Husky Burnette, Tales From East End Blvd

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Tales from East End Blvd is the latest from Husky Burnette, and it is awesome. If you like good stories and sweet dirty rockin’ blues, you need to add this to your collection right now.

Here are two of my favorite tracks:

Beat & Low Down, because if this song doesn’t make you want to either dance or commit indiscretions or both, I don’t know what will:
 

Husky Burnette - Beat & Lowdown

 
On My Way, because it is a sober, sorrowful, prayer of song; the summation of a lifetime of pain and hard work accompanied by spare, delicate picking.
 

Raccoon Fighter, ZIL

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Raccoon Fighter is: Sean Gavigan (vocals, guitar), Zac Ciancaglini (drums), and Gabe Wilhelm (bass), of Brooklyn, and ZIL is their debut record.

It is an extended burst of urgent, aggressive bluesy-surfy noise, and it is glorious. This is music for the true definition of adventure, i.e. “bad idea going to end in bruises.”

Here are some of my favorite tracks:

Santa Tereza combines surfy hooks and a little bit of hypnotic drone:
 

 
Street Urchins will meet all of your crazy-in-love, put-the-pedal-down-and-drive-to-the-sea road trip needs:
 

 
Pyramid Scheme to Heaven, where the drums slow down to a menacing thud-thud and become a dark heart amid droning, distorted guitars:
 

New Yorkers and people coming to town for CMJ: They’re playing a bunch of shows in the next two weeks, including an album release party this Friday, Oct. 4, at Cake Shop, the O+ Festival on Oct. 12 in Kingston, NY and CMJ showscases at the Rock Shop on 10/15 and the Delancey on 10/18. Go and check them out, it will be fun.

A Good Read, A Good Listen, and a Good Drink: Bethany Weimers

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Bethany Weimers’ debut record Harpischord Row came out last year, and was (is still!) an exquisite folk-pop gem. The first song, Silver Moon, remains one of my favorites:
 

 
Also really lovely: this acoustic rendition of Desire:
 

Punt Sessions | Bethany Weimers – Desire from Nick Seagrave on Vimeo.

 
She’s currently hard at work on her next record, which I can’t wait to hear. Meanwhile, here she is to share a favorite book, record, and summer-in-a-bottle drink:


 
Good Read – Paula by Isabelle Allende

Until a few minutes before sitting down to write this, I had been going to sing the praises of my most recent unputdownable read – The Cazalets Chronicles [by Elizabeth Jane Howard] – an epic family saga; a perceptive exploration of character; and a lively portrait of pre- to post-war England. It’s a great story, one which I devoured. I recommend it.

But I happen to be staying at my parents’ house for the weekend and I happen to be standing in my old bedroom, staring at the rows of books that are stored here until one day I once again have enough space in my own home.

On the top shelf, tucked between a book on orchestration and a battered Penguin classic, and half hidden by a box of old Christmas cards, I spy the letters ‘Isa…’ and ‘Alle…’ peaking out. Oh. A surge of warmth rushes through me. Ever since her book ‘Daughter of Fortune’ was recommended to me by a university friend (thanks Greg!), Isabelle Allende has been one of my favourite authors, never failing to captivate and rarely failing to leave me feeling uplifted.

This book however is not one of her straight fiction books. For many years it sat on my shelf unread, fearful that the subject matter would prove too heavy. Yet when I finally felt it was time to delve in, I found one of the most beautiful, loving, life-affirming and brave books that I’ve had the privilege of reading.

Sad and tragic too, how could it not be, but what’s stuck in my mind in the four or so years since I read Paula’s richly woven tapestry of histories, is something – that I can’t quite articulate – something profound to do with humanity, to do with hope, to do with healing and I suppose simply – love.

From the opening page: “In December 1991 my daughter, Paula, fell gravely ill and soon thereafter sank into a coma. These pages were written during the interminable hours spent in the corridors of a Madrid hospital and in the hotel room where I lived for several months, as well as beside her bed in our home in California during the summer and fall of 1992.” Isabelle Allende.

A very special book.

Good Listen – In Puget Sounds by D. Gwalia

D Gwalia was a name I’d heard around the Oxford music scene for a few years before coming across his album In Puget Sounds for the first time last summer. I knew nothing about him and had no idea what to expect. Listening online through headphones it stopped me dead: an unexpected musical epiphany. Wow. I felt like this was the voice my ears had been born to hear.

D Gwalia could sing One Direction and I’d probably love it; he’d imbue the words and tune with a mysterious, ancient, powerful, yearning melancholy. Suffice to say I went straight to Truck Store (my local record shop), bought the CD, then returned home and listened obsessively and incessantly for weeks. Expect something beautifully crafted, dark and wallowing.
 

 
Good Drink – Sparkling Homemade Elderflower Cordial

Strange that an unexpected weekend stay back home has ended up guiding my book selection, as the drink I had already decided upon is also one with close associations.

