A Good Read A Good Listen and A Good Drink, Chuck Hawthorne

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Chuck Hawthorne, currently of Austin, Texas, released his first record earlier this week. Made after 21 years in the Marines and the product of a chance airport encounter with Ray Bonneville, it’s called Silver Line. Bound To Be Bound is the second song that I listened to; it’s also the one that hooked me and that I was still humming to myself days after I listened to it.

Also excellent is Silver Line, which is a love story about train travel. I listened to it and thought, wistfully, about the times I traveled 3000 miles sitting up and washed my hair in the sink while the iron horse rolled over the mountains.

And now, I turn the floor over to Mr. Hawthorne, who joins us today to tell us some stories about his favorite piece of literature, record and drink:


chuck hawthorne silver line

A Good Read:

Spent a whole week on the University of Texas’ pistol team. A couple of regular members ended up sick right before an out of state pistol match and me and my buddy Josh got volun-told to pack our gear. We did, as good Marines do, and all hopped in a van and headed to the University of Colorado at Boulder. Josh and I got shit-housed the night before the match and may or may not have contributed to UT’s loss of that competition. Hungover, defeated, and fired from the team, we headed back into town.

I stumbled into a store and discovered a coffee table book called, Buckaroo – Visions and Voices of the American Cowboy edited by Hal Cannon and Thomas West. I tucked that book into my grip with the intention of reading it and listening to the included CD when I got home.

But, we ran into a white-out blizzard in New Mexico on our way back and was forced to overnight in a little roadside motel. Josh and I ran – on foot – across the highway in the blizzard to a liquor store to grab libations. Miraculously making it back unharmed, I cracked a cerveza and started thumbing through Buckaroo. The book showcases several notable people of the American west, but one guy in particular caught my eye. His name was Buck Ramsey.

Buck was from Amarillo, Texas, had cowboyed before and after a stint in the Marines and, after a tragic horse wreck left him wheelchair-bound, had become a singing, songwriting, western poet. I’m not talking rhyming horses, bees, and fuckin’ tumbleweeds – I mean world-class literature winning a National Endowment for the Arts amongst many other awards. He was “discovered” after submitting some pieces to the National Cowboy Poetry Gathering in Elko, Nevada. Now, I’m from Amarillo, was a Marine, had spent some time as an inept cowboy, and was a pretty shitty poet and songwriter at the time of this discovery. I set out to meet my new hero . . .

I was playing guitar at the Lonesome Dove Ranch in Liberty Hill, Texas not long after this and was talking to the ranch owner, my good friend and Amarillo native, Steve “Shaman” Shaw. One of us brought up Buck Ramsey and I shouldn’t have been surprised that Steve was a close friend of Buck’s. Holy shit. Steve spent the better part of the day regaling me in these legendary tales of Buck Ramsey. You know, all the good behind the scenes stuff everyone wants to hear. How he could recite Shakespeare sonnets while drunk and bring the party to reverent silence. How The Shaman Steve, a cowboy poet himself, and Buck could trade verses on T.S. Elliot’s The Love Song of J. Alfred Prufrock. Are you fuckin’ kidding me? I vowed on my next trip to Amarillo, I was going to track down Ramsey and meet him.

I took some leave during Christmas ’97 and sailed north to Amarillo to spend the holidays with family and friends. A day or two after we rang in 1998, I was drinking whisky and playing guitar for another cowboy hero and mentor of mine, Cliff Lowe.

Between drinks and songs, I asked Cliff, “You don’t happen to know a guy by the name of Buck Ramsey, do you?” Cliff says, “Buck? Hell, let’s call the sonofabitch!” With that, he picked up the receiver to the green rotary phone by his chair and dialed up Ramsey. Buck’s wife answered the phone. Turns out, Buck wasn’t feeling well but would be up for a visit the next day at 9 AM, sharp. Couldn’t believe it.

Taking my leave from Cliff and with plans to meet the next day for my introduction to Buck Ramsey, I headed out. Linked up with my amigo Brandon “Brand Iron” King. We grabbed our guitars in search of a bar that would have us. We didn’t book gigs back then – we just showed up with attitude. Ended up at Cecil’s bar way out on the east side of town and we put on a little show for the folks. I announced to the three people in the crowd that tomorrow I was to meet the Amarillo legend, Buck Ramsey. A drunk shouted out, “He just passed away!” I dismissed him as being too far gone for reality. We finished up our set and shut down the bar.

