A Good Read, a Good Listen, and a Good Drink: Mudlow

photo credit: Nhung Dang

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Much like my appreciation for Skip James, my interest in Mudlow was originally piqued not by their music, but by a photo of the band. The photo you see above, in fact – taken by Nhung Dang with a pinhole camera made from a biscuit tin. Anyone who has ever purchased a record by an artist they’ve never heard before based solely on the sleeve art knows that art/graphics/image can convey much about sound. When I saw this blurred, rough photo of a bunch of hard men, holding big knives and wearing spattered aprons, I knew they made music I had to hear.

And, well, not only can you sometimes judge a book by its cover, you can also occasionally judge a band by their press photo because I can now put a Mudlow album in the player and happily leave it there for days of repeated listening. The noir grit of their music sits perfectly in that spot where all my favorite music hits me, somewhere between the gut and the pelvis – music for fucking and fighting. All the Mudlow elements, from Trimble’s sinuous saxophone to Tobias’ one-more-whiskey vocals, combine to create a sound that nearly dislocates your jaw with a strong uppercut before confidently seducing you into bed… or vice versa.

The men of Mudlow have favored us with some great recommendations. If these aren’t men you’d like to raise a glass with… well then, I’ll just take your place at the bar.

 

“Zane Merite” – Mudlow

 

TOBIAS

Good Read:
Blood Meridian by Cormac McCarthy.
Amid the staggering brutality and violence in this book I love the way ‘the kid’ keeps on surviving. The descriptive way in which McCarthy writes is epic beyond anything else I’ve read. Also it’s a western and who doesn’t love a western!

Good Listen:
Big Time – Tom Waits
This is like a ‘best-of’ from his most creative period. I think that the re-worked songs, recorded live with a full band (one hell of a band too) are better versions than most of the studio originals.

Good Drink:
Wild Turkey bourbon
It picks you up when you’re down and knocks you down when you’re up. Cheers!

 

MATT

Good Read:
Jolie Blon’s Bounce by James Lee Burke
I hadn’t read any James Lee Burke novels before this one, I picked it up at a second-hand store because I liked the cover. It’s the last book that I read more than once and it’s still my favourite of his.

Good Listen:
Burnside on Burnside – R.L. Burnside
For me, there’s two really great live albums that I listen to regularly (Tobias chose the other one) and R.L. Burnside tears me a new earhole every time I put this one on. Superb sound and a ferocious set from R.L., Kenny and Cedric. It begs to be played really LOUD every time.

Good Drink:
Brooklyn Lager
Ice cold and from the bottle, this is my new favourite lager, flavourful but not too sweet. (there may be a slight emotional bias…my girlfriend is from Brooklyn too!)

 

PAUL

Good Read:
In Cold Blood – Truman Capote
This is my current read. A ‘true crime’ classic. Hmm… Seems like we choose books with rather dark themes, huh.

Good Listen:
The Velvet Underground – The Velvet Underground
I have way too many (ever-changing) musical ‘likes’ to choose just one but I re-visit this album more than most and it’s a good one to drink and read to.

Good Drink:
Metaxa
I regularly go on holiday to visit my Dad in Corfu and this sweet, Greek brandy is my drink of choice when I’m there.

 

TRIMBLE

Good Read:
The Life of Lee – Lee Evans (autobiography)
I tend to read factual stuff on the whole, so I don’t really have a favourite but this is what I’m reading at the minute and it’s pretty funny.

Good Listen:
Smell of Female – The Cramps
It’s EP length really but it’s the Cramps at their best, it always makes me want to go out for a good time, as a result this record has got me into a lot of trouble over the years!

Good Drink:
Tequila Sunrise
It’s a ‘boat drink’. The kind of drink that puts you somewhere better, somewhere with the sun on your face. I hardly ever drink it coz I never go on holiday and you wouldn’t ask for this in the kind of english pubs i go to.

 

“Evol” – Mudlow

 

Mudlow Official Website

Mudlow @ ReverbNation

Mudlow @ Google+

Mudlow @ Facebook

 

We See Lights: Hopeless at Maths

Maths monsters! This explains everything.

Scottish trio We See Lights have returned to shoot sunshine into your earholes again. And your eyeholes! Here’s an enlightening video for us maths-challenged types, for the song “Hopeless at Maths” off We See Lights’ forthcoming album Bloody Twenties.

 

 

Want it? Get it.

 

Bloody Twenties is slated for release in the summer.

