Rock ‘n’ Roll Photog: Life by Keith Richards

Today, Jennifer treats us to our first book review after a wild ride with Keith “Have fun deducing how much of what I say is fact and how much is drug-addled hallucination” Richards.


IMG_5144

My first reaction, on turning the final page, was my god, this man is exhausting. And also to be amazed, again, that he’s still alive to co-write his autobiography. Yes, co-write; his assistant in this massive undertaking is James Fox, whom the jacket copy informs me is an old friend of Richards’, author of White Mischief and former journalist for the Sunday Times in London.
What they have produced together is a complex and fascinating portrait of Keith Richards, which reads like you’re sitting at the kitchen table with him while he tells you fabulous tales of sex, drugs (lots and LOTS of drugs) and rock and roll. (He also, unsurprisingly, has a lot of feelings about Mick Jagger.) I could almost see his hands waving and the smoke curling above his head. A good many of the stories cover territory that long-time and/or devoted Rolling Stones fans will already be familiar with; more recent, or more casual fans, on the other hand, may feel a little bit lost in the sea of names and partial descriptions of past events.

But the inside scoop on the scandalous behavior is really not the best part. Richards is most interesting when he digresses into a guitar lesson, and explains the secrets to the Stones’ disctinctive sound, or wanders off on an extended tangent about the mechanics of constructing songs.

The book is a big book, dense and sometimes rambling, and by turns hilarious, horrifying and mind-blowing, in a You did what? With whom? kind of way. I was left with a variety of things to chew over, about music and fame and rockstars in general, if not Keith Richards in particular, most notably the isolating nature of fame.

I was also left with the desire to read all the rest of the Stones’ memoirs, to get more views on the story.

Which brings me to: Please Allow Me To Correct a Few Things an review of the book in Slate by Bill Wyman (journalist, NOT rockstar) which is written as Mick Jagger’s response to the book. Just to be clear: Mick Jagger did not write the article. It’s a parody, a literary put-on, but it’s a very sharply observed parody. There’s also a postscript to the piece on Wyman’s blog. I mention it because it’s easy to get caught up in Richards’ story, and get to a point where all of the madness seems perfectly normal.

In summary: A big book, but not a dull one. Rating: \m/\m/ (two sets of metalfingers out of two)

— Jennifer

Bits: Hell and Half of Georgia, the Low Anthem, Conrad Plymouth, the Twilight Singers, Mark Sandman

  • Shows! Hell and Half of Georgia will be playing a free show in Long Beach, California tomorrow, 12.29.10. On the other side of the country on the same day, the Avett Brothers, the Low Anthem and Bombadil will be playing a benefit show in Carrboro, North Carolina – tickets go on sale at 10:00 AM EST today, 12.28.10. (The Avett/Anthem/Bombadil benefit show sold out within the first hour.) Conrad Plymouth will play a New Year’s Eve show with Ian Olvera and the Sleepwalkers and Laarks at Linneman’s in Milkwaukee, Wisconsin.
  • The Twilight Singers have made another track, “On the Corner”, from the upcoming album Dynamite Steps available for free download.
  • And the news I’m personally most excited about right now is the impending release of Cure for Pain: The Mark Sandman Story. The singer/bass player/avant-instrumentalist for Morphine was and is a huge influence on me, and I’m very much looking forward to this documentary, which will be hitting the festival circuit in 2011. Check out the trailer below, and find more video clips at the Gatling Pictures website.

Cure for Pain: The Mark Sandman Story (Trailer) from Gatling Pictures on Vimeo.