Driving the back roads to Brand Iron’s house, we slid off the muddy road into a ditch. Hopelessly stuck, Brandon’s wife Raelynn had to come to our rescue pleased to be woken up in the early morning hours, I’m sure.

Abandoning my truck and with muddy boots, we loaded up in her rig and she handed me an early morning edition of the Amarillo paper saying, “I’m sorry, Chuck.” The drunk had been right. Front cover story of the passing of Buck Ramsey.

At daylight, I called up Steve Shaw down in Liberty Hill to break the bad news. “I’ll be there in six hours.”

I rode Shaw’s coattails to get into the funeral. Felt a bit like an imposter, having never met the man, but I wanted to at least pay my respect. Cowboys, writers, poets, and musicians from all over the country showed up. Oddly, I saw my high school Marine ROTC instructor there, LtCol John Regal. Turns out he and Buck were roommates in college. The web of Buck Ramsey was spun pretty intricately I was learning.

After the service, we all crowded into a steak house. Buck’s wife, Bette was holding court to all the well-wishers, friends, and fans. Still feeling awkward for even being there, I went and grabbed my guitar from my freshly un-stuck truck at Steve Shaw’s insistence. Shaw had them turn off the house music and I sheepishly started in on some forgotten song. About 20 folks left as soon as I started picking and I just knew I was fucking this up – running everyone off. But, it wasn’t long before they all returned toting instruments. The jam was on. I remember some guy in Michael Martin Murphey’s band playing my guitar and me playing a song for Buck’s widow and rendering some small words of condolence.

Many years later, I was at a diner in Stoughton, Wisconsin grabbing some chow before a Ramblin’ Jack Elliott show. Jack and his road manager entered the diner. Seizing the opportunity to meet another hero and legend, I stepped up to Jack and introduced myself.

“Jack, my name is Chuck Hawthorne.”
“Pleased to meet you. Where you from?”
“Amarillo, Texas”
“My God, Amarillo? Did you know Buck Ramsey?”

A good read . . . Anthem by Buck Ramsey.

Between Grass & Sky: Rhythms of a Cowboy Poem

P.S. Campfire recitation of Anthem by Steve “Shaman” Shaw beats reading it, every time.

A Good Listen:

Found out Ramblin’ Jack Elliott and Guy Clark were doing a show in Conroe, Texas. Must’ve been 2010 or so. I was going through a divorce, about to leave the Marine Corps, and was stuck at my duty station in Milwaukee, Wisconsin at the time. I said, “To hell with this. I’m going to fly down to Austin, spend a night in the Driskill Hotel, and then go catch that Conroe show.” Guy wrote a song called, Ramblin’ Jack and Mahan about a drunken night Guy, Jack, and Larry Mahan had spent at the Driskill during Jerry Jeff Walker’s Birthday Bash…this was my reasoning.

At the rental car counter in the Austin airport, the gal asked me, “Would you like to upgrade to a Mustang?”

“Hell yes.” Pretty poetic, I thought.

I sailed that Pony right out of the airport to the convenience store and picked up a case of beer. Now my luggage included two pieces: a guitar and beer. Got to the Driskill and drove around looking for a parking space. Parking in downtown Austin is notoriously difficult. After making 3 or 4 loops, I stopped and asked the doorman where in the hell I could park.

“It’s valet parking, sir.”

“Oh.”

Next thing I knew, a bellhop grabbed my “luggage” and was trying his best not to laugh. It’s my big weekend and I was tipping everyone $20 bills. I was down $60 by the time I got to room 436. I decided to call up my friend and amazing songwriter, Tim Henderson – the man Townes Van Zandt said was the ” . . . best songwriter I know.” He agreed to meet me for a jam session. I was pretty stoked. Called up some other friends, Marcus and Chandra Ward, and told them to bring their guitars for a chance to meet and jam with Tim by God Henderson. I had no idea that this would be the last time I ever saw Tim.