 

We See Lights Official Website

We See Lights @ Bandcamp

 

A Tribe Called Red

 

Got some worthy free music to start your weekend. A Tribe Called Red is a collective of Native DJs who mix samples, beats and pow wow music into something they have dubbed Pow Wow Step. When I first read about this, thanks to Rick Saunders, I wondered why I hadn’t heard about anyone doing this sooner.

I’ve been a fan of pow wow music since I first attended the Great Mohican Pow Wow (where they let white people in) in my early teens. The highlight of any day spent at the Pow Wow was going down to the ring to watch the dancers compete as the thumping drums and otherworldly vocals set their rhythm. Pow wow music is, essentially, dance music. It may be more ceremonial than the dancing you see in a club on a Saturday night… but, on the other hand, from a sociological viewpoint, maybe it’s all one in the same.

I was endeared to A Tribe Called Red as soon as I watched this video for “Electric Pow Wow Drum”, which includes clips from Jim Jarmusch’s Dead Man.

 

 

How frigging wicked is that? And there’s a whole album, also titled Electric Pow Wow Drum, free to download below.

 

 

A Tribe Called Red Blog

A Tribe Called Red @ Soundcloud

A Tribe Called Red @ Facebook

 

The Wind-up Birds: Talking Back All the Time

 

While we moan like owt then this good shop shuts
Well take the blame
No you don’t have the guts
While we moan like owt then a good shop shuts
We’d take the blame if we had the guts
For the money we never spent
The times we never went

This is how The Land, the first full-length album from Leeds, England-based band the Wind-up Birds, opens: with an indictment that blankets us all who have popped around to the nearest discount megastore in the name of convenience and saving a buck, then proceeded to moan about what a shame it is when a good locally-owned store is forced to close. You know right off that if The Land is going to leave you feeling anything, “comfortable” will not be among the emotional options.

The Wind-up Birds – named for Haruki Murakami’s novel The Wind-Up Bird Chronicle – have been playing together for nearly a decade, and perhaps it’s best that they waited so long to get their first full album together because this is a strong showing. While the intense “There Won’t Always Be an England” is the immediate favorite for me, I’d hasten to point out the greatness of tracks like “Nostalgic for….”, “No People Just Cutouts”, the first single “Cross Country”, and so on.

 

 

Songs like “Good Shop Shuts” – quoted at the opening of this post – and “There Won’t Always Be an England” are written at a local level, they translate easily to American ears and can make you feel both better and worse that the problems in your backyard mirror problems in the backyards of people an ocean away, and that it’s not just you who is fed up to the back teeth with blind jingoism.

 

 

And behind the words, a musical frontline that many might mark as “post-punk” but the band have dubbed “noisy pop”, “cos in our heads we are making pop music, songs that people can sing and dance to, just a bit noisier.” But the emotional outcome is much closer to punk than ABBA, tattered and angry, and by no means mindless or bubblegum.

 

 

Everything about this album is compelling. Eat it up.

 

The Wind-up Birds Official Website

The Wind-up Birds @ Bandcamp

The Wind-up Birds @ Facebook

 

Feel Bad For You, June 2012

 

The Feel Bad For You mix for June is here, babies. The FBFY corral of hard-working (just humor us) music bloggers, twitterers, avid listeners, and people pulled off the street have come together again to bring you aural pleasure. Pick it up. (For more information about the contributors – or to comment – check the FBFY site.)

 

 

Download.

 

1. Track: Blondie and Dagwood
Artist: Adam Carroll
Album: Lookin’ Out The Screen Door (2000)
Submitted by: toomuchcountry
Comments: This one is for all you June brides and grooms who want your new marriages to last. My suggestion is to put down that copy of 50 Shades of Gray and listen closely to Carroll’s lyrics of romance based on the couple from a comic strip legend.

2. Title: Clever & Quickness
Artist: River City Extension
Album: Nautical Sabbatical (2009)
Submitted By: @popa2unes
Comments: Formed in Asbury Park NJ in 2007. The band played an explosive showcase at last year’s SXSW; Newport Folk Festival producer Jay Sweet stumbled upon the gig, and later told Billboard, “This band, River City Extension, is ripping the paint off the wall.

3. Title: No Spare Parts
Artist: The Rolling Stones
Album (year): Some Girls re-issue (2011)
Submitted By: Bowood
Comments: Jagger in hillbilly mode for this great road trip song from last years deluxe reissue

4.Title: “45″
Artist: The Gaslight Anthem
Album (year): Handwritten (2012)
Submitted By: Gorrck
Comments: Single released in advance of the album. Thinking about actually getting the 45 on vinyl.