Notable Shows in the Greater Cleveland Area

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Sat, Dec 25| 9 PM (8 PM door)
    Matthew Forcefed
    & The Jesus Freaks
    The Sound People
    Winters Warm
    Keith Jackson
    $8
    Tavern | All Ages
  • Sun, Dec 26| 8 PM (7 PM door)
    8th Annual
    Old Home Night
    Home & Garden (w/Tony Maimone)
    Alejandro Escovedo & Miss Melvis
    Kidney Brothers (w/Anton Fier)
    The Heathers
    $10
    Tavern | All Ages
  • Tue, Dec 28| 8:30 PM (8 PM door)
    A Festivus Miracle!
    Old Boy with Istvan Medgyesi
    Tastycakes
    Beach Stav
    Library Time
    FREE
    Ballroom Floor | All Ages
  • Wed, Dec 29| 9 PM (8 PM door)
    An Evening with
    The Spikedrivers
    $10
    Tavern | All Ages
  • Thu, Dec 30| 9 PM (8 PM door)
    The Schwartz Brothers
    $6
    Ballroom | All Ages
  • Thu, Dec 30| 8:30 PM (8 PM door)
    Beachland Blue Grass Barn Dance
    Misery Jackals
    Front Porch
    Gordon Keller and the Rubes
    Miss Firecracker
    Live square dance
    $5
    Tavern | All Ages

Grog Shop

  • Sat, Dec 25| 8 PM
    HotChaCha
    Megachurch
    CLOVERS
    Born of the Yeti
    $5
  • Sun, Dec 26| 8 PM
    Return of Simple
    Herzog
    The Sibs
    Belmez
    $6
  • Thu, Dec 30| 10 PM
    Prisoners
    Cloud Nothings
    The Very Knees
    $6

Rock ‘n’ Roll Photog: 2010 in Pictures, Part Two

Even though our tastes rarely seem to overlap, these year-end posts illustrate why I’m fortunate to have Jennifer on board. Thanks for a great year, Jennifer.


IMG_0958

Felicibago, Lebowski Fest, Louisville, KY, July 2010

Jon Walker

Nick White, Jon Walker and Nick Murray, The Young Veins, Crazy Donkey, Farmingdale, NY, July 2010

IMG_1120

Ryan Ross and Andy Soukal, The Young Veins, Crazy Donkey, Farmingdale, NY, July 2010

IMG_1813

Willie Nelson, Caeser’s, Atlantic City, NJ, August 2010

IMG_2552

Evan Dando, The Lemonheads, The Crazy Donkey, Farmingdale, NY, August 2010

IMG_2588

Matt Shultz, Cage the Elephant, Jones Beach Ampitheater, Jones Beach, NY, September 2010

IMG_3296

Amy Klein, Titus Andronicus, Webster Hall, New York, NY, September 2010

IMG_3745

Pete Wentz, The Black Cards, The Loft, Poughkeepsie, NY, October 2010

IMG_3752

Bebe Rexha, The Black Cards, The Loft, Poughkeepsie, NY, October 2010

IMG_3949

Ian Felice and Christmas, Felice Brothers, The Chance, Poughkeepsie, NY, Halloween 2010

IMG_4038

Mike Ness, Social Distortion, Roseland Ballroom, New York, NY, November 2010

IMG_4179

Glen Hansard, The Frames, Terminal 5, New York, NY, November 2010

IMG_4226

Brandon Flowers (solo tour), Hammerstein Ballroom, New York, NY, December 2010

IMG_4353

Ray Toro, My Chemical Romance, Roseland Ballroom, New York, NY, December 2010

IMG_4340

Frank Iero, My Chemical Romance, Roseland Ballroom, New York, NY, December 2010

IMG_4414

Mikey Way, My Chemical Romance, Roseland Ballroom, New York, NY, December 2010

IMG_4395

Gerard Way, My Chemical Romance, Roseland Ballroom, New York, NY, December 2010

–Jennifer

Rock ‘n’ Roll Photog: 2010 in Pictures, Part One

Some technical difficulties held us up, but here it is, Jennifer’s favorite photos from her 2010 musical adventures/shenanigans.


