Video: Fall Out Boy feat. 2 Chainz, My Songs Know What You Did In the Dark (Light Em Up)

So, y’all, this is how my day went today:

7:15 AM: While going about my normal morning business of GChatting with a friend and scrolling through Tumblr, I clicked on something purporting to be the “New FOB single!!” – rumors have been swirling for a while now, but more intensely in the last week or so; evidence had surfaced of their appearance on the Jimmy Fallon show later this month; and my pre-caffeine judgement is often poor – and was Taylor Swift-rolled.

Well, I suppose I deserved that, I typed into the GChat window, as the strains of We Are Never, Ever Getting Back Together emanated from my computer. (Yes, I left it on. That one and I Knew You Were Trouble When You Walked In have grown on me, and not like a fungus, either.)

My friend commiserated with my rueful amusement, and the conversation moved on.

8:15 AM: Hum Hallelujah floats up on shuffle as I’m walking to the train. I spend a few minutes pondering pop music; Pete Wentz’s pirate smile and tendency to throw himself off the stage and into the pit; the shimmery golden quality of light in Harlem in the morning; whether it is really so terrible that I enjoy popular pop music that makes me feel things (conclusion: no); the frequently frustrating and often agonizing condition of being a fan of a band that is on “hiatus” or “is working on a new record” and how those things often go together and sometimes lead to one another; and the various bands for whom I have waited, including Guns N’ Roses (well, really Axl Rose)(15 years), Mötley Crüe (8 years), Bon Jovi (2 years and 3 years, for separate hiatuses) My Chemical Romance (2 years) and Panic! at the Disco (18 months), and Ryan Ross (2 years and counting); and how the internet and Internet Time have probably warped my sense of what constitutes a long time to wait.

9:15 AM: I check in with the intertubes and discover that somewhere in the time I left the house and got to work, Fall Out Boy came off hiatus.

That there is a song, a video, a record, a bunch of shows in tiny clubs planned the next month – for tomorrow, in New York – and a bigger tour scheduled for May.

I wasn’t able to get a ticket for the show tomorrow, but I’m not the tiniest bit upset. Why? Because five years ago when I fell (back) into being a rock fan, I also fell into a community of fans – some local, some far away, all connected via the internet – and in the last five years, we have mourned a lot of bands. Today we got one back, and that shared joy is just the best feeling.

Also, the song they released is the best thing I’ve heard for a while. Hand claps, thudding, roaring drums, aggressive guitars, sly and lacerating lyrics, and Patrick Stump soaring upwards over the tumult. It doesn’t get better than that, ladies and gentlemen.
 
http://youtu.be/HsfY8iFbYjE

Fanmix: Warren Ellis, Gun Machine

Fan mixes: collections of music created as both soundtrack and illustration for other works, usually works of fiction, intended as both appreciation of and enticement to read the work of fiction.

This one is for Gun Machine by Warren Ellis, who is author of, among other things, Transmetropolitan and Crooked Little Vein, and is NOT the dude who plays music with Nick Cave.

Gun Machine is a murder mystery set in New York. But not the New York you usually see on cop shows; the Financial District, which is older and darker. Down there you’re off the grid. The streets are narrow and twisty and reality can be very thin. Depending on how the wind is blowing off the water, it does feel like you could walk around a corner today and stumble into the 17th century, 1926 could be tomorrow and 2018 was last week.

“Off the grid” would actually sum up the book as a whole. It is also bloody, startling, deeply lonely, occasionally bitingly funny, like watching my own city from the wrong end of a telescope, a complex puzzle, and very, very good. If you pick it up, be sure to both read and listen carefully; Ellis uses music and sounds much like Nathaniel Hawthorne used light, that is, as both text and subtext.

The mix below is my attempt at capturing the spirit of the work. The songs chosen are intended to trace the outline of the narrative in broad strokes. All of them, save for two, are available for sale and/or free download from the artist.

The exceptions are Panic! at the Disco’s cover of Karma Police, which is a fan bootleg of a live performance, chosen for the quality of the static, and Kasey Anderson and the Honkies’ Abbaddon Blues, because it is from Let the Bloody Moon Rise, a record which saw only limited release before Anderson went on indefinite-but-hopefully-not-permanent hiatus and which is now (almost) out of circulation.

1.BT, Go(d)t
 


 
2. Panic! at the Disco, Karma Police (Radiohead cover)
 

 
(If you want a visual.)
 
