Phantom Tails: New Video and Tour Dates

The doom funk meisters of Minneapolis have produced a new, fantastical video for “Young Rapture” from their latest release The Armageddon Experience. It’s a little Labyrinth-y, a little MirrorMask-y, a little Mummenschanz-y.

 

 

Phantom Tails are also on the road starting next month.

April 6 @ Franks Power Plant- Milwaukee, WI w/ Terrible Awkward & Temple

April 7 @ TBA- Chicago, IL w/ Vamos & Made by Man

April 10 @ Silk City- Philadelphia, PA w/TBA

Aplil 11 @ Party Xpo 929- Brooklyn, NY w/TBA

April 12 @ Trash bar- Brooklyn, NY w/ Marvin Berry and the New Sound & Cult Fever

April 13 @ Springfest- Clemson, SC w/ Megafaun, Moon Taxi, Mr. Invisible & more

April 14 @ Flatiron- Greensboro, NC w/ Fort Wilson Riot & The Old One-Two

April 15 @ TBA- Atlanta, GA

April 16 @ TBA- Nashville, TN

April 17 @ The Melody Inn- Indianapolis, IN w/TBA

April 21 @ Kitty Kat Club- Minneapolis, MN w/ Dial-up, Buffalo Moon, Slapping Purses

May 25 @ Amsterdam- St. Paul, MN w/Red Daughters & The Goondas

June 9 @ Franconia sculpture garden

 

Phantom Tails @ Bandcamp

Phantom Tails @ Facebook

Phantom Tails @ Twitter

Postcards from the Pit: The Saw Doctors / Iridesense, Irving Plaza, 3/10/2012

The first time I saw the The Saw Doctors is a little bit lost in the mists of time. It was probably around 1996; I have the feeling they were at Glasgow’s annual Celtic Connections festival that year and when I said “The Saw who?” my friends made outraged noises and took steps to address my ignorance.

What I do remember is combing the racks in Tower Records to find their CD – under rock, not “traditional” or “world”, because they were and are a rock band – and the second time I saw them, a wild evening a a club in DC called the Black Cat, which for me ended in leaving while the pit was still jumping in order to make a mad dash down 14th street and get on the train before the Metro shut for the evening.

This past Saturday night at Irving Plaza, though, I was able to stay until the joyful end.

I don’t really have any complicated thoughts here. Iridesense (sic) were the openers; in my estimation they got all the way to “not a terrible way to spend half an hour”, but did not really turn my crank.

When they were finished, The Saw Doctors came out and rocked it, and the room sang along at the top of their (our) lungs. They played pretty much all of my favorites – to the point that typing them all out would basically be recreating the set list – but special highlights were a sweeping, soaring Clare Island, a fancy doo-wop version of Red Cortina, and a raucous Hay Wrap.

That last one was especially sweet, partially because they seamlessly meshed a verse or two of Blitzkreig Bop into the middle, and partially because they did a short Monkees walk towards the end.

Without further waffle, here are some pictures from the show:

IMG_5387Davy Carton (left) putting the “K” in Tommy K, with Leo Moran (right).

 

IMG_5398Davy Carton again, with Kevin Duffy on keys in the background.

 

IMG_5411Leo Moran, this time without a mic in his face!

 

IMG_5418Leo Moran getting ready to start Clare Island.

 
Y’all, Clare Island is just such a beautiful song. I really do listen to it practically every day. If I could persuade you to buy just one Saw Doctors song, it would be that one. If I could talk you into two, or maybe three, I’d add N17 and Useta Love Her, or, if you have need of an anniversary song, Still the Only One.

Though really I think you should just get a-hold of as many of their records as you can, because all of their songs are good.

Anyway. Back to the pictures!
 

IMG_5438And also to Clare Island, with a shot of Anthony Thistlethwaite’s saxophone solo.

 

IMG_5441The whole band during the doo-wop Red Cortina.

 

IMG_5444Rickie O’Neill their (new!) drummer and Anthony Thistlethwaite during Red Cortina.

 

IMG_5458And in conclusion, Kevin Duffy when he came out to play guitar during Hay Wrap.

Wildlife: Sea Dreamer

I caught Wildlife on the Daytrotter Barnstormer tour this past summer and was impressed, an easy highlight of the night. As the band says, “Every night we’ve played like it’s the last time we’ll be allowed onstage. Even Dean, after tearing his Achilles Tendon mid-concert and being ridden to a cast, hasn’t tempered the energy.” That was evident that night in a barn in Ohio.

I’m happy to be able to feature their new video for “Sea Dreamer”, off their debut album Strike Hard, Young Diamond.

 

 

You can stream and buy Strike Hard, Young Diamond at Wildlife’s Bandcamp site.

Don’t Follow Me (I’m Lost) to Premiere Next Month

 

For those keeping tracking, there’s exciting news out of the Bobby Bare Jr. documentary camp.

We are VERY excited to announce that the WORLD PREMIERE of DON’T FOLLOW ME (I’m Lost) will be at the NASHVILLE FILM FESTIVAL in APRIL! Stay tuned for all the details!

Can’t wait until April? Check out an EXCLUSIVE WORK IN PROGRESS SNEAK PREVIEW of the film at LA FILM & MUSIC WEEKEND MARCH 23rd – 25th!!
AND opening for us is the short film ONE BIG HOLIDAY – a behind the scenes look at MY MORNING JACKET!