Outside my parents’ house is an elder tree. Now, in the early days of autumn the berries are starting to droop and even birds seem to have had their fill. But three months ago the view from the front door was thick with white lacy flowers – elderflowers – and the air was intoxicating.

Spring had burst into summer with ferocious intensity and everywhere, both city and countryside, triumphed in vitality after our exceptionally long hard winter.

I must confess that I’ve yet to play the role of elderflower picker or cordial maker, but for many years I’ve performed superbly in the role of elderflower drinker and enthusiast. For me homemade elderflower cordial is one of life’s little pleasures. So what is it I love so much about this simple drink?

Well for starters the flowers have to be picked on a sunny day. Imagine: rainy cloudy weather for days and days and then suddenly… SUN. Harvest time. Elderflowers at their best; the warmth of summer captured in a bottle. Then there’s the fact that the drink’s main ingredient, found in abundance certainly round these parts, can be foraged for free.

And what about the cordial maker? Pretty sure that along with the flowers, sugar, lemon, water and citric acid, whoever makes the drink throws in their own bit of magic – this summer’s was brewed solely by my mum, other years’ concoctions have been a joint effort with my sister.

And lastly: the taste. I find it hard to describe flavour but I’ll go with delicate yet deep, sweet, slightly lemony, summery, aromatic. Diluting the cordial with sparkling water as I usually do gives an added tingly excitement to every sip. Yum.

Every year my family share the majority of the cordial in the weeks after it’s made and there’s a certain sadness when the last drop goes – farewell summer, welcome autumn. But hidden at the back of the freezer in a small ½ litre bottle is one final gift from those summer months to be opened at the halfway point.

On Christmas Day in the depths of winter, we’ll share this treasure, this liquid gold, and remembering that the solstice has now passed, look to spring just around the corner.

A quick internet search will bring up a wealth of information about making Elderflower Cordial and plenty of recipes. Sophie Grigson’s is apparently the one my mum uses, so perhaps that’s a good one to start with. Also please make sure you know what you’re picking and only use if you know it’s safe! The European elder tree native to Britain is the Sambucus Nigra but there are other varieties elsewhere in the world and they might be toxic . . . I don’t know.

[ed. note: Places to get elderflower cordial: Belvoir Fruit Farms or pick one from this collection.]

Rural Ghosts, City of Elms

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Rural Ghosts are from Portland, Maine. City of Elms is their most recent release, and I am sharing it today because I am really fond of the way the cello adds depth and warmth as it winds through the drums and guitar.

For example, here is Tenant, which slowly spins up into a quasi-psychadelic jam, with all of the jagged edges held together by the cello:
 

And also Worried Man, where the cello provides the bounce:
 

If you like what you hear, stop by their bandcamp on Oct. 1 to get the rest!

cata9tales, Hello Maybe Everything

cata9tales is: Berkley Priest (vocals) and Kreator (Kenny Perkins) (beats), and they’re from Baltimore and Virginia and are currently based in Baltimore.

Hello Maybe Everything is their most recent record. It is an extraordinary, visceral, aggressive torrent of words and pop-cultural references. My first thought on listening to it was, no lie, “these dudes are going to keep the people at Rap Genius in business all by themselves.”

For example, in their first song, things they mash together include but are not limited to: Guns n’ Roses, Jay-Z, Wizard of Oz, Jungle Book, the Bible and Valley of the Dolls:
 

 
There is also Children of the Cloud, which is a complex riff on modern living and the weird things internet culture / living on internet time does to our brains that starts with a Dorothy Parker quote and then – in just the first verse – slaloms through two centuries worth of the concept of “frontier” before hitting a crescendo with All around the Starfleet they coming out their carseats which I’m pretty sure sums up both the connections and the yawning cultural chasm between those present for the birth of the web and those who have been on the web since birth in, like, nine words.

Though my favorite line is probably So you got a broken heart? Well there’s an app for that.
 

 
And then there is A Conspiracy of Ravens, featuring Brad Bass, Crafsmen, Cream De La “The Tenman” which is just Baltimore: raw, beautiful, brutal, and capable of being home to Edgar Allen Poe and Omar Little.
 

Link Session: Benefit compilations and related items

A compendium of benefit compilations and related items recently noted and received:

    Benefit Compilations

  • Coming Together For A Cure, Vol. 2, featuring songs from Thee Oh Sees, Cave Singers, Elf Power and many more, to support adult stem cell therapy and research.
  • Posting this one again because when it comes to noonday demons and black dogs run amok, April is not the cruelest month, September is: Country Fried Rock Vol. 2 for Nuci’s Space, featuring songs from Drivin n Cryin, the District Attorneys, Shonna Tucker & Eye Candy, Michelle Malone Banned and many more, to support Nuci’s Space, a non-profit health and music resource center in Athens, GA.