5. Title: PT Cruiser
Artist: O. Children
Album (year): Apnea (2012)
Submitted By: tincanman2010
Comments: Sunshine. Music. Cruising. I said cruisING not cruisER. Oh well, rockin’ driving song so I’ll keep it.

6. Title: Head Above Water
Artist: Ryan Montbleau
Album (year): For Higher (2012)
Submitted By: Mando Lines
Comments: Ryan Montbleau’s new album was recorded in New Orleans with George Porter, Jr., Ivan Neville, Simon Lott and Anders Osborne. Ben Ellman (Galactic) produced. The majority of the songs (including this one) are Montbleau originals, but the record also has covers of Curtis Mayfield, Bill Withers and Muscle Shoals great Eddie Hinton. Great record.

7. Title: I Just Want You To Go Away
Artist: The Lovely Bad Things
Album (year): New Ghost/Old Waves (2012)
Submitted By: annieTUFF
Comments: I just heard of this band a couple of months ago, so I’m still trying them on for size. But sometimes the best love song is an anti-love song.

8. Title: Yesterday (Circa Summer 80 Something)
Artist: Cory Branan
Album (year): 2012
Submitted By: TheOtherBrit
Comments: Cory finally got this album out and this ode to John Cougar is the perfect way to kick off summer.

9. Title: Chain Chain Chain
Artist: Red Red Meat
Album (year): Bunny Gets Paid (1995)
Submitted By: Ryan (Verbow @ Altcountrytab.ca)
Comments: I’m constantly surprised at the numbers of bands I missed out on in the 90′s. Red Red Meat were straight outta Chicago, even touring with Smashing Pumpkins – yet I’m only just now finding out about them thanks to Tim Rutili’s current band (Califone). This is off of their recently reissued Sub Pop masterpiece Bunny Gets Paid – damn fine song if you ask me. Crank it.

10. Title: The Messenger
Artist: Ray Wylie Hubbard
Album (year): Crusades of the Restless Knights (1999)
Submitted By: Rockstar Aimz
Comments: Killer song by RWH. This version features Patty Griffin on background vocals.

11. Title: Ready For The Axe To Drop
Artist: TV Smith
Album (year): Useless – The Very Best of TV Smith
Submitted By: Simon
Comments: The only redeeming feature of this weeks Jubilee celebrations for me has been the various media articles and TV programming on the BBC revisiting punk, not that it ever really went away – which brings me to this months song choice from a guy who’s continued to record solo and in various collaborations after the punk band he fronted split in 1979, prompted by one of the aforementioned BBC Rock-docs here’s a track from the The Adverts front man TV Smith http://www.tvsmith.com/

12. Title: Alone In Memphis
Artist: Austin Lucas w/Glossary
Album (year): none
Submitted By: Bryan Childs (ninebullets.net)
Comments: This, I assume, will be on Austin’s next album.

13. Title: Everything You Took
Artist: Lee Bains III & The Glory Fires
Album (year): There is a Bomb in Gilead (2012)
Submitted By: @philnorman

14. Title: Come Unto Me
Artist: The Mavericks
Album (year): Suited Up and Ready EP (2012)
Submitted By: Trailer
Comments: Bad ass song. Glad they’re back!

15. Title: Sippin’ Sorrow
Artist: Pearl Woods
Album (year): Eeny Meeny Moe!
Submitted By: BoogieStudio22
Comments: An old R&B tune, from a ripped LP that I recently acquired (quality’s not great). Just plain fun!

16. Title: Bring Flowers To My Grave
Artist: Jake Klar
Album (year): Jake Klar (2012)
Submitted By: Slowcoustic
Comments: Some great twangy singer songwriter “alt-country” from this new-to-me artist. The 7 track album is even a free download on his bandcamp page: http://jakeklar.bandcamp.com/ Highly Recommended.

17. Title: Creakin’ Ol’ Bones
Artist: Michael Dean Damron
Album (year): Nah Death, Im’a Comin’ For You (2012)
Submitted By: Romeo Sid Vicious
Comments: Mike D. has been getting me through a lot as of late and this track is the one I queue up the most at the moment.

18. Title:1922
Artist: Shooter Jennings & Last False Hope
Album (year): Outlaw Radio Compilation vol. 2
Submitted By: Adam Sheets
Comments: Based on a Stephen King novella.