3. Foster the People, Pumped Up Kicks
 
Foster The People - Pumped up Kicks

 
4. Breakfast in Fur, Whisper
 
Breakfast in Fur - Whisper (Official)

 
5. David C. Clements, Oh Child
 

 
6. Blondie, Heart of Glass
 
Blondie - Heart Of Glass

 
7. Jane’s Addiction, Chip Away
 
Jane's Addiction - Chip Away

 
8. Firewater, A Little Revolution
 
FIREWATER: A Little Revolution

 
9. Milan Jay, In the Shadows of Footsteps
 

 
10. BL/\CK CEILING, I’MNLUVWITCHU
 

 
11.Xiu Xiu, Hi
 
Xiu Xiu - Hi [OFFICIAL MUSIC VIDEO]

 
12. Kasey Anderson and the Honkies, Abbaddon Blues
 

 
13. Cage the Elephant, Ain’t No Rest for the Wicked
 
Cage The Elephant - Ain't No Rest For The Wicked

 
14. Blackwater Jukebox, Carousel
 

 
15. Willow Sea, Night Light
 

Video: El Sportivo & The Blooz, Waking World

There are people – most people – who are out and about during the day. And then there are the night people, the nocturnal wanderers, who only ever see the supermarket at 3AM, when it’s empty. There are times when these people walk past each other, on their way to and from their lives; the magic hour(s) of dawn and sunset marking the shift change.

Sometimes they change places, their schedules get flipped, and they are left to wonder: which one of us fell down the rabbit hole?
 

El Sportivo & The Blooz "Waking World"

 
El Sportivo & The Blooz Official Website

El Sportivo & The Blooz on Facebook

Frank Iero: Be My Baby

Yes, the classic one, written by Phil Spector, Jeff Barry, and Ellie Greenwich and made famous by the Ronettes. But I promise you’ve never heard it quite like this, i.e. as if the person singing it – Frank Iero, of My Chemical Romance and LeATHERM0UTH – might be having both heart and throat destroyed.

It is creepy and beautiful and I love it.
 

Postcards from the Pit: The Felice Brothers / Yellowbirds / Mail the Horse, Mercury Lounge, 12/31/12

And now, at long last, the promised pictures from the Felice Brothers’ New Years Eve show.

Starting from the beginning, with Mail the Horse:
 
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Yellowbirds were up next; they’re also from Brooklyn, and were an odd little burst of power-pop in the middle of a twangy, fuzzed-out evening:
 

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And then, The Felice Brothers, who played a bunch of crowd favorites (ones I can remember: Frankie’s Gun, Cumberland Gap, Whiskey in my Whiskey, White Limousine, Run, Chicken, Run), surprised us with an appearance by Simone Felice, poured us into the New Year with Take This Bread, ceded their stage to a member of the audience for a (successful!) marriage proposal, and at the end shut the place down with back-to-back covers of Carry That Weight by The Beatles and Smells Like Teen Spirit by Nirvana.

Carry That Weight I sang along with out of . . . habit, for lack of a better term. It’s the Beatles, I’m not that keen on them but it’s a communal thing to do, rolling with the crowd-swell for the chorus, acknowledging that 2012 was rough and 2013 may not be much better but no matter what is going on outside, we’re warm, indoors, some of us are not feeling any pain, and we have been able to come together with our band and sing with them.

Smells Like Teen Spirit was electrifying and cathartic. And communal, too, but in a different way. Most of the people there, or at least standing around me, were old enough to actually remember Nirvana when Nirvana was new. And we pretty much all got up on our toes and howled Here we are now / Entertain us / I feel stupid / and contagious and it felt like an exhortation to take the new year by the throat.
 
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Video: Mail the Horse, Do You Still Come Home?

I reckoned I should start the new year by sharing some NEW music with y’all. Or at least new to me; this song is from Great Kills, a record that Mail the Horse put out this past September.

They’re from Brooklyn via New Hampshire; I learned about them because they were one of the openers for the Felice Brothers’ New Years Eve show at the Mercury Lounge. They were a little bit jammy, a little bit bluesy, a little bit country and all delicious.

I’ll be posting pictures from the show soon, but until then, here they are with Do You Still Come Home? via the TinyRadars Cow House Video Sessions:
 

Mail the Horse: Do You Still Come Home? (TinyRadars Cow House Series)

2012: A Year In Pictures, October and December

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Johnny Hallyday, Beacon Theater, Oct. 7, 2012
 
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Blake Mills, Terminal 5, New York, NY, Oct. 16, 2012
 
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Fiona Apple, Terminal 5, New York, NY, 0ct. 16, 2012
 
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Fiona Apple, Terminal 5, Oct. 16, 2012
 
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Beast Patrol, The Studio at Webster Hall, October 19, 2012
 
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Alex Greenwald and Z Berg, JJAMZ, The Studio at Webster Hall, Oct. 19, 2012
 
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Alex Greenwald and Michael Runion, JJAMZ, The Studio at Webster Hall, Oct. 19, 2012
 
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Sweatheart, Terminal 5, New York, NY, Oct. 22, 2012
 
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The Dirty Pearls, Terminal 5, New York, NY, Oct. 22, 2012.
 