IMG_5508

Alex Suarez (left) and Ryland Blackinton (right), This Is Ivy League, The Studio at Webster Hall, New York, NY, January 2010

IMG_5614

A.A. Bondy, Union Hall, Brooklyn, NY, February 2010

IMG_6409

Ryan Ross, The Young Veins, The Studio at Webster Hall, New York, NY, March 2010

IMG_6442

Eric Nally, Foxy Shazam, The Studio at Webster Hall, March 2010

IMG_6584

Jon Walker, The Young Veins, The Knitting Factory, Brooklyn, NY, March 2010

IMG_6554

Nick Murray, The Young Veins, The Knitting Factory, Brooklyn, NY, March 2010

IMG_6555

Nick White, The Young Veins, The Knitting Factory, Brooklyn, NY, March 2010

IMG_6652

Jonathan Coulton, The High Line Ballroom, New York, NY, April 2010

IMG_6838

HIM, Irving Plaza, New York, NY, May 2010

IMG_7078

Butch Walker, Webster Hall, New York, NY, May 2010

IMG_7173

Roky Erickson and Okkervil River, Webster Hall, New York, NY, May 2010

IMG_7202

Liz McGrath and Morgan Slade, Miss Derringer, High Line Ballroom, New York, NY, May 2010

IMG_7373

Cadillac Sky, Union Hall, Brooklyn, NY, May 2010

IMG_7424

Dave Rawlings and Gillian Welch, the Dave Rawlings Machine, Bowery Ballroom, New York, NY, June 2010

IMG_7657

The Felice Brothers, Clearwater Festival, Croton-on-Harmon, New York, June 2010

IMG_7480

Z Berg, The Like, Maxwell’s Hoboken, June 2010

IMG_7825

Sean Van Vleet, Empires, The Studio at Webster Hall, New York, NY, June 2010

IMG_8004

Courtney Love, Hole, The Wellmont Theater, Montclair, NJ, June 2010

–Jennifer

Joe Strummer: Love Kills

Today marks the eighth anniversary of Joe Strummer’s death, and the impulse is usually to be solemn and possibly even maudlin in our remembrances and tributes on this day. Yes, Joe was a seriously thoughtful guy and inspired many people to do great things, but he also had a sense of humor and wonder and joy which shouldn’t be forgotten. It bubbled out of him until the day he died.

So, in that spirit, I post the video for one of Joe’s contributions to the Sid & Nancy soundtrack, “Love Kills”. Joe, Dick Rude and someone who looks a lot like Jane Wiedlin as a group of inept federales, Gary Oldman turning into superhero Sid Vicious and (I think) a rockin’ song – what more do you need from a music video?

[youtube=http://www.youtube.com/watch?v=PeeZRw52FxE?fs=1]

Bits: Bootsy Collins, Ali Farka Touré and Toumani Diabaté, Captain Beefheart

  • Ohio-born funk master Bootsy Collins has started the Bootsy Collins Foundation to promote music and education for those who might not be able to afford it on their own. “Say It Loud, An Instrument For Every Child.”
  • Nonesuch has made a track, “Sabu Yerkoy”, off of the second (and final) collaboration from Ali Farka Touré and Toumani Diabaté, called simply Ali and Toumani, available for free download.
  • Those wishing to pay their respects to Don Van Vliet, a.k.a. Captain Beefheart, who died December 17, can leave their tributes at The Captain Beefheart Radar Station. And self-titled has a post that includes Beefheart’s Letterman interview along with John Peel’s short documentary (in 6 parts) on Beefheart’s career.

Soft Speaker/HotChCha/mr. Gnome at the Beachland Ballroom, Cleveland, OH, 12.18.1010

Somewhere between home and the Beachland, I managed to lose one of my camera batteries, but I did manage to attain a concert-going companion (NTSIB friend Joy) with a camera phone. We didn’t get any shots of Soft Speaker, but we do have some fittingly atmospheric pictures of HotChaCha and mr. Gnome.

Soft Speaker

This Chicago quartet, whom my brain persisted in thinking of as the Red Guitar Brigade due to the color of all their string instruments, weaves in and out of styles, sometimes moving from a more funked-up groove to treble-heavy indie rock within the same song. And it may just be my background playing up things that weren’t there, but it seemed at times that the vocals and lyrics were influenced by a dusting of late-’90s goth. While it is easy to hear how a track like “I Stand To Lose My Fortune, Easy” can grow quickly on the listener, Soft Speaker’s encompassing style is perhaps too much for a first-time listener to process at a live show, and they never seemed to spark with the audience.