19. Title: Loser Neck
Artist: The Riverboat Gamblers
Album (year): The Wold You Feed (2012)
Submitted By: erschen

20. Title: Set On Fire
Artist: Magnolia Mountain
Album: Town & Country (2012)
Submitted By: Corey Flegel (This Is American Music)

21. Title: Sweetness
Artist: Micah P Hinson
Album: … And The Pioneer Saboteurs (2010)
Submitted by: Lord Summerisle
Comments: I am baffled as to why this man is not huge. Probably my favourite artist of the last 10 years in terms of consistency. Every album is great.

22. Title: The Devil Ain’t Lazy
Artist: Bob Wills and his Texas Playboys
Album: single (1948)
Submitted By: April @ Now This Sound Is Brave
Comments: I get a kick out of the fact that this song is essentially praising Satan’s work ethic. And, of course, since it’s Bob Wills, it swings. The mellow-voiced Tommy Duncan provides the vocals.

Second Line Jazzband: St. James Infirmary

 

I’m just going to say this up front: You can’t have a second line with a stand-up bass and a full drum kit. That being said, I’ve been up in the New Orleans vibe lately, so this rendition of the classic “St. James Infirmary” by Swedish group Second Line Jazzband is hitting me in my sweet spot. The clearly accomplished musicianship backs a soulful delivery by guest vocalist Daniel Lemma, and I like the way the structure of the song parallels the progression of a jazz funeral/funeral-with-music by moving along slowly and solemnly until they “cut the body loose” and dance down the road.

Listen and download:
SECOND LINE JAZZBAND (w. DANIEL LEMMA) | “St James Infirmary” (2012) by birdswillsingforyou

 

Second Line Jazzband Official Website

Daniel Lemma Official Website

 

A Good Read, a Good Listen, and a Good Drink: The Payroll Union

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Is it right to describe someone’s voice as “woody”? (Another hurdle: is it possible to do so without calling a particular Monty Python’s Flying Circus sketch to people’s minds?) Because I realize that is what Pete David’s voice makes me think of: a dark, polished wood. Perhaps mahogany or a particularly richly-hued and knotty cherry. It’s pleasing to the senses, but its many rings and swirls have stories tucked into them.

So, too, could be described the music of Pete David’s band, the Payroll Union. I’ve heralded the Payroll Union here before for their instantly-effecting music and the rich history that makes up the bulk of the stories told in their songs, and I’m happily anticipating their first full-length album, slated for release this autumn. The band is offering a free track from their forthcoming album, one new track each month, at their site (click “free song” in the header) through September.

Today, Pete shares a few recommendations with us.

 

“Mary Lamson” – The Payroll Union

 

Good Read:
1776 by David McCullough
I’m currently in the middle of The Civil War, Shelby Foote’s epic narrative and though it’s engrossing, he still doesn’t beat David McCullough for bringing history to life. McCullough’s research, his even-handedness and his economy of words all combine to create an incredibly vivid picture. He is able to give such a strong sense of presence to history and show how extraordinary – and in some cases, unlikely – events were. For this reason, I’ve chosen 1776, his book on events of the Revolutionary War during that year. You understand why New York delegates to the Continental Congress were wary of supporting the Declaration of Independence as 30,000 troops gradually sailed towards their city. They would have been hung as traitors, if caught. To give that figure some context, Philadelphia was then the largest city of the thirteen colonies, with a population of around 30,000. The sense of fear and trepidation is brilliantly conveyed by the author. Ultimately, McCullough’s skill is in presenting ‘his’ characters as real people and not just impressive figures. Washington, Howe, Greene, they all emerge with their flaws and strengths painted without – seemingly – any great bias.

Good Listen:
Tonight’s the Night, Neil Young
There’s plenty of good recent music I’m listening to at the moment – Slim Cessna’s Autoclub, Neva Dinova, Waters – but there are only a handful of albums I consistently return to and one I’ve recently put on the player again and have done for the past 11 years, is Neil Young’s Tonight’s The Night. A couple of years ago, I finally got round to getting it on vinyl and it’s given me another burst of enthusiasm for what is probably – if I really had to pick one – my favourite record. To describe it as ragged would be an understatement. The vocals, cracked and drunk, are beautifully broken; guitars crash and tumble; piano keys are clumsily tinkled. It swells around you in a similar way to Exile On Main Street, but Tonight’s The Night is both drunk and sad. This is an album about grief, and the sense that the band are on the edge of falling apart pervades the whole record. I love Neil Young, and he has consistently made great records, but none better than this.