Tickets for the preview can be ordered here.

 

Don’t Follow Me (I’m Lost) Official Website

The Far West Play the Louisiana Hayride

Obviously that headline is a complete fabrication, but it made you look, didn’t it? If you don’t already have this great little song stuck in your head for all of eternity, here’s your chance! The brand new video for “Bitter, Drunk and Cold” from the Far West.

 

 

Nice threads, guys!

 

The Far West Official Website

Cold Specks: Holland

 

Take a listen to this voice.

 

 

Cold Specks is gearing up to release their full-length debut, I Predict A Graceful Expulsion, on May 22, and it sounds like this will be an album worth keeping an eye and ear out for.

Here is Cold Specks performing “Old Stepstone” and “Lay Me Down” on Later… with Jools Holland.

 

 

Check out Cold Specks on tour.

March 13th-18th – SXSW – Austin, TX
March 21st – Co-operators Hall at River Run – Guelph, ON
March 22nd – The Music Gallery – Toronto, ON
May 1st – Lincoln Hall – Chicago, IL
May 2nd – High Noon Saloon – Madison, WI
May 3rd – Cedar Cultural Centre – Minneapolis, MN
May 4th – West End Cultural Centre – Winnipeg, MB
May 6th – McDougall United Church – Edmonton, AB
May 7th – Central United Church – Calgary, AB
May 8th – Southminster United Church – Lethbridge, AB
May 9th – The Royal – Nelson, BC
May 11th – The Commodore Ballroom – Vancouver, BC
May 12th – Alix Goolden Hall – Victoria, BC
May 13th – Tractor Tavern – Seattle, WA
May 14th – Doug Fir Lounge – Portland, OR
May 16th – The Independent – San Francisco, CA
May 18th – Troubadour – Los Angeles, CA
May 19th – The Compound Grilll – Phoenix, AZ
May 20th – Club Congress – Tucson, AZ
May 22nd – The Prophet Bar – Dallas, TX
May 23rd – Stubb’s BBQ (Indoor) – Austin, TX
May 24th – One Eyed Jacks – New Orleans, LA
May 25th – Variety Playhouse – Atlanta, GA
May 26th – Grey Eagle – Asheville, NC
May 27th – Rock and Roll Hotel – Washington, DC
May 28th – Johnny Brenda’s – Philadelphia, PA
May 30th – Bowery Ballroom – New York, NY
May 31st – Middle East Downstairs – Cambridge, MA
June 2nd – The Music Hall, Toronto, ON

 

Cold Specks Official Website

Cold Specks @ Facebook

Rebirth of the Cool: I Fought the Law

I first heard “I Fought the Law” by the Crickets as I first heard many of the oldies: travelling in the car with my parents. Much of the foundation of my music education was laid while sitting in the back seat of the car as we drove to family gatherings, listening to the only radio station – WMJI Majic 105.7 – that my mother, father and I could agree on.

 

 

Sonny Curtis wrote the song and brought it with him when he joined the Crickets after Buddy Holly’s death, releasing it in 1965. The song was covered in 1966 by the Bobby Fuller Four and did well for them (though Fuller’s tremolo warble makes me want to punch him), but I’m going to take a wild guess that the majority of people reading this are most familiar with the Clash’s 1979 cover.

 

 

You’ll notice a couple of small lyrical changes from the Crickets’ original. For instance, the narrator of the original is robbing people with a zip gun, while, starting with the Bobby Fuller Four cover, he began robbing people with a six-gun. Though, of course, the biggest change implemented by the Clash took the narrator from merely missing his baby (or, as Fuller had it, leaving his baby) to killing her, making him much more of an outlaw than he started out. But, you know, at least he feels bad about it.

The lyrics of “I Fought the Law” seem to invite people to mess with them, and nobody messed with them more than Jello Biafra as he rewrote them to comment on the murders of San Francisco mayor George Moscone and city supervisor Harvey Milk for the Dead Kennedys’ 1980s re-working of the song.

 

Saturday Matinee: Reality Never Applied to Me

This is a fabulously entertaining mini-documentary about Akron-native Chris Butler who has played with local legends 15 60 75 (The Numbers Band), Tin Huey (which was also the springboard for Mr. Ralph Carney), and was, of course, the creator of and guitarist for the Waitresses.

 

Kick Back with Richard Hawley

 

We started the week with a taste of my current fixation, Elbow, including a luscious duet from Guy Garvey and Richard Hawley, so let’s end it with some Hawley solo work.

Richard Hawley’s work is like something you’d hear as the soundtrack to a slightly garbled, scratched and dusty black-and-white film found at the back of an old drawer. I first heard Hawley when “The Ocean” was slipped into a mix sent to me.

 

 

I didn’t know what to make of it the first time I heard it. It sounded like an old lounge singer was trying to make another go at a career by using a new producer with shiny new gadgets, yet still using all the old musical tricks. You might construe from that description that I didn’t like it, but the song eased its way further and further under my skin until hearing it late at night while driving down city streets felt like serenity.

So, lean back, have an entirely too sweet cocktail, imagine waves lapping against a Mediterranean beach while a couple who look curiously like Astrud Gilberto and Marcello Mastroianni walk along the sandy shore, and enjoy a little more Richard Hawley.

 

“Coles Corner”

 

“Born Under a Bad Sign”

 

“Serious”

 

Richard Hawley Official Website