Slackday: Planes, Trains and Automobiles

In the very early days of music videos, before they were called music videos, the teen idols of the 1950s and 1960s were made to do some goofy things, presumably in the spirit of making a fun and eye-catching video for all the kids. For instance, what could be more natural than having Martha Reeves and the Vandellas run around the Ford Mustang production line, interrupting the jobs of the line workers who are just trying to earn a buck.

[youtube=http://www.youtube.com/watch?v=EqxigVGFcis]

While we’re at it, let’s put Dion in an airplane for no discernible reason.

[youtube=http://www.youtube.com/watch?v=wpRtTBn4VHU]

And Gene Vincent and His Blue Caps… well, they were too damn cool for these shenanigans, but they did participate in the tradition of shoe-horning an entire song performance in the middle of a (often plot-light) movie.

[youtube=http://www.youtube.com/watch?v=OyNbwdONLqw]

(Okay, I’ll be honest: I just really wanted to include Gene Vincent in today’s post because he was awesome.)

Rebirth of the Cool: Grown So Ugly

Back to the blues we go for this installment of Rebirth of the Cool.

The story of Robert Pete Williams echoes the story of many of the great bluesmen: born in Louisiana in 1914, Williams grew up poor and uneducated. He was discovered in Angola prison, while serving time for killing a man, by a pair of ethnomusicologists who pressured the parole board for a pardon. He played the 1964 Newport Folk Festival alongside the likes of “re-discovered” greats like Skip James, Son House and others, heralding the height of the 1960s blues revival.

“Grown So Ugly” is probably Williams’ best-known song, thanks to the next two acts we’ll talk about. Williams had a percussive style of guitar-playing and his singing style could call up the grit of Howlin’ Wolf one moment and the haunting falsetto of Skip James the next.

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In 1967, Captain Beefheart brought his Magic Band and his husky yelp to the song and turned it into a jazzy cry.

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The version recorded by the Black Keys in 2004 is, essentially, a cover of a cover, taking their cues from the Beefheart rendition. The Keys, of course, add a lot of low end to the song, bringing out a darkness that can easily be overlooked in the original and the Beefheart version.

[youtube=http://www.youtube.com/watch?v=nThv8ZLWCLk]

Rock ‘n’ Roll Photog: The Gin Blossoms

For this week’s installment of Rock ‘n’ Roll Photog, Jennifer shoots a band who might send you on a nostalgia trip.


One of the upsides of getting old is when the bands that were dear to your teenage heart put out new records and tour on them, you are finally able to see them play live.

For example: The Gin Blossoms and Soul Asylum, who were featured heavily on my high school and college mix-tapes, are both working on new music AND touring together this summer. They’re stopping through New Jersey in July, and I am SO EXCITED.

I have seen both bands before, though separately, and only relatively recently: Soul Asylum in 2008, when they opened for Everclear (!) at Webster Hall (also on the bill: Cracker, though I missed them due to class), and the Gin Blossoms just this past January, at the Outpost in the ‘Burbs, in Montclair, New Jersey. I didn’t take any pictures at the Webster Hall show, but I did get a few in Montclair:

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Jesse Valenzuela, Robin Wilson, and Bill Leen

The show was in a church and we were sitting in the pews, so I was a lot further from the stage than I usually am when I’m taking pictures. It was also really cold that night, even inside, which is why they’re all bundled up. Nonetheless, Robin Wilson’s voice was as sweet and clear as ever, and he was rocking that tambourine. They were all rocking, actually; Bill Leen even broke a string!

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Bill Leen and Scott Johnson

The whole “sitting in pews” thing was kind of awkward and strange, actually, not least because it made it difficult to get up and dance without feeling like I was being rude and blocking someone’s view. But really that didn’t matter. I was just happy to be able to be there to hear a room full of people glide through the chorus of Mrs. Rita.

And, too, Jon Bon Jovi once commented that Living on a Prayer means a lot more when you’ve actually done it; the same can be said for Found Out About You and Allison Road. They did play some of their newer stuff, too, which I quite liked. I’m looking forward to hearing more of it this summer.

