some of us are doomed to always love the boys on the radio, even if they are rotten to the core, and don’t love us any more. I also like to contemplate it as a counterweight to the Felice Brothers’ Radio Song; the other side of the coin, the darkness their romantic light chases away.
 
Hole--Boys On The Radio--Live @ Ottawa Bluesfest 2010-07-09

 
All My Things, SWiiiM: I like the build-up to the drops, the way the synths sparkle and shimmer, and then, whub whub whub, here it comes, trouble in paradise. I would have given all my things to you / I would have bought diamond rings for you. It was good, maybe, but now it’s gone bad. Maybe it was always a losing proposition, a missed connection that should have continued to be missed. It was better that way. Maybe.
 
SWIIIM - ALL MY THINGS - (DIRECTED BY CHRIS ACOSTA)

 
I Don’t Recall, Lavender Diamond: I just wrote about them last week, but I am bringing it back because the crystalline purity of Becky Stark’s voice is just that beautiful, and because this is another song I like to use to start the day. It is both wrenching and lovely, and – I am realizing just now – a song about heartbreak that is meant for grown-ups. If you’ve ever rolled over and realized half of you – your life, your plans, your feelings about important things like breakfast foods and appropriate places to sit at the movies – was abruptly missing, but you still had to fumble through your day and weren’t quite sure how to do it, here is a song to listen to while you figure it out.
 

 
Storm and Stress, Field Report: Go to a car. Put this on. Crank it up. Sit in the parking lot, watch the sun rise or set or the rain fall or the snow slowly pile up, and let it roll over you like a majestic steamroller.
 

We All Come to the Same Place, Rhubarb Whiskey: Because my people are the traveling kind; the ones who wander; who may or may not be lost, and if they are lost they probably like it that way; the ones who send me snippets of streetcorner moments, flashes of foreign trees, sunrises around the world, and more; the ones whose feet will never be wholly still; the ones for whom the roving dies hard.
 

Late Night Listening: Springtime Carnivore

Late Night Listening: a home for things that might be fleeting, might be soothing, might be weird, might be soothing and weird. The blogging equivalent of sitting in the garage twiddling radio knobs just to see what might be out there.


springcarn

Between the vaguely apocalyptic bandcamp art and the band being called Springtime Carnivore, I was expecting heavy metal. Spoiler alert: *bzzzzzt* try again!

What it actually is: a little bit ’60s dance party, a little bit Venice Beach when the sun’s gone down, the boardwalk is almost empty and there’s a distinct chill in the air.

And then there are the videos, by Eddie O’Keefe, which also wobble back and forth between charming, nostalgic and super-freaky.

Springtime Carnivore :: Collectors from Eddie O'KEEFE on Vimeo.

 

Springtime Carnivore – Creature Feature from Eddie O'KEEFE on Vimeo.

 
You can listen to the whole thing at bandcamp, or, if you prefer vinyl, scoot on over here.

Wax Fang, The Astronaut

Wax Fang - The Astronaut Cover

The Astronaut, by Wax Fang, is everything you would want from a space opera: lush, sweeping, majestic, a little bit mysterious, and, since it’s about a lone space traveler who gets separated from his vessel, sucked into a black hole, and made into an interstellar god, a little bit tragic, too.

After I had listened to it a couple of times, I had some questions for the band:

Why a space opera?

We wanted to do something big and bold, something experimental and transcendental that was in accord with our tastes in art and music. A metaphysical musical adventure set in the deep reaches of outer space just seemed like a perfect fit for us.

At first I thought the three singles [The Blonde Leading the Blonde, Hearts Are Made For Beating, King of The Kingdom of Man] were independent of the space opera, but after repeated listenings to both works, the singles now sound, to me, like they should be part of the space opera. Were they conceived separately, or in conjunction with the opera? Why were they released separately?

The singles were all written long before the idea of the Astronaut came to be and, as such, have little, if nothing, to do with one another, save that they all come from the same place, that is, us.

How, if at all, does Alpha Man fit into the narrative universe of the space opera?

In my mind, each of our songs is its own microcosm. Therefore, Alpha Man and the Astronaut inhabit separate universes (or alternate dimensions of the same universe, perhaps?). But who am I to tell you what to believe?


And with that, dear readers, here is The Astronaut, in its entirety, so that you may decide for yourselves:
 

A Good Read A Good Listen and a Good Drink: Klassik

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


YRP (Young Rising Phenoms) is Klassik’s follow-up to In the Making, and it is a heady, ambitious mixture of hip-hop, jazz and soul. The first single, Boogie, is built around a sample of Blame it on the Boogie by the Jackson 5 and will definitely make you want to put your dancing shoes on.
 

Klassik “Boogie” Music Video from DADO on Vimeo.

 
But there is more than one way to party. And so here is Klassik to tell us about some of life’s quieter pleasures.


A Good Drink
A sazerac will do me just fine. Unless I have to make it (I am not handy behind a bar, in a kitchen, or really in any food & beverage capacity haha). Then it’s just Black Label on the rocks. Scotch is perfect for all occasions; well, at least that’s what I tell myself. So, I’ve got my two ice cubes, and I’ve got my glass about a quarter filled. Step one complete.

A Good Listen
Now we need tunes? I’m gonna have to say one of the multitudes of Steely Dan greatest hits collections. I grew up loving that particular blend of jazz/progressive rock and immaculate production. The songwriting was always beyond my comprehension as a youngster, but with scotch in hand, I can relate to the darkness, beauty, and irony of a song like “Deacon Blues”. The horn arrangements, the sax solo at the end. Bliss.
 

Steely Dan - Deacon Blues

 
A Good Read
We’re almost there, but we need a good read, huh? Admittedly, I don’t read nearly as much as I like to, but I really enjoy deep, philosophical and/or inspirational literature. My most favorite as of late, and a perfect balance to the deacon’s blues (see what I did there) would be Don Miguel Ruiz’s The Four Agreements. Chock full of guidelines to keep your spirit righteous, and ways to keep the positive energy flowing. Somehow all of that mixed together, the scotch, the Steely Dan, and some philosophical food for thought, keep me inspired and center me when life gets a little crazy.