Tim brought his Spanish flaminco guitar he’d bought in Spain in 1963.  Same one he’s always used. It was a freshman dance for who was going to play first… Tim invited me to open up his guitar case and pick flaminco.  I inspected the guitar first. The fingerboard was deepened from the thousands of miles Tim’s hands had put on it, mostly on the low end.  The top had aged a gorgeous orange.  The finish on the back was worn in a circular pattern from connecting with Tim’s gut…I started picking on it.  Buzz back and missed notes…the board was wider than I was used to.  I scratched out the melody to Tim’s Maria Consuela.  If anyone noticed, they didn’t say. I handed the guitar over to Marcus for his inspection and he loosely picked on it for a while. 

Tim started regaling us in stories varying from old “feud country” songs and 11th century melodies to his family history. Now, Tim was a genius – literally. Spoke seven different languages. Marcus and Tim started talking music theory. All that shit flew right over my head. Tim spoke about the old Austin days: Tom Russell, Nanci Griffith, and James McMurtry. We all traded songs pretty late into the night. So, Marcus, Chandra, and I can all say we got a personal concert by Tim Henderson – magic.

Came time for Tim to go, so we all escorted him down to the lobby.  I was hauling the flaminco. There was this beautiful young woman in a brown and white slip dress standing there all alone looking a little pensive. I spotted her right away and Tim did too. I know because as the rest of us waited on the valet to bring his car, Tim lightly strolled his 70-something years over to her to say hello. She responded in broken English. He immediately picked up on the accent and replied in French. She was blown away. They proceeded to chat away in her native language and I saw Tim hand her one of his CDs.  Tim’s car arrived. I put his guitar in the back seat and shook his hand as he left.  Frenchy stood curbside with all of us and watched as he drove away.

Once he disappeared from sight, she looked at me and in her broken English said simply, “What a beautiful man.” Indeed.

A good listen . . . Tim Henderson’s The Wind Knows My Name.

Maria Consuela Arroyo

A Good Drink

My brand leans towards “Wet & Free” – though Coors yellow-bellies have long been a staple of an admittedly voracious love of drink I was blessed with. My “Wet & Free” policy has led to some fuckin’ doozies.

A bad drink . . . Army high command in Iraq, who were also in charge of us lowly Marines, created General Order #1: a general ban on the consumption of alcohol in deference to Muslim religious practices. It always struck me as absolutely ridiculous for various reasons, chiefly that prohibition practices in a combat zone had the predictable results to anyone familiar with human behavior or American history. Yes, we drank. Also, General Order #1? Number One? I think my Number One General Order would involve anything else related to the mission, but what the hell do I know?

Christmas Eve in Baghdad. I was part of a little 11-man advisor team on an Iraqi military base. Things were quiet and we were all overdue for a good cork-pull and bottle-hoisting session. Plus, it was Christmas dammit! What better holiday to show no regard for any religious practices – Christian or Muslim – and get drunk?

Some kind soul from stateside had smuggled us in a good bottle of scotch through the mail hidden, appropriately, in a Cap’n Crunch cereal box. Salute and salut. But 11 Marines and one bottle is simply poor math. The scotch was not savored and sipped as scotch was meant to be. Rather, it was swilled in record time and we all sat looking at each other with shit-eating grins in the knowledge that a genuine hoist-fest had commenced.

Undeterred by the empty bottle, we had our Iraqi interpreters go out in town in search of more liquor. Turns out Iraqi prohibition works the same as it did for the Americans. I’ve no knowledge of how or where they found it, but they soon returned with an ample supply of something wet and in their kindness and respect for “our” holiday, the drinks were on them.

I’ve also no knowledge of how any of us retained our eyesight. Bathtub gin? Please . . . Don’t know what it was called and couldn’t pronounce it if I did; but this rot-gut shit must’ve been brewed in a garbage ditch and filtered through a dirty sock. THE absolute worst shit that has ever been my sorry pleasure to drink. We polished off every bottle.

A good drink . . . El Corazon Anejo tequila – preferably gratis.

A Good Read A Good Listen and A Good Drink: Lylit

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Lylit, of Austria, is a classically trained pianist and jazz vocalist who studied at the Bruckner Conservatory in Linz, Austria. Now she’s brought her considerable talents to bear on pop music, and is releasing her first record today, called Unknown. It’s a collaboration with producer/drummer Andreas Lettner; Unknown is the first single from that record, and it is really great.

I liked it because it has a killer beat and is essentially about the joys of backflipping into the slipstream and calling the landing as you’re coming down.