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Bill Leen

Afterwards I walked back out into the frigid night and made my way to the train station, picking my way carefully through shoals of college students. At least one of the girls was literally wearing nothing but a t-shirt, pantyhouse, boots, and a smile. When I stopped to inquire about the occasion, it emerged there was a Jersey Shore full-cast appearance going on in a nearby club, which, I discovered later, ended in a near-riot. And then I passed by this, located outside a bakery, which has nothing to with music at all, but I am nonetheless sharing because it was just so awesome:

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Gin Blossoms’ MySpace
Gin Blossoms’ webpage
Gin Blossoms on Twitter

Bits: R.I.P. Guru, Kings Go Forth debut, Ketch Secor deejays, Arcadia re-issue, Hip Hop Alley mixtape

  • After having survived a heart attack last month, Gang Starr MC Guru has died of cancer at the age of 43.
  • Kings Go Forth release their debut album, The Outsiders Are Back today. Good, classic stuff.
  • From Old Crow Medicine Show: “You can now listen to archives of “The Old Time Hour with Ketch Secor” at the WSM website. Go to the WSM archives, click the arrow in upper right hand corner of the player, scroll right and click ‘Guest Hosts’. Then scroll down to find Ketch’s shows – and stay tuned for next’s month’s show.”
  • Who remembers the Duran Duran one-off side-project Arcadia? NTSIB remembers it fondly and has discovered that the album, So Red the Rose, is being re-issued. You can take a listen at Spinner.
  • Pigeons & Planes and the Music Ninja bring you a pretty sweet mixtape called The Hip Hop Alley, featuring Big Boi, Mos Def and Damian Marley & Nas, among others.
  • I’m just going to say London, Pixies, and drop this here.

If you haven’t already, it’s high time you introduced your face to the Dirtbombs.

[youtube=http://www.youtube.com/watch?v=-53uojoesME]

Fight for Your Right: I Need That Record

Woohoo, rekkids!

Record Store Day was a great success for all involved, it seems. It certainly was for NTSIB, and the store where we celebrated, Music Saves in Cleveland, broke their record from last year. It really did feel like a Christmas for music geeks, and I was in high spirits all day as I spun my new vinyl.

For the curious, I picked up: the Black Keys “Tighten Up”/”Howlin’ for You” 12″ – which was obtained without bloodshed – the TV on the Radio Dear Science LP, the Joe Strummer and the Mescaleros “Global A Go-Go” LP and the I Need That Record! DVD. I almost didn’t pick up I Need That Record!, but after watching it, I was very glad that I did.

I Need That Record! is a documentary by Brendan Toller on, as the subtitle states, “the death (and possible survival) of the indpendent record store”. If you are a music geek, you know that record stores do still exist. If you’ve been reading NTSIB, you know they still exist. But some people don’t even realize there are still actual, physical stores out there that do indeed sell vinyl, as well as CDs, etc. Even some of the people interviewed for this doc, like legendary noise-composer Glenn Branca, were unsure of the continued existence of record stores, illustrating the very problem this doc investigates.

For many people who follow music – or even for those who follow the plight of independent businesses in general – much of the ground covered in Record will not be news, but there will still be pieces of information that will surprise the viewer. And the treatment of the subject is fairly even-handed, spreading the responsibility among major labels, big box stores, internet downloads and consumers. But the big draw of this doc is the passion of the people involved with independent record stores, from the music makers to the shop owners to, most importantly, the music buyers. The stand-out moment of Record is when a loyal customer of Trash American Style, who gives his name as “John the Bomb”, goes on an impassioned rant about what music and the record store mean to him.

I was choked up by it, anyway.

If you’re less of an emotional twit than I am, you might be lured by the appearance of a number of serious names, such as Branca, Ian Mackaye, Thurston Moore, Legs McNeil, the legendary Noam Chomsky, the fascinating Lenny Kaye or the great Mike Watt. For readers in Cleveland, there is a special thrill in seeing Melanie and Kevin from Music Saves show up.

