Bits: This Is Jim Jones, Sleigh Bells, Trent’s new joint, Liquid Swords II, Murder by Death & whiskey, litrock, Frank the Funkasaurus Rex wrecks ya

If you have somehow missed the puppet dinosaur craze, please meet Frank the Funkasaurus Rex. Frank loves him some tits ‘n’ tubs, and we love Frank.

Addendum: So, that scroll across the bottom? Not a joke. TBK was seriously pissed about this video. Sorry, guys. Wish I had known before.

[youtube=http://www.youtube.com/watch?v=x_PrT25o8Vs]

Obsess Much? : The Black Keys, Magic Potion

Obsess Much? is a new feature wherein I will do what I do best, the very thing that led me to start this blog in the first place: completely fixate on one artist/album/genre/enclave/whatever and talk on and on and on about it, sharing information and opinions with anyone in shouting distance, whether they like it or not.

You’re loving it already, right?

So whomever/whatever I’m obsessing on, whether a new artist or an act who has been around for a while or a band who aren’t even together anymore, I will share my enthusiasm in unnecessarily great detail.

Regular readers may have noticed that, since the Black Keys posted their new song “Tighten Up” from their forthcoming album Brothers on their MySpace page, I have been hardcore about all things coming from these two, sharp Akron boys. As an Ohioan who seems to be subconsciously drawn to acts from Ohio, I have been listening to and loving the Black Keys for a long time, but it is only with this current wave of fixation that I have nearly completed my Black Keys collection (Brothers is on pre-order in both the vinyl and deluxe CD editions, so I just have to obtain Feel Good Together, the album from Pat Carney’s side project, Drummer). The last album I picked up was Magic Potion.

I had gathered that MP was not a well-received album – at least not with critics – and I let that scare me off of picking it up for a while. Now that I have it and have listened to it repeatedly (approximately 15 times this past weekend – these guys have a knack for making music I want to listen to over and over immediately), I can’t say I understand why. It is hot. In terms of the music, it is the sexiest album they’ve made so far. Lyrically, it was the beginning of a personal rawness that continued on their next album, Attack and Release. “The Flame” may be the best song about being hurt again and again until one’s heart grows numb ever written.

Reading some of the lukewarm reviews from its release, I think the problem reviewers had with it was the classic “Oh no! It’s different from what they’ve done before!” issue because Magic Potion was the album where they began to evolve their sound beyond the blues, the sound that makes Attack and Release my favorite album of theirs so far. And, too, I think critics had a problem with the tempo of MP being slower – there aren’t as man foot-stompers as on the other albums, but I think the evidence within the songs (and backed up by the fact that Dan’s list of thank-yous in the liner notes do not, for the first time, include a certain female name that had been included on all previous albums) points to this being the result of the break-up of a long-term relationship. You’re just not going to make a big-rockin’ album when your years-long relationship has disintegrated.

Of course, there is also the problem that self-proclaimed music critics tend to focus on the wrong aspects of music and/or are dumb. Note this typically what-the-hell-is-wrong-with-you line from Pitchfork’s review: ‘There’s very little spark to early sequenced numbers “Your Touch”[…]’ I’m sorry, what? Are we thinking of the same song here, dude, because, I don’t know about anyone else, but that song has always eaten my head with its awesomocity. (The review also dismisses “Strange Desire” for rhyming “desire” with “fire”. This is not uncommon for a Pitchfork review, but it still amazes me when they pull out that kind of crap.)

So, Magic Potion: don’t believe the anti-hype.

[youtube=http://www.youtube.com/watch?v=mBPGm4Fbo0Q]

Notable shows in the greater Cleveland area & the Felice Brothers, y’all

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Mon, May 3| 8:30 PM (8 PM door)
    Casiotone For The Painfully Alone
    Magical Beautiful
    Shiny Penny
    $8.00
    Tavern | All Ages
  • Thu, May 6| 9 PM (8:30 PM door)
    Jesse Dee
    The Big Sweet
    $7.00
    Tavern | All Ages
  • Fri, May 7| 8:30 PM (7:30 PM door)
    Grant-Lee Phillips
    The Winter Pills
    $15.00
    Tavern | All Ages