And now, here is Lylit, to share a favorite book, record and drink.


Lylit_Unknown

A Good Read:

When I think of a good book, i think of the writer Martin Suter. He’s been fascinating me with his creations for years now. I read his novel A Perfect Friend in, I think, two days- I just couldn’t stop. A young man, called Fabio Rossi, finds himself waking up in the arms of a stranger, who claims to be his girlfriend and missing his entire memory of the last 50 days. His old girlfriend is now living with his best friend, his beloved ones turned their backs on him and his whole life seems to have changed in these last and lost weeks. From that moment on he tries to retrace his steps to find out the truth and getting to know his new life, while trying to get back his old one.

[Editor’s note: I could only find A Perfect Friend in German and French, but a few of his other novels, including The Chef, are available in English.]

A Good Listen:

My favourite soundtrack to this book would be the album Bon Iver by Bon Iver. It always makes me wander around in my own past, my memories and dream about things that might come.

Bon Iver - Perth (Deluxe)

A Good Drink:

If I had to choose a drink that would go perfect with this book then it would be a Mezcal Mule. I am a major foodie and this drink’s smokey and intense taste always gets me. A dark room, an old wooden table, a couple of slices of sourdough bread with olive tapenade, Perth coming out of the speakers and this book. Perfect night.

A Good Read A Good Listen and A Good Drink, Amory, Girl Friend

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Girl Friend, an electro-pop outfit from Manchester, England, recently released an EP entitled Arrive Alone, Leave Alone. It’s not so much party music as music for between the parties, a soundtrack to drown out uncomfortable silences in the car, and in your own head. It’s bouncy, and kind of mournful, encompassing the gritty-eyed sore footed sour stomach morning-after as well as wistful nostalgia for the night before.

The song that hooked me was Monte Carlo:

And Style and Substance is also very good:

You can listen the rest at their Soundcloud page.

And with that, I turn the floor over to lead singer Amory, who joins us today to talk about a favorite book, record and drink.


GIRL_FRIEND_ARRIVE_ALONE_LEAVE_ALONE-FOR WEB(1) Girl Friend; Amory is in the center, in the black jacket.

A Good Read

Several years ago I was given a copy of Albert Camus’ L’Étranger (The Stranger) for Christmas, what a brilliant present that was. Camus was a French Algerian author and philosopher ; a protean talent with a superb collection of long coats (collars, invariably upturned).

“A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so. She looked sad.”

Something about Camus’ depiction of emotional detachment, in the face of love and death, struck a chord with me. For those who often feel bereft and apathetic for reasons they can’t quite define, I urge you to read this book. Remember – it’s society’s problem, not ours.

A Good Listen

A recent favourite is Queen Of The Clouds by Tove Lo. It’s a wonderful, melancholic, electro-pop record that embraces it’s rich, Swedish heritage. Every song is imbued with lust and loneliness. QOTC is filled with more hooks than an anglers’ convention; as a songwriter, I’m jealous.

Tove is also effortlessly sexy, in a way that Cyrus, Perry and Minaj will never understand. “I get home I got the munchies, binge on all my Twinkies. Throw up in the tub and I go to sleep.” Sigh, throw up on me Tove.

Tove Lo - Habits (Stay High)

A Good Drink

Gin.

There is no pain gin & tonic can’t numb, nor an event it cannot improve. I’ve a predilection for Sipsmith, but I’m easily pleased. I really don’t mind, as long as the person I’m with is young, beautiful and paying…

A Good Read A Good Listen and a Good Drink, Catherine Feeny

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Catherine Feeny, indie folk solo artist has teamed up with jazz percussionist Chris Johnedis to make a record, and it’s scheduled to emerge into the world later this month. I’ve had the pleasure of listening to some tracks ahead of time, and here’s what I can tell you: it’s a many-faceted folk-jazz fusion gem.

These are the two songs that are currently available the listening public. The first one is called Harm and is about unapologetically loving people that might be (probably are) bad for you, because, well, it’s a thrill.

The second one, Carrier Pigeon, is about toxic love letters. I think. Maybe just about the power of love letters. It’s lovely, anyway, and left me thinking about the thrill of receiving actual mail from loved ones, of delicate air mail paper and foreign stamps, of addresses written out, some with care, others, in an untidy scrawl. And, too, the letters that people keep – that I have kept – even when everything else has burned down or faded away.