HotChaCha

HotChaCha are swiftly becoming an NTSIB favorite, bolstered heavily by their energetic live shows. As most live reviews of the band will mention, much of this is thanks to frontwoman Jovana Batkovic and her complete lack of inhibition or pretension. She will engage the audience, whether they like it or not – and they usually end up liking it. Especially the men who gather up around the front of the stage, eagerly anticipating Batkovic’s eventual leap into the audience to dance through the crowd, sliding up against various audience members as she goes. In an era when most live performances will consist of a group of shy hipsters standing still behind their mics, not making much eye contact with the crowd, Batkovic definitely stands out as she lets the music take her, using her mic and/or mic stand as a phallus, crawling between the legs of her bandmates, making eye contact with any and everyone and folding herself backwards on the stage.

But it is Mandy Aramouni, Heather Gmucs and Roseanna Safos who perform the massive springboard from which Batkovic launches. Aramouni’s atmospheric guitar and keys are never in danger of becoming lighter-than-air partially thanks to the heavily solid low end held down by Gmucs and Safos. And while most eyes tend to be on Batkovic, the rest of the band is giving their all, Aramouni rocking and headbanging, Gmucs prowling across the stage and Safos propelling everything with her power hitting.

At one point Saturday night, Batkovic asked the crowd, “Who wants to dance?” She then proceeded to pull about ten audience members on stage – including Joy – for a dance party, which she soon left for the floor to let the stage dancers take the spotlight while she took a rest from being the center of attention. Audiences will often reflect the attitude of the band they’re seeing, and while those shy indie hipsters have shy hipster audiences, HotChaCha’s audience is one of the smilingest crowds you’ll see.

mr. Gnome

I suppose it is a common cry among fans and bloggers who concentrate on independently-produced music, but every time I listen to mr. Gnome, I ask, “Why isn’t this band huge yet?” Finally seeing them perform live (after having failed to make it happen three times previous), this question has only grown louder in my mind.

Nicole Barille and Sam Meister eased the crowd into things with the soothing, pretty “Titor” before plunging directly into the bounce beat of “Plastic Shadow” (one of my favorites). When listening to mr. Gnome recordings, I’m usually too caught up in the atmosphere, the feeling of their songs to notice the skill involved. That probably sounds counterintuitive to some of you, but I always latch onto emotion in music before I get around to pesky things like skill or even lyrics. Being able to see Barille and Meister work their instruments Saturday night brought my levels of respect for them from merely high to through-the-roof. While Meister is a power hitter of epic proportions, he’s also precise and complex, his syncopations and fills far beyond the skill of most rock drummers.

Most press on Barille focuses on her voice as she plays between low roars, tenor howls and pixie trills, but her guitar work is more than just a backdrop to her vocals. Barille moves easily between the heavy power chords and experimental atmospherics you would expect when listening to mr. Gnome’s music, but she’s also capable of intricate fretwork, which she displayed on a brutal “Deliver this Creature”. Oh, and she also belts out the vocals like a hellion live.

The playlist for the night concentrated on Deliver this Creature and Heave Yer Skeleton material, ending with “Three Red Birds” from the recent Tastes Like Magic EP. They also broke out a couple of new babies from their forthcoming album, which land on the more head-banging end of the Gnome spectrum. Check out this footage from the omnipresent kingofthecastle7 of their new song “Manbat”.

[youtube=http://www.youtube.com/watch?v=CzNHGgpKX1c?fs=1]

Notable Shows in the Greater Cleveland Area + HotChaCha

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Fri, Dec 17| 8 PM (7 PM door)
    The Horse Flies
    Hiram Rapids Stumblers
    $13 adv / $15 dos
    Ballroom | All Ages
  • Sat, Dec 18| 9 PM (8 PM door)
    Mr. Gnome
    Hot Cha Cha
    Soft Speaker
    $8
    Ballroom | All Ages
  • Sat, Dec 18| 9PM (8 PM door)
    Music Saves / Square Records 7th Annual Holiday Get Down
    Cloud Nothings
    Herzog
    Low in the Sky
    Relaxer
    $5
    Tavern | All Ages
  • Thu, Dec 23| 8:30 PM (8 PM door)
    Beachland Home for the Holidays