Grog Shop

  • Wed, May 5| 8 PM
    Frightened Rabbit
    Maps & Atlases
    Our Brother the Native
    $13 adv
    $15 dos

Now That’s Class

  • Mon, May 3| 9 PM
    All Leather
    Sun God
    Lo-Pan
    Music Hates You
  • Wed, May 5 – Sun, May 9
    The Mentors/Shat/Femsickliver/Schnauzer/McShitz/The Mahonies/Lorain Skum
    Timmy’s Organism/Homostupids/Cock ESP/Birds Of Maya/Puffy Areolas/Pop. 1280/Flyin’ Trichecos
    TKO’s/KILSLUG/Bassholes/The Ladies/Mickey/Folded Shirt/Unholy Two

Happy Dog

  • Sat, May 1| 9 PM
    Martin Bisi
    Mr. California
    Uno Lady
  • Fri, May 7| 9 PM
    This Moment in Black History
    Knife the Symphony
    The Buried Wires

NTSIB favorite the Felice Brothers will be playing at the Beachland next week! Happy to be seeing those boys again, especially since I won’t have to travel all over hell’s half-acre to do it for once.

[youtube=http://www.youtube.com/watch?v=aGcwhbqAtRM]

Ponderous Wank: Music as Identity


For better or for worse, music has become inextricably linked to identity and image. Bands in certain genres are automatically tagged with certain traits by listeners. A “sound” may be attributed to a band based on their geographical location – the Seattle sound, the Philly sound, etc. And skimming through a few band pages at MySpace, one will find it easy to determine the sound of many bands solely from the art and images displayed (tip: if you display individual, name-tagged images of each of your band members accompanied by a photo of the band in a “fun” pose together, you will probably not be mistaken for a particularly experimental or progressive act).

This image tagging trickles down to the listeners and is sometimes forcibly taken up by listeners. Kids seeking their identities will lock themselves in their rooms with music for hours and will often emerge outfitted in the trappings of the music they have found the most relatable to their life or to the life they want to have. Cliques are formed. The punk kids won’t hang out with the metal kids. The hip-hop kids taunt the country kids. The emo kids don’t even come out of their rooms. The outer trappings can become a comfort when these kids begin making forays out into the world. In a sea of unfamiliar faces, another person with green hair or a cowboy hat can be an oasis. Friendships are formed over the fact that two people love one band and can’t stand another band favored by their peers.

As they mature and enter into romantic relationships, people woo each other with mixtapes. A song that a couple has danced together to becomes “our song” and will forever bring memories of that relationship, even long after the relationship ends. Couples move in together, and their record collections meld together. I’ve often said the hardest part of my own divorce was splitting up our tapes and CDs – we sat on the floor with pen, paper and stacks of CDs for a couple of hours, often bargaining with each other to gain sole ownership of certain albums. And everyone has heard stories of a significant other stealing an entire music collection in a messy break-up.

I began thinking about all of this while in conversation with a friend about fear. While I have grown more self-confident as I’ve grown older, I’ve also found it more daunting to go out into the world. I reasoned that part of the problem for me was a drastic decrease in the displays of these outer trappings for people my age. I officially entered my late 30s earlier this month, but unlike so many others in their late 30s/early 40s, I am not looking to settle down and blend into the suburbs with 2.5 kids, a trusty canine companion, a sport utility vehicle, a mortgage and more khaki trousers than any individual should ever own. I still have more black in my wardrobe than any other color. I like platform shoes and big, silver rings. I have a bleached streak in my hair, a visible tattoo and calloused fingertips on my left hand from playing guitar. I don’t see anyone else who looks remotely like me on my semi-suburban street. I don’t see anyone who looks like me at the grocery store unless I go at a certain time of night, and even then, the people I can identify as a part of my tribe are usually a good ten years younger than me. As a result, I feel as much an outsider as I did in high school.