I am very happy to have this great work in my hand in tangible form (because I’m one of those tactile junkies who loves vinyl as much for the ability to hold the cover in my hands and pore over the liner notes as I listen to the record as much as for the sound quality), but for those solely interested in the content, Pitchfork is streaming the entire documentary in their One Week Only spotlight. So there’s no reason not to watch this genuinely moving and, I’ll just say it, important documentary.

Please watch it.

I’ll be your best friend forever.

Pitchfork One Week Only: I Need That Record!

I Need That Record! Official Site

Notable shows in the greater Cleveland area & Josh Homme talks RSD

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Sat, Apr 17| 9 PM (8 PM door)
    Dosh
    White Hinterland
    The Sleeps
    $10.00
    Tavern | All Ages
  • Sun, Apr 18| 8:30 PM (8 PM door)
    Radio Moscow
    Naam
    The Suede Brothers
    $10.00
    Tavern | All Ages
  • Fri, Apr 23| 9 PM (8 PM door)
    Detroit Cobras
    Living Stereo
    The Guile
    $12.00 adv
    $14.00 dos
    Ballroom | All Ages

Grog Shop

  • Sat, Apr 17| 9 PM
    At the B-Side Liquor Lounge: Questlove (DJ Set)
    Hosted by Babylon
    DJ K-Nyce
    $15
  • Sat, Apr 17| 9 PM
    Th’ Ledgendary Shackshakers
    Elliot Brood
    Heelsplitter
    $12
  • Sun, Apr 18| 9 PM
    Red Sparowes
    Caspian
    Fang Island
    $10
  • Thurs, Apr 22| 9 PM
    A Night with the Davenport Collective feat.
    Afternoon Naps
    Shiny Penny
    Megachurch
    Dreadful Yawns
    rubella
    Remember
    $5

Musica

  • Sat, Apr 17| 9 PM
    Monotonix
    This Moment in Black History
    As If
    IIWII
    $12
  • Mon, Apr 19| 8 PM
    Maps & Atlases
    Drink Up Buttercup
    Wild Boy of Aveyron
    Owlbear
    $9 adv

The Winchester Tavern & Music Hall

  • Sat, Apr 17|
    The Church
    $35 (includes CD)

The Kent Stage

  • Sat, Apr 17| 8:30 PM
    Simeon Soul Charger
    Nicholas Megalis
    Eclyptic
    $5

Phantasy Nite Club

  • Sat, Apr 17| 8 PM
    Ray Cash
    Reloaded f. Zel
    Cali Miles
    Skent Dukes
    ROB
    DJ Jack da Rippa
    $13, ages 18-20
    $10, ages 21 & over

Allen Theater

  • Sat, Apr 17| 8 PM
    The Roots
    $25-$45

House of Blues

  • Thurs, Apr 22| 8 PM (7 PM door)
    Echo and the Bunnymen
    $24.50 adv
    $27.00 dos
    $35.00 balcony

Here’s Record Store Day ambassador Joshua Homme with some words of wisdom.
[youtube=http://www.youtube.com/watch?v=QniH-KV5PMs]

Record Store Day! The best Christmas ever!

Just a reminder, tomorrow is Record Store Day (actually, it’s already Record Store Day in some parts of the world… oops, sorry if you missed it), and your local independent record store will have all kinds of fantastic limited-edition vinyl, as well as nifty CDs and DVDs.

For the big details, check out the official Record Store Day website, and for finer details for Clevelanders, make sure to check out Music Saves… but keep your mitts off my copy of the Black Keys 12″.

Record Store Day Site
Music Saves Site

Slackday: NTSIB feels unclean.

I don’t even know why some things exist in the world…

So, Leadbelly, he was great. A discovery of most honorable song-collectors John and Alan Lomax, he was a convicted murderer who, the popular rumor had it, was pardoned from prison because he played such great songs. It turned out not to be true (the murder part was true, but he was eligible for early release for good behavior), but he was still great. He knew a lot of folk songs and field songs and all kinds of songs. One of the songs he’s better known for (after “Goodnight, Irene” and “Where Did You Sleep Last Night?”) is “Pick a Bale of Cotton”, heard here:

[youtube=http://www.youtube.com/watch?v=aiXLl7clwJE]

(This, by the way, is apparently one of only three pieces of film of Leadbelly known to exist.)