    Ballroom
    Bears – 12 AM
    Afternoon Naps – 11 PM
    NIGHTS – 10 PM
    Diamonds & Pearls – 9 PM

    Tavern
    Roue – 12:30 AM
    Harriet The Spy – 11:30 PM
    Kill the Hippies – 10:30 PM
    Filmstrip – 9:30 PM

    $8
    Ballroom & Tavern | All Ages

Grog Shop

  • Sat, Dec 18| 9 PM (8 PM doors)
    Red, Black & Green Xmas
    presented by Cleveland Tapes & Fair Trade Future, hosted by MuAmin Collective
    featuring
    The Mag-Nif
    Keyel
    San Goodee
    LMNTL
    Navy Blu
    Ereact
    Moriarity
    DJ Ceven
    $5 adv / $8 dos
  • Sun, Dec 19| 8 PM
    Tinamou
    Lowly, The Tree Ghost
    Nick Zuber Band
    Rebekah Jean
    $5
  • Wed, Dec 22| 8 PM
    Hip Hop Gives Back 3
    Soul Kryziz
    D Roof
    Caine
    Crazy8TheGreat featuring Cha~Cha, Mookie Motonio & Split Personality
    $5 or free w/ non-violent toy donation
  • Thu, Dec 23| 10 PM
    Ace & The Ragers
    The Not So Good Ol’ Boys
    Lords Of The Highway
    $8

Now That’s Class

  • Sat, Dec 18| 9 PM
    Koffin Kats
    Rockabye Ransom
    Scoliosis Jones
    $8
  • Wed, Dec 22| 9 PM
    Weakness
    Trees Understand Me
    Two Hand Fools
    Setbacks
    $5 donation

Musica

  • Fri, Dec 17| 10 PM
    Square Records/Music Saves 7th Annual Holiday Get Down
    Low in the Sky
    Relaxer
    Cloud Nothings
    Herzog
    $5
  • Wed, Dec 22| 8 PM
    Black Danielz
    Raw Materials
    PM 317
    $5

Happy Dog

  • Sat, Dec 18| 9 PM
    Party of Helicopters
    Founding Fathers
    Sun God
    Octolope

The magnificent women of HotChaCha will not only be opening for mr. Gnome tomorrow night in one of the most awesome local match-ups possible, but they’ll also be playing the Grog Shops X-mess show on Christmas day, along with Megachurch, CLOVERS and Born of the Yeti. My kind of fucking Christmas.

[youtube=http://www.youtube.com/watch?v=1-OBIaaoQlI?fs=1]

Rock ‘n’ Roll Photog: Christmas Music

This week, Jennifer illustrates one of the great swaths of music where her taste and mine definitely do not overlap by putting together a compendium of favorite Christmas tunes, both profound and profane.

(I’m sick to death of Christmas music [and hate “Grandma Got Run Over By A Reindeer” with a passion]… but I love Dean Martin’s defining rendition of “Baby, It’s Cold Outside”.)


There are a lot of things I genuinely love about the winter holiday season: my city dressed in her shiniest lights; the tiny, tiny children dancing in the Nutcracker who can’t really dance yet and just wave at their parents; and Christmas music.

Yes, really. Not all of it, mind you; I have something of an allergy to any and all renditions of Santa Baby and Baby, It’s Cold Outside, as well as most of the wretched sappy seasonal dreck on the radio. The following is a round-up of my favorite seasonal tunes, presented in no particular order, and interspersed with festive seasonal pictures from northern Manhattan.

All I Want for Christmas Is You, My Chemical Romance: Or, as my sister and I like to call it, All I Want for Christmas Is (Your Liver) . I am not quite sure how he managed it, but somehow Gerard Way made this song menacing, the kind of thing you would listen to while contemplating how to have someone (over) for holiday dinner with some fava beans and a nice Chianti. Needless to say, I love it and listen to it year-round.