This, I believe, is part of the reason I love music so much and why I become fixated on certain artists. Musicians still display the trappings, the signifiers long after people in the “normal” world have cut their hair and thrown away their band T-shirts (and, of course, many of those musicians are the very reason some of those trappings ever became symbols of identity). I can look at Dan Auerbach in his railroad jacket or Greg Dulli in his all-black wardrobe and see that they are a part of my tribe. Even if we share nothing more than similar taste in music (though, as we’re all from Ohio, we likely share a little more than that), that’s still much more than I share with most people I encounter in “meatspace” on a daily basis.

Music is still one of the most important things in my life, it still drives a large part of who I am. And, for me, music is still a refuge.

http://www.lala.com/external/flash/SingleSongWidget.swf

Rock ‘n’ Roll Photog: Michael Runion

Jennifer the Rock ‘n’ Roll Photog is so excited about her featured artist today that she’s not even waiting until she has pictures to tell you all about him.


Michael Runion is an artist I discovered entirely due to Twitter. According to his MySpace, his genre is “Visual/Folk/Pop”. (Tangentially, I really do love MySpace genre descriptions; some of them are generic things like “rock/pop” and some of them are more interesting things like “2-step/experimental/country” and finding out who is accurate with their self-labeling is always a good time.) But getting back to the subject at hand: left to my own devices, I think I’d tell you that Runion specializes in beautiful, delicate melodies wrapped around razor-sharp lyrics. The result is songs that are good company for filing as well as long train rides to the beach. (I’ll let you know how they do with the car stereo test after this summer.) I’m particularly fond of Drunk as I’ve Ever Been and Don’t Let Her Hold You Down, the latter of which would be the perfect tune for dancing a barefoot two-step with a cowboy before sending him back out on the rodeo circuit. If that sounds like something you’d be into, you should check him out.

I don’t have any pictures of him (yet; I’m hoping if he tours this summer he’ll swing through New York), so I’m bringing some videos (that are not mine) to share instead. The first one is him singing The Daylight, with Z Berg of The Like (genreless, for now, but: ’60s glamour/fierce ladies/pop, their songs WILL get stuck in your head). There’s a whole story for this song written in her facial expressions and the set of her shoulders:

[youtube=http://www.youtube.com/watch?v=-LqPBRXVrpA]

Next up: another duet/battle, this time doing Don’t Look Back with Dave Rawlings, who sang with Gillian Welch for many years but has recently reconfigured himself as the Dave Rawlings Machine (genre: alternative/acoustic/industrial)(?!) and struck out on his own:

[youtube=http://www.youtube.com/watch?v=qm-jKdpGA7I]

And here he is by himself (kind of; the people lounging on the beanbag chair in the background are his friends) on public access tv, with Soft Hands:

[youtube=http://www.youtube.com/watch?v=LUj96fXac8Y]

And then my favorite video, Our Time Will Come, which, fair warning, contains shirtlessness and shaving:

[youtube=http://www.youtube.com/watch?v=YSwlOHnj1gc]

Michael Runion Official Website – WARNING: PLAYS MUSIC!
Michael Runion Twitter

Bits: Shel Silverstein songs, Alan Moore opera, No Depression fest, save 924 Gilman, produce a Juniper Tar doc, RSD is crafty

  • Did you know that besides the poems that were so dear to many of us in our youth, Shel Silverstein was also responsible for songs like “A Boy Named Sue” and “The Cover of the Rolling Stone”? A cadre of folky and country artists have contributed to an album of Silverstein’s songs, called Twistable, Turnable Man: A Musical Tribute to the Songs of Shel Silverstein, that will be released on June 8. Pitchfork has a couple of songs from contributors My Morning Jacket and Andrew Bird for you to listen to.
  • A favorite of NTSIB, writer Alan Moore is working with Damon Albarn and Gorillaz to produce an opera about magician/mathematician John Dee (if you are familiar with Moore, you know this is completely unsurprising), and Pitchfork has some info on that, too.
  • Another favorite of NTSIB is the venerable magazine-now-community-website No Depression, and they have announced the line-up for their always impressive festival. This year’s festival will include Swell Season, Lucinda Williams, Cave Singers, Punch Brothers, Alejandro Escovedo, Chuck Prophet and Sera Cahoone.
  • Respected punk venue 924 Gilman is in danger of closing down due to a ridiculous rent increase. Here’s what you can do to help keep it going.
  • High Frequency Media is planning a Juniper Tar tour documentary, and you can become a producer.
  • There’s a nice write-up of the Record Store Day activities in Cleveland’s Collinwood neighborhood from a crafter’s perspective at the Jo-Ann Fabrics blog.