    The aim of the organization is to prevent suicide by providing obstacle free treatment for musicians suffering from depression and other such disorders as well as to assist in the emotional, physical and professional well-being of musicians.

  • National Endowment for the Brents, featuring songs from a broad variety of Chicago and Los Angeles musicians, including JC Brooks and the Uptown Sound, Bumpus, Terrible Spaceship, and Rachael Yamagata, to help “sexy sax man” Brent Puls pay for some recent life-saving surgery.
  • Related Items

  • Brown Bird is still on hiatus while Dave Lamb does battle with leukemia. They have a donate button on their homepage, if the spirit moves you that way, but you can also buy their tunes from Bandcamp.

    An example:
     

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  • Jon Walker is also temporarily out of commission following hand surgery. Folk song enthusiasts, head over there and see if anything strikes your fancy.

    An example:
     

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  • Tom Oakes of More Amor is selling some amazing paintings and picture remixes to help pay for repairs done to one of his knees. Copy of More Amore’s Gracias? (combination of In Spanish and Thanks? EPs plus two additional songs) and poem included with each work!
     
    I’m particularly fond of this one, which is called Party Catz:
     
    photo-15

Vampire Weekend, Modern Vampires of the City

Internets, I have a confession: I spent all day today listening to Modern Vampires of the City by Vampire Weekend on endless loop.

Literally all day. More than eight hours, even allowing for breaks for lunch, phonecalls, and a webinar.

It started because I had Diane Young stuck in my head (again) and then I just kind of got stuck in their groove and didn’t get out.

My observations on this experience are as follows:

1. Whoever came up with the video for Diane Young really fucked up. They took this FBI-agents-on-roller-skates dance party of a song and made it the soundtrack for the world’s most emo Last Supper. That said, when I watched it, I said both “what the hell? and also “I guess I’d maybe like to hear the rest of that record,” and I was not previously a Vampire Weekend fan.
 

 
2. They somehow sound like a fusion of Paul Simon and fun., but minus the latter’s tendency towards gloppily anthemic pop ballads. Now, I enjoy listening to Nate Ruess wear his heart on his sleeve and jump up his range as much as anyone else, but after a while it’s like being force-fed a seven course meal consisting entirely of cherry cobbler and vanilla custard. Vampire Weekend is just as capable of sweetness, it’s just that theirs is the less dessert and more the perfect hot cup of coffee from a street vendor before dawn on an icy New York morning.
 

 
3. Okay maybe they are a little bit gloppy sometimes:
 

 
4. A brief sampling of reactions to a few of the rest:

Don’t Lie is both plaintive and full of furbelows; Finger Back is a real New York love story (and also a true story, at least in part) told at breakneck speed and also my very favorite song; Everlasting Arms is what you play when cleaning your kitchen by yourself on a Friday night (bottle of wine optional); Hannah Hunt reminds me of a time when all of my furniture was foldable or inflatable and the Tower Records in the East Village salvaged many a bleak evening; and Hudson is the sound of the heart of the city that exists beneath/beside the one with all the bright shiny lights. There are the places the tourists go, and then there are the places we actually live, and sometimes they look like they are the same, but they are not.

Overall: A++, would marathon again.

AustraliA, Robot

Australia Copertina!!

Okay, so, first things first: AustraliA is Olga (drums/bass/synth) and Mr. Xicano (guitar/vocals) and they are not Australian. They’re from Pisa, Italy, and they play synth-heavy, hard-fuzz punk rock.

I like them because they’re brash and refreshing and just going for it.

Here are two of my favorite tracks from Robot:

Hotter Than Me, where they stomp on the fuzz pedal and then drop in some jaggedly perfect synth arpeggios just to keep things interesting:
 

 
It Will Be, where the steady, distorted, surfy chug of the guitar is the background against which the bright sharp clean synths sparkle and shine:
 

 

Ghost Twins, Dream On/Dream Off

Ghost Twins (formerly Crushing Blow) are from Derby, England, and arrived in my inbox as “dream noise pop.” This might seem like a contradiction in (genre) terms, but, you know, not all dreams are quiet and slow. Some are very exciting. This song would have been the perfect soundtrack for the one I had recently where I had to jump a tall ship in full sail over a waterfall.

Dream On/Dream Off is half of a Double A single to be released October 7 through Snug Recording Co.; their debut album is expected after Christmas.

 

Video: Wood Shampoo, Cover Girl

I always like a good lyrics video. This one, for Cover Girl, from Crack Crack Heart Attack by Wood Shampoo, gets points for interesting font choices and incorporation of outside quotes. And I learned something watching it, which is that apparently both Steven Tyler and Dolly Parton have come out with memorable lines about how it’s expensive to look cheap.
 

COVER GIRL by WOOD SHAMPOO (tribute to Karl Lagerfeld - Steven Tyler - Marilyn Monroe)