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Justin Hawkins / The Darkness, Terminal 5, New York, NY, Oct. 22, 2012
 
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Jeffertitti’s Nile w/ Father John Misty, Bowery Ballroom, New York, NY, Oct. 24, 2012
 
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Katy Goodman, La Sera, Bowery Ballroom, New York, NY, Oct. 24, 2012
 
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Father John Misty, w/ Jeffertitti, Bowery Ballroom, New York, NY, Oct. 24, 2012
 
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Lindi Ortega, Roseland Ballroom, New York, NY, Oct. 26, 2012
 
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Mike Ness, Social Distortion, Roseland Ballroom, New York, NY, Oct. 26, 2012
 
Apparently I didn’t go to any shows in November, either.
 
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Sheena Ozzella, Lemuria, Webster Hall, New York, NY, Dec. 2, 2012
 
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Ceremony and stage diver going in to the pit, Webster Hall, New York, NY, Dec. 2, 2012
 
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Titus Andronicus, Webster Hall, New York, NY, Dec. 2, 2012
 
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Animal Collective, Terminal 5, Dec. 5, 2012
 
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Casey Neill, 68 Jay Street Bar, Brooklyn, NY, Dec. 8, 2012
 
IMG_8261 A small fraction – there are nine of them! – of Industries of the Blind, Knitting Factory, Brooklyn, NY, Dec. 21, 2012

2012: A Year In Pictures: July – September

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Alex Greenwald and Z Berg, JJAMZ, Webster Hall, New York, NY, July 10, 2012
 
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Michael Runion, JJAMZ, Webster Hall, New York, NY, July 10, 2012
 
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JJAMZ, Webster Hall, New York, NY, July 10, 2012
 
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Lita Ford, Nikon at Jones Beach Theater, July 13, 2012
 
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Bret Michaels, Poison, Nikon at Jones Beach Theater, July 13, 2012
 
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C.C. DeVille, Poison, Nikon at Jones Beach Theater, July 13, 2012
 
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Bobby Dall, Poison, Nikon at Joes Beach Theater, July 13, 2012
 
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Ricki Rockett, Poison, Nikon at Jones Beach Theater, July 13, 2012
 
IMG_6354Poison, Nikon at Jones Beach Theater, July 13, 2012
 
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Rick Allen, Def Leppard, Nikon at Jones Beach Theater, July 13, 2012
 
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Rick Savage and Joe Elliot, Def Leppard, Nikon at Jones Beach Theater, July 13, 2012
 
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Phil Collen, Def Leppard, Nikon at Jones Beach Theater, July 13, 2012
 
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Def Leppard, Nikon at Jones Beach Theater, July 13, 2012
 
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Marcy Playground, Bank of America Pavilion, Boston, MA, July 28, 2012
 
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A. Jay Popoff, Lit, Bank of America Pavilion, Boston, MA, July 28, 2012
 
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Mark McGrath, Sugar Ray, Bank of America Pavilion, Boston, MA, July 28, 2012
 
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Art Alexakis, Everclear, Bank of America Pavilion, Boston, MA, July 28, 2012
 
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Art Alexakis (Everclear) and Mark McGrath (Sugar Ray), Bank of America Pavilion, July 28, 2012
 
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David Kuckhermann, Beacon Theater, New York, NY, Aug. 30, 2012
 
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Dead Can Dance, Beacon Theater, New York, NY, Aug. 30, 2012
 
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Larry & his Flask, Webster Hall, Sept. 29, 2012
 
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Frank Turner, Webster Hall, September 29, 2012

2012: A Year In Pictures: April – May

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DeVotchka, Beacon Theater, New York, NY, April 4, 2012
 
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Stephin Merritt, The Magnetic Fields, Beacon Theater, New York, NY, April 4, 2012
 
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Claudia Gonson, The Magnetic Fields, Beacon Theater, New York, NY, April 4, 2012
 
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Diamond Doves, Mercury Lounge, New York, NY, April 21, 2012
 
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Elvis Perkins cameo appearance, Mercury Lounge, New York, NY, April 21, 2012
 
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Van Preston, Joe’s Pub, New York, NY, May 17, 2012
 
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Ray Wylie Hubbard, Joe’s Pub, New York, NY, May 17, 2012
 
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Lucas Hubbard and Ray Wylie Hubbard, Joe’s Pub, New York, NY, May 17, 2012
 
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Jill Hennessy, Lucas Hubbard, Ray Wylie Hubbard, Joe’s Pub, New York, NY, May 17, 2012
 

No June; bar review ate my life and I didn’t go to any shows.