Angels We Have Heard On High, The Family Force 5 Christmas Pageant, Family Force 5 : The sweet Georgia crunk version of this song; includes breakbeats and the line put your wings in the air like you just don’t care. I don’t really have to say anything else, do I?

IMG_4938

Christmas Drag, The Brobecks: Have the elves failed to bring you the object of your affections again? Then this is the song for you. It’s another one I listen to year-round because I just like it as a song, mostly for the thudding guitars. The Brobecks’ non-Christmas music is ALSO delicious; check it out if you like intelligent pop tunes.

St. Stephens Day Murders, from Bells of Dublin, The Chieftains/Elvis Costello: I was baffled by this song the first time I heard it, partially because I had no idea what St. Stephen’s Day had to do with anything, and partially because Elvis Costello mumbles. But really if you have ever had About Enough Family For One Day, Thank You, you too will sing along as he growls through and it’s nice for the kids when you finally get rid of them (RID OF THEM) in the St. Stephen’s Day Murders.

IMG_4966

Carol of the Bells, from X Christmas, August Burns Red : I was a little bit wary of the whole collection at first, because hardcore Christmas carols, that sounds like it could be unfortunate. I plunged in, though, and this track, an instrumental version of this song, immediately became one of my favorite pieces of music, just for pure listening pleasure. There are shredding guitars and power-driving hardcore drums – you will want to bang your head – and they slam through the song with stunning and exacting precision, not wasting a single note.

Fairytale of New York, The Pogues: A classic, and for good reason. Shane McGowan and Kristy MacColl capture the two sides of New York in midwinter: the wind does go right through you, but the bells do also ring out. It’s what’s running through my head when I’m thinking cranky thoughts about That Stupid Tree in Rockefeller Center, and also when I’m navigating hushed, snowy streets.

Do You Hear What I Hear?, Bob Dylan: I’ve already told you about his version of Adeste Fidelis, which continues to be a thing of beauty and a joy forever. This is another track off the Christmas record he released last year, and is just delicious. There is nothing sappy or overwrought about his delivery, it’s just him and his scratched up voice, singing the song. It’s like a refreshing glass of cold water after too much over-sweet eggnog.

IMG_4974

Oh Holy Night, from Christmas With Weezer, Weezer: I have four different versions of this song – The Chieftains, Harry Connick, Jr,, Sufijan Stevens, and this one – and Weezer’s version is currently my favorite. The guitars are pure Weezer, alternating between delicate picking and a big fuzzy roar, and Rivers Cuomo soars over them, giving the song both some real punch and a whole new life, in the process.

Grandma Got Run Over By A Reindeer, Elmo and Patsy Shropshire: The Greaseman, a DJ at DC 101 back in the Dark Ages when I was in high school, used to kick off every Christmas season with this song, and to this day it just doesn’t feel like Christmas until I’ve heard it on the radio. Or, as happened last year, heard someone singing it in the elevator in the subway.

IMG_4863

And finally, some notable compilations and collections:

Excelsis: The Box Set , from Projekt: Three CDs of gothic/darkwave interpretations of traditional carols and songs. I bought the first one all the way back in 1995, and then lost it along the way. I was hunting for a digital download when I discovered they made two more, and decided to get all three. (They’re on sale!) They’re both mellow and delicately beautiful, and good to have on as quiet company for other tasks.

Songs for Christmas , Sufijan Stevens: There are five, count them, FIVE cds in this set. That is a lot of Christmas music, even for me, but if you dig his voice (I do) and his indie sensibility, it’s one-stop shopping for soothing respite from Top 40 irritations.

Xmas 11, by The Yobs, the seasonal alter ego of The Boys. They have several Christmas records; I just happened to stumble over this particular one in a record store on Bleeker Street in 1999. It is a collection of the most brilliant perversions of Christmas songs ever recorded. I would quote lyrics, but they’re unsuitable for a family newspaper blog. You can get a general idea here, start with “Oh Come All Ye Faithful”, and I’m really totally serious, these are NOT SAFE FOR WORK and you should send small children and anyone with delicate sensibilities out of the room. You may also have to consciously remind yourself not to sing their version of Guantanamera out loud in public.

— Jennifer