Great song, right? Right. So who can blame a band for wanting to cover it?

I can. When the band is ABBA.

Seriously.

[youtube=http://www.youtube.com/watch?v=HOYqGNzNs3c]

Now if you’ll excuse me, I have to go staunch the flow of blood from my ears.

Royal Bangs: We don’t know shit about cars.


I bumped into Patrick Carney the other day, and we got to chatting about music, as we are wont to do.

Pat said, “April, you have wicked taste in music: you should be listening to this band on my label. They’re called Royal Bangs, and they’re amazing.”

“Well, Pat,” said I, “you have good taste, too, so I will give them a spin.”

Then we hugged, and I returned home to download some Royal Bangs.

This is all true except the part where Patrick Carney and I know each other and have ever carried on a conversation.

(I know I’ve been giving a lot of space to Dan lately, but I think you are way rad, too, Pat. And I usually think drummers are nutbags.)

Both Patrick Carney and Dan Auerbach, the Black Keys, have great taste in music, and they use their knowledge and connections to get good music into your hands – Dan with his invitation-only studio Akron Analog and label Polymer Sounds, Pat with his label Audio Eagle.

When you listen to the player on the Audio Eagle MySpace page, Royal Bangs stands out. Not only is their music layered and their playing confident, but there is an urgency that comes up out of their music and drills right under your skin. It infects you, and you feel like you need to burst out of your skin, flying and howling. It is simultaneously delicate and desperate. I won’t say you can’t ignore it, because you might be made of stronger stuff than I am, but you won’t want to ignore it.

http://www.lala.com/external/flash/SingleSongWidget.swf

http://www.lala.com/external/flash/SingleSongWidget.swf

Royal Bangs are currently touring Europe, coming back to the States and Canada at the end of April, including a spot at Lollapalooza.

Royal Bangs Official Site
Royal Bangs MySpace
Royal Bangs Daytrotter session
Audio Eagle Records MySpace

Rock ‘n’ Roll Photog: A.A. Bondy, Brendon Urie/Pete Wentz

Now here’s DJ Jen to take you into the all-request hour…


Total Request (Not Quite Live)

For April, from Ohio: A.A. Bondy

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I took this one last winter, during soundcheck at the Bowery Ballroom. (Also on the bill: Willy Mason, The Duke & The King.) It is probably the best picture I took all night, of anyone. It is certainly the best lit picture of Bondy that I have, because he seems to like to sing in the dark, or at least in extremely low light, and I don’t use a flash.

I had (slightly) better luck when I saw him again earlier this year at Union Hall, in Brooklyn. He still confined himself to four red stage lights, but I was closer to him, which made it easier to work with the low light. The shot below, a variation on the “tuning my guitar” pose, is my favorite from the evening. It is, again, a moment of stillness amid a flurry of activity. And there’s the totally incongruous picture of the colonial lady above his head, as if he’s in someone’s very fancy parlor, and not in a shoe-box-sized basement room in Brooklyn where there are dead animals nailed to the wall behind the bar and people playing bocce ball upstairs. (Yes, really, bocce ball. There’s also book-lined shelves and functioning fireplaces. Union Hall is a very interesting place.)

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For Alina, from Moscow: Brendon Urie and Pete Wentz

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I took this picture at Angels and Kings last August during Brendon Urie’s solo acoustic set. Pete Wentz was kind of but not really a surprise guest, in the sense that a) Fall Out Boy was on the Blink-182 tour with Panic! at the Disco, at the time and b) we were all crammed in his bar. When he appeared on the stage the first time — practically out of thin air — I was too startled to take any pictures. This shot is from the second time, when he came out to sing Don’t Stop Believin’ with Brendon. All I had time to do was point the camera at their faces and hope for the best.

I’m particularly fond of this picture partially because that evening marks the start of my rock and roll photography adventure – I had never bothered bringing my camera to shows before – and partially because it’s a moment where they both look happy.

The next one is just Brendon Urie by himself. You can’t tell from the expression on his face, but it was about 900 million degrees in that bar at that moment, and the audience was practically in his lap. I think he may have been trying not to laugh at whatever was going on in the front row.

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