Yours Truly shares this video from SXSW of Nathaniel Rateliff playing “Boil & Fight”, but we’re particularly enamored of his rendition of Roger Miller’s “Oo-De-Lally” at the beginning.
http://vimeo.com/moogaloop.swf?clip_id=11039579&server=vimeo.com&show_title=0&show_byline=1&show_portrait=0&color=b32bed&fullscreen=1

Nathaniel Rateliff “Boil & Fight” from Yours Truly on Vimeo.

The Helper T-Cells: I Live in an Unstable

You know it, I know it: Mondays are shit. We can’t even abolish them because then Tuesday would just become the new Monday. But you know what we can do? We can listen to the Helper T-Cells.

Who are the Helper T-Cells? Got me. All I know is I ended up with their EP More Odd-Toe Ungulates & Nose Rubbin’ Shrubs in my Record Store Day goodie bag from Music Saves and find it delightful. I’m not even certain this band is still together as their MySpace page has not been updated since August of last year, though I did discover that key band member Ray Scott is also a member of the very fine traditional string band One Dollar Hat (who, like the Helper T-Cells, have an extremely limited web presence).

Anyway, here, have some sunshine. Good for adults, good for children, and especially good for adult children.

http://vimeo.com/moogaloop.swf?clip_id=3218158&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=f09c00&fullscreen=1

The Helper T-Cells Music Video “Sprout Springer” from zak long on Vimeo.

The Helper T-Cells MySpace

Bits: Mike Watt photo exhibit & I Need That Record free viewing extended

  • Mike Watt’s photo exhibit, Eye-gifts from Pedro, at the Track 16 Gallery has been extended to May 16th and the Watt from Pedro Show will be a live remote broadcast from the gallery on the 16th.
  • I Need That Record! will be featured on Pitchfork for another week. It’s a must-watch documentary for anyone who cares at all about music.

Notable shows in the greater Cleveland area & NTSIB finally gets on the Local Natives tip

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Sun, Apr 25| 8:30 PM (8 PM door)
    Alcest
    Broccoli Samurai
    Trans Atlas
    Velnias
    $10.00 adv
    $12.00 dos
    Ballroom | All Ages
  • Sun, Apr 25| 9 PM (8 PM door)
    The Styrenes 35th Anniversary Tour
    Filmstrip
    Home & Garden
    $10.00
    Tavern | All Ages
  • Mon, Apr 26| 8:30 PM (8 PM door)
    Horse Feathers
    Cloud Nothings
    Brian Straw
    $8.00 adv
    $10.00 dos
    Tavern | All Ages

Grog Shop

  • Sat, Apr 24| 9 PM
    Aloha
    Pomegrantes
    The Buried Wires
    $8 adv
    $10 dos
  • Sun, Apr 25| 7 PM
    The Fam Base Tour feat.
    Clipse
    XV
    Doxx
    Smokescreen
    Blacease
    DJ K-Nyce
    $20
  • Tues, Apr 27| 8:30 PM
    Apples In Stereo
    Generationals
    Laminated Cat
    $12
  • Fri, Apr 30| 9 PM
    Yeasayer
    Sleigh Bells
    SOLD OUT

Now That’s Class

  • Thurs, Apr 29| 9 PM
    Harlem
    Mystery of Two
    The Wooly Bullies

Oberlin College

  • Tues, Apr 27
    KRS-ONE
  • Thurs, Apr 29
    Atlas Sound

Phantasy Nite Club

  • Tues, Apr 27| 7:30 PM (7 PM door)
    Faith and the Muse
    DJ Scary Lady Sarah
    A View So Cruel
    UTO
    Ludwyg
    Queue-up
    $6-$10

It’s been slow in coming, but NTSIB is finally getting into Local Natives, just in time for them to play the Beachland next month. Here’s the performance that helped things start to kick in, filmed at SXSW by Yours Truly.

http://assets.delvenetworks.com/player/loader.swf