 

 

Good Drink:
Timothy Taylor’s Landlord
No doubt about this one. My desert island beer is and always has been Timothy Taylor’s Landlord. Full, hoppy but not overpowering and a perfect 4.3% ABV. Every pint is deeply satisfying. Tastes great from a bottle too, which has, on the label, a lovely picture of a jolly, bald, rotund man (presumably the landlord) grasping firmly a tankard of the foamy beverage. Great beer from one of the many great Yorkshire breweries.

 

“Jake the Pistol” – The Payroll Union

 

The Payroll Union @ Bandcamp

The Payroll Union @ Facebook

 

Kojo “Easy” Damptey: A Revolution Full of Uncertainty

 

Arriving in Hamilton, Ontario, Canada, to study chemical engineering at McMaster University, Kojo “Easy” Damptey noticed obvious differences between his new northern home and his birthplace of Accra, Ghana, Africa, like the overwhelming cold. But a perhaps more affecting difference he found was in the people.

“In Ghana there is a proverb that states ‘it takes a village to raise a child’, this is the driving force for most communities back in Ghana,” Damptey says. But in Canada, he found people kept to themselves, “black people would only interact with black people, Italians would socialize with Italians, etc.” Even something as simple as a ride on public transit, where most Ghanaians are open to personal interaction, became an illustration of social divides as most Canadians seemed hesitant to interact. (This is, at least, Damptey’s experience and points out that others have had different experiences, but I think most Canadians and Americans reading this find truth in his assessment.)

But Damptey found connections with like-minded people through his discovery of FruityLoops and MPCs (MIDI/music production centers). As he began to produce beats like those of the hip hop artists he had listened to in his youth – DMX, Nas, Tupac Shakur – he became involved with other musicians at his university, musicians who were playing instruments and touring. He was then inspired to teach himself piano, which Damptey says, “took years, but eventually I pulled through.”

Broadening his artistic skills and drawing on his hip hop influences as well as soul and reggae influences, Damptey began collaborating with other artists, including Kae Sun, whose Damptey-produced album Soliloquy album won Rap/Hip Hop Recording of the Year in the 2006 Hamilton Music Awards.

Now Damptey has self-released his own EP, The EP – available via Bandcamp and iTunes. An artist of strong social conscience, Damptey highlights issues of immigration, apathy, and a common factor he finds between the people of Ghana and the people of Canada, poverty and the struggle to find jobs and support families.

“All these issues are complex issues that are never discussed out in the open unless it affects someone we know. My aim is to bring these issues to the forefront so we can talk about it and hopefully find a way to deal with it in our society,” Damptey says. “I would like people to listen to the words, ponder over the words, and realize we are all connected in the world by the choices we make everyday.”

 

 

When first listening to The EP, I was struck by Damptey’s soulful approach to hip hop beats and the large amount of heart poured into the music, words, and vocals. The track “Africa” is easily my favorite on the ep, inspiring me to play it repeatedly the first night I listened.

 

 

Damptey’s future holds a collaboration with hip hop group Canadian Winter (Daylight Robbery, due out later this year), as well as a documentary centering on the efforts of Hamilton community organizations, agents and low-income leaders to provide a living wage for all Hamilton citizens.

 

Kojo “Easy” Damptey Official Website

Kojo “Easy” Damptey @ Bandcamp

Kojo “Easy” Damptey @ Twitter

 

Give: T-Model Ford

 

Stolen wholesale from Deep Blues:

UPDATE! The good folks at SavingCountryMusic.com have set up a PayPal button for donations towards T-Model’s care. You’ll find it in the top right corner of their page. Thanks Triggerman!

 

T-MODEL FORD HEALTH UPDATE via Roger Stolle:
Hi y’all. I just talked to T-Model’s wife Miss Stella. As many of you know James “T-Model” Ford has unfortunately suffered another stroke over the past week. He is to undergo angioplasty and start physical therapy “soon.” Since the medical bills are adding up, and he is currently unable to work/play, the Ford family is seeking donations to help with expenses. At 91 years old, T-Model is one of the last Delta bluesmen of his generation. He’s also a heckuva tough old dude, and as he sings, “Nobody Gets Me Down!” Please keep him in your thoughts and prayers, and send him a little something if you can. (Red Paden is also talking about trying to put together a blues benefit for T down the road, so stay tuned on that.) Thanks.

SEND DONATIONS DIRECTLY TO BANK:
James Ford
Routing# 084205708
Account# 4700445890
Planters Bank
424 Washington Ave
Greenville, MS 38701
PH: 662-335-5258
FX: 662-378-4429

OR MAIL CARDS, CHECKS, ETC. TO HOME:
James Ford
443 South 7th Street
Greenville, MS 38703

photo credit: Lou Bopp