And with that, I turn the floor over to Catherine Feeny, who has graciously agreed to join us today and tell us about a favorite book, record and beverage:


CFCJcolor Chris Johnedis (left) and Catherine Feeny (right)

A Good Read

I am always a few years behind on my reading — I tend to find books in free piles or on the sale shelf. I just picked up The Art of Fielding by Chad Harbach, and I really enjoyed it. It is an intelligent, generous, entertaining novel with a large cast of characters that is long enough to let you really dig in. And badass Harbach founded N+1, a rad New York-based magazine and publisher.

A Good Listen

One of my favorite records of the year is Comfort in Doubt by Portland-based band Sama Dams. It is dark and complex and compelling. Sam and Lisa Adams are the husband-wife team who share writing and vocals, taking turns behind a weird 70s organ. Chris Hermsen, the drummer, is this passionate mathematical genius who alternates between cool reserve (as in the song My Ears Are Ringing) and unbridled energy. They are friends as well, so I get to see how they work up close.

Sama Dams - My Ears Are Ringing

A Good Drink

My favorite drink right now is a fermented tea called puerh. The tea is picked and then they get it wet in massive piles and let it sit. Finally, they dry it into cakes. When you find a good one (and they vary a lot) it has this rich, yet mellow concentrated ‘tea’ flavor. You can steep the leaves several times — often for the second steeping I let it sit overnight with cardamom seeds then heat it with milk and honey.

Late Night Listening: Toad In the Hole, Chimpshed A. D.

Late Night Listening: a home for things that might be fleeting, might be soothing, might be weird, might be soothing and weird. The blogging equivalent of sitting in the garage twiddling radio knobs just to see what might be out there.


I am not quite sure how to classify Toad In the Hole by Chimpshed A. D., but I have listened to it several times in close succession, trying to figure it out. Here’s what I like: the low hum, the occasional burst of static, the vague sensation of having perhaps done some accidental time travel while attempting to vibrate with the Universal Now.

A Good Read A Good Listen and a Good Drink: Nick Morrison, Mumblr

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Mumblr, scrappy little band of my heart (East Coast division), recently had the opportunity to be part of the Red Room Series, a new session series which is, like them, out of Philadelphia. My first reaction on seeing the videos was They’re playing in good light!!! What!!! because I may possibly have spent too much time in raggedy clubs. The sound is great, too. Here is an excerpt, selected on the grounds that this is one and only time something entitled Greyhound Station could reasonably be described as a visual and aural delight.

Sleepless Sound Red Room Series: Mumblr – Greyhound Station from James DuBourdieu on Vimeo.

They’re heading out on a month’s voyage through parts of the East Coast with some excursions into the Midwest with Soda Bomb starting on April 9, so if you liked what you just watched, stop by their Facebook and check their dates and go and see them if they’re stopping near you.

And now I turn the floor over to lead singer Nick Morrison, who joins us today to talk about a favorite book, record and drink.


A Good Read:

I used to read a lot when I was younger but going to college kind of destroyed my love of reading for fun. It takes me much longer to get through books now, haha. I did just finish Blood Meridian by Cormac McCarthy which was excellent. The book was an interesting mix of beauty and violence.

A Good Listen:

One of my favorite albums is the 1968 self-titled release by Os Mutantes. It’s an amazingly versatile album that hits every emotion. The band spearheaded the psychedelic rock movement in Brazil and, in my opinion, puts bands like Velvet Underground to shame. I’ve always admired the eclectic song-writing and complete mess of styles. The songs Panis et Circenses and Baby are hot tracks.

Os Mutantes- Panis Et Circensis & Bat Macumba (Complete French TV-1969)

A Good Drink:

I’m a big beer guy. I can never bring myself to make or buy a cocktail or mixed drink because I spend too much money on something I drink immediately. If I do drink liquor it’s usually Gin and water. 9 times out of 10 I’m drinking beer. Yuengling is the illest. A good lager really makes it happen for me. If I’m feeling extra fancy I’ll even add a little bit of OJ to it. Have you ever heard of class? Because I think I have it.

Video: Ryan O’Reilly, Northern Lights

And now, a return to regularly scheduled programming, in the form of a really lovely video for an awesome song.

This is Northern Lights by Ryan O’Reilly. The song is the title track for his upcoming EP; the video was shot in Hamilton, Ontario, Canada and my feelings about it are basically a series of animated gestures and the lingering desire to be able to walk around the place and find my own paths through the rusty cars and the snow.

It’s bleak, I guess, I mean, it’s a rust belt town, and the cinematography makes everything look beautiful, but that’s just movie magic and romanticizing a grim reality. But there’s a warmth and sweetness, too, a sense of having entered a secret world, of having found small joyful things to love amid the wreckage.

Ryan O'Reilly - Northern Lights

Cranky Commentary: FarmBorough Festival

Here at NTSIB we try to stick to the positive, but today I’m making an exception, because I just cannot let something this dumb slide by.

The target of my irritation: the FarmBorough Festival, New York City’s first (only?) country music festival.

I saw it pop up on my Facebook feed and I was excited. Country music! Randall’s Island! Yes! Definitely something I’d probably want to attend.

The line-up – with the exception of Dwight Yoakam – is not super great, but it isn’t complete yet, so I was willing to be forgiving on that score. For those of you who just clicked on that link and muttered what??? under your breaths:

1) I’m not especially a fan of Dierks Bentley, Brad Paisley or Luke Bryan, but I acknowledge their star power within the genre and

2) I am one of those people who sincerely enjoys going to music festivals early and wandering around catching snippets of multiple bands. It’s a good way to hear bands I’ve never heard of or have heard of but don’t necessarily want to pay to see at their own show. Some of them will be terrible, some of them will be great; I’m willing to roll those dice if there’s someone I know I like – say, Dwight Yoakam – in there to sweeten the pot.

And then I got to the tickets section and discovered there are no single day passes. And that’s why I’m annoyed.

I’ve attended a bunch of music festivals in the last several years including Bamboozle, All Points West, Great GoogaMooga, Northside Festival, Clearwater Festival and Warped Tour. With the exception of Warped Tour (which is only one day) and Northside, all of them offered single day passes.

A brief survey of summer music festivals being held this year indicates that outside of events held in remote locations – Bonnaroo, Coachella – single days passes seem to be standard. Most notably, Governor’s Ball, also on Randall’s Island this year, and featuring a similar line-up to the other events, has single day passes.

FarmBorough tickets are $225 for a three day pass – more if you want a three day ferry pass, VIP or Super VIP, the latter of which includes, among other things, a cowboy hat – which is, in the grand music festival scheme of things, on the lower end of the scale. But it’s more than I’m willing to gamble.

For those of you about to suggest volunteering or press passes: 1) they have no volunteer options and 2) I can’t even get a press pass for CMJ, never mind this and also 3) that is not the point. Forcing your attendees to buy three day passes is dumb for a multitude of reasons, and giving people – especially persnickety, frugal music consumers – more options and flexibility is always a good idea.

TIO, A Simple Way

And now for something that does not involve a couch: A Simple Way, by TIO, of Toronto.

This song is everything I like about electronic music: hypnotic, shimmery, but with a hint of drone, sandpaper and ancient videogames. Plus some ambiguously sexy cover art. Come, let us listen and squint at that picture and wonder if it’s a dick together.

CXCW Highlights: Grace and Tony; EdTang and The Chops; Leslie Jabara and Susan Hurley

I am still slowly working my way through the CouchxCouchWest performances, but here are three that I think are particularly awesome.

Grace and Tony, How Great Thou Art: They got this one in just under the wire, and I am so glad they did, because it is magnificent. The California scenery, yes, but also their voices, and most especially how they revitalized this old hymn.

Grace & Tony - How Great Thou Art

EdTang and The Chops, Willy Loman: In their CXCW bio they state they all met at a Michael Jackson impersonators conference in Asbury Park, New Jersey. I don’t know if that’s a hook or the truth, but I clicked on their video and I was not disappointed.

"Willy Loman" - EdTang & The Chops

Leslie Jabara and Susan Hurley, Do You Love An Apple: Coming all the way from Ireland, these two ladies, music therapist and music therapist-in-training, bring with them a lovely rendition of a bittersweet traditional song, complete with harp.

Susan Hurley & Leslie Jabara - Do You Love An Apple